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The Major Hindu Gods and Goddesses

Hinduism is said to have millions of gods — but in practice, a few dozen take center stage. Here’s your guide to the most significant deities and avatars, including Shiva, Ganesha, Vishnu, Saraswati, Krishna, Hanuman, Lakshmi and Kali.

Ganesha on his mouse, Vishnu on Garuda, Shiva on the Nandi Bull and Saraswati on her swan

If you’ve ever heard that Hinduism has “330 million gods,” you might picture an endlessly expanding pantheon with so many characters you could spend a lifetime learning about them all. 

The truth is more layered. That astronomical number isn’t a census so much as a poetic way of saying the divine is infinite, manifesting in countless forms and aspects. 

In practice, certain deities emerge again and again — in temple carvings, festival processions, devotional songs and stories passed down through generations.

Many Hindu gods have skin glowing in hues beyond the human — deep blue for cosmic infinity, gold for radiance, green for life itself.

Multiple arms signal their boundless power, each hand holding a weapon, tool, lotus or blessing.

Some are worshipped as supreme in their own right; others are venerated as avatars, or incarnations, of the same cosmic force. You might see the same god in wildly different guises — gentle one moment, ferocious the next — depending on the story being told. And while millions of forms may exist in theory, a core roster of perhaps 20 or so names dominates the Hindu spiritual and cultural imagination.

Here, we’ve gathered the most prominent Hindu gods and goddesses. You’ll meet gods who ride lions, owls, bulls and even mice; goddesses who create, nurture and destroy; and divine heroes whose epics have shaped centuries of art, music and philosophy. 

While each deity is unique in their own way, you’ll notice certain recurring themes that mark their divinity. Many are crowned with halos of light, their skin glowing in hues beyond the human — deep blue for cosmic infinity, gold for radiance, green for life itself. Multiple arms signal their boundless power, each hand holding a weapon, tool, lotus or blessing. They are adorned with jewels and garlands, their forms draped in silks that ripple like clouds or sunlight. At their side waits a faithful vahana, an animal mount whose nature mirrors the god’s own — be it the fierce lion, the graceful swan or the humble mouse. These shared elements form a visual language of the divine, instantly recognizable across temples, paintings and stories.

Whether you’re new to Hindu mythology or deepening your familiarity, consider this your guided tour of the celestial VIP list.

The Hindu goddess Annapurna, holding a ladle and bowl of food

Annapurna

The goddess who feeds the world

Domain: Nourishment, food, abundance, hospitality

Symbolism: Golden ladle for the act of serving, bowl of food for sustenance, grain for prosperity, kitchen hearth for the warmth of home

Appearance: Annapurna’s beauty is that of comfort — the kind that draws you in from the cold and fills your bowl before you can ask. Her skin glows with the warmth of an autumn harvest, and her dark hair falls in glossy waves beneath a golden crown. She wears a crimson sari edged in gold, the color of ripened grain in the sun, and jewels that glint like the first sparks from a cooking fire. In one hand, she holds a golden ladle; in the other, a bowl brimming with food, the eternal promise that no soul will go hungry in her presence.

Mount/Vahana: None traditionally. She’s often depicted seated in a kitchen or temple setting. 

Mythological role: Annapurna is a form of Parvati, born to remind even Shiva that life cannot be lived on renunciation alone. When Shiva once declared that the world was an illusion — including the need for food — she disappeared, and the earth grew barren. Only when hunger touched every being did Shiva seek her out. Finding her in Varanasi, he humbled himself, and she served him a meal with her own hands. From then on, she became the goddess of nourishment, the one who teaches that the spiritual and the physical are inseparable.

Consort and family: As a form of Parvati, she’s the wife of Shiva and mother of Ganesha and Kartikeya.

Associated festivals: Annapurna Jayanti (celebrating her birth), observed mainly in northern India

Worship and significance: Devotees seek Annapurna’s blessings for a plentiful harvest, a stocked kitchen and the generosity to feed others. Her temples often serve prasada (sanctified food) to all who come, without question of wealth or status.

Fascinating fact: The Annapurna temple in Varanasi is one of the few where food — rather than flowers or incense — is the primary offering.

The multi-faced Hindu god Brahma, holding text and riding his swan Hamsa

Brahma

The creator, architect of the universe

Domain: Creation, knowledge, the cosmic order

Symbolism: Four heads gazing in all directions, each reciting one of the Vedas; a water pot holding the seed of life; the lotus, symbol of the universe’s unfolding

Appearance: Imagine an elderly yet ageless figure, his beard as white as the snows of the Himalayas, his skin glowing with the faint blush of dawn. Brahma wears robes the color of the rising sun — deep pinks and reds, shimmering with gold threads that catch the light. His four heads turn in unison, surveying all corners of the cosmos. Each face holds a calm, wise expression, as if they’ve already seen all possible futures. In one hand, he holds the Vedas, the sacred knowledge of the universe; in another, a mala (prayer beads) that he uses not for devotion, but for counting the endless cycles of creation and destruction.

Mount/Vahana: A swan named Hamsa, symbolizing discernment and wisdom. The swan is said to be able to separate milk from water, just as Brahma discerns truth from illusion. In art, Hamsa often glides beside him, wings lifted as if in mid-takeoff, ready to carry him across the endless skies.

Mythological role: Brahma’s story begins in a lotus — but not just any lotus. It sprouted from the navel of another god, Vishnu, as he lay upon the cosmic ocean, and from that lotus, Brahma emerged. He became the craftsman of reality, shaping the heavens, Earth and all beings. And yet, despite his monumental role, Brahma is one of the least-worshipped gods in Hinduism. Myth has it this is due to a curse: After a quarrel with Shiva and an act of deceit to prove his supremacy, Brahma lost the right to have temples dedicated to him. Today, there are only a handful of temples in the world where he is the main deity, the most famous being in Pushkar, Rajasthan. He is, though, often found inside spirit houses on Bali

Consort and family: Saraswati, goddess of wisdom, is his wife and creative partner — her music and intellect inspiring his act of creation.

Associated festivals: Brahmotsavam in Tirupati carries his name but actually honors Vishnu; Kartik Purnima in Pushkar celebrates him directly.

Worship and significance: As the origin point of creation, Brahma represents knowledge, beginnings and the birth of ideas — whether that’s the universe itself or the spark of inspiration in a human mind.

Fascinating fact: Each of Brahma’s days lasts 4.32 billion human years. At the end of one of his “days,” the universe dissolves into the cosmic ocean, only to be re-created when he awakens. In other words, even the universe has a bedtime.

Chandra, the Hindu moon god, under a crescent moon, holding a flower

Chandra

The moon god, keeper of time and tides

Domain: The moon, time, fertility, the mind and the life-giving elixir soma

Symbolism: The luminous crescent moon, the night sky strewn with stars, a chariot pulled by antelopes, and the cool radiance that soothes the earth after the heat of day

Appearance: Picture the night as a velvet canopy, deep navy and speckled with pinpricks of silver light. Cutting through that darkness is Chandra’s chariot — sleek, gleaming, and drawn by a team of pure white antelopes. Chandra has a youthful face, his skin glowing with the pale luminescence of moonlight reflected on water. His black hair flows beneath a crown that holds a crescent moon, its tips like delicate silver horns. Draped in garments of pearl white and soft blue, he carries a lotus, symbol of purity, and his eyes have a dreamy calm that mirrors the gentle pull he exerts on the tides.

Mount/Vahana: A shining chariot drawn by 10 white antelopes (or, in some traditions, horses with antelope heads). The choice of mount reflects agility, swiftness and the moon’s ability to traverse the heavens with grace.

Mythological role: Chandra’s presence in the sky is more than decoration; he is the very heartbeat of time in the Hindu calendar. The waxing and waning of his light marks the rhythm of festivals, rituals and agricultural cycles. But his myths are not without drama. In one tale, Chandra married the 27 daughters of Daksha, the starry “nakshatras” or lunar mansions, but favored one, Rohini, above the rest. His neglect angered Daksha, who cursed him to fade away. This curse explains the moon’s waning phase — until the gods intervened to let him regain his strength, creating the cycle of waxing and waning we see each month.

Chandra is also tied to the sacred drink soma — in some traditions, he is soma personified, the elixir that nourishes gods and mortals alike. When he disappears at the new moon, it is said he is being “drunk” by the gods, only to be reborn and replenished.

Consort and family: Married to the 27 nakshatras, with Rohini as his most beloved. In some myths, he fathers Budha (the planet Mercury, not to be mistaken with the Buddha) with the goddess Tara, sparking a celestial scandal.

Associated festivals: Karva Chauth, where married women fast until they see the moon; Sharad Purnima, celebrating Chandra’s brightest, most benevolent light of the year.

Worship and significance: Chandra governs the mind and emotions in Vedic astrology, influencing calmness, creativity and romance. He is called upon for mental clarity, fertility blessings and the soothing of emotional storms.

Fascinating fact: While most gods have one vahana, Chandra’s chariot is pulled by not one but 10 antelopes, a detail that adds a touch of otherworldly strangeness (and a nod to Santa Claus) to his midnight ride.

Multi-armed Hindu goddess Durga, holding weapons and riding a lion

Durga

The invincible mother, warrior goddess of cosmic balance

Domain: Protection, destruction of evil, strength, righteousness, the embodiment of shakti (divine feminine power)

Symbolism: Ten arms each bearing a weapon from the gods, the lion or tiger as her mount, and the serene smile of a warrior who knows the battle is already won

Appearance: The horizon burns with gold and crimson light, the air trembling as the roar of a lion cuts through the clamor of war. On its back sits Durga — radiant, unflinching, crowned with a gleaming diadem that catches the sun like fire. Her skin glows like molten gold, and her eyes are wide and steady, reflecting the calm at the heart of a storm. Each of her 10 arms moves with divine precision: One looses an arrow, another swings a sword, another raises a conch to rally her allies. Each weapon was a gift from a god, entrusted to her when they realized no male deity could defeat the demon Mahishasura.

Mount/Vahana: A lion or tiger, symbolizing power, fearlessness and the ferocity needed to destroy evil. In many images, her mount is mid-leap, claws bared, charging into battle beside her.

Mythological role: Durga’s most famous tale is her battle with Mahishasura, a shape-shifting buffalo demon who could not be killed by man or god. For nine days and nights, she fought him, her weapons flashing like lightning. On the 10th day, she struck the final blow, the demon collapsing at her feet. This victory is celebrated as Vijayadashami (the Day of Victory), and the nine nights of battle as Navratri. But Durga isn’t just a warrior — she’s also a compassionate mother and a guardian of the innocent, protecting the world from forces that disrupt cosmic order.

Consort and family: Considered an aspect of Parvati, wife of Shiva, and mother to Ganesha and Kartikeya. In her warrior form, she stands apart, representing the untamed energy that even the gods must revere.

Associated festivals: Durga Puja, Navratri, Vijayadashami — all filled with dancing, music and processions of her image returning to the water from which she came.

Worship and significance: Durga is called upon for courage, protection and the strength to face seemingly insurmountable challenges. Her image is often placed at thresholds or in vehicles as a ward against danger.

Fascinating fact: In many depictions, Durga is shown skewering Mahishasura at the exact moment he shifts from buffalo to human form — symbolizing her mastery over chaos itself, striking at the perfect moment when the enemy is most vulnerable.

The elephant-headed Hindu god Ganesha, in the style of India truck art

Ganesha

The granter of boons, remover of obstacles, lord of beginnings and wisdom

Domain: Wisdom, intellect, new ventures, success, remover of obstacles both physical and spiritual

Symbolism: Elephant head (wisdom and memory), large ears (listening deeply), small eyes (focus), a curved trunk (adaptability), broken tusk (sacrifice for knowledge), a sweet dumpling known as modak (reward of spiritual pursuit)

Appearance: A figure that makes everyone smile. Ganesha sits with the casual ease of someone who has already solved your problems before you’ve spoken them aloud. His elephant head is grand yet gentle, with eyes that crinkle in amusement and ears spread like open hands, ready to catch every prayer. His skin is often a warm pink or golden hue, adorned with rich silks in reds and yellows, gold bangles chiming softly at his wrists. One hand raises in blessing; another holds a sweet modak, its conical shape a symbol of spiritual rewards. Another hand may wield an axe, to cut away attachments, while the fourth carries a rope, to draw devotees closer to their goals.

Mount/Vahana: A small, humble mouse named Mushika. At first glance, it seems absurd — an enormous god riding a tiny creature — but the symbolism is deliberate. The mouse represents desires, which can gnaw endlessly if unchecked. Ganesha, in riding it, shows mastery over impulses, and the ability to reach even the smallest corners of the mind where obstacles hide.

Mythological role: Ganesha’s origin stories are as colorful as his depictions. In the most popular version, Parvati fashioned him from the turmeric paste she used for bathing, breathing life into the boy to guard her privacy. When Shiva, her husband, returned and found this unknown child blocking his way, he beheaded him in a fit of divine rage. Realizing his mistake, Shiva replaced the head with that of the first creature he found — an elephant — and bestowed upon Ganesha the role of guardian of thresholds, beginnings and new journeys.

He appears in countless tales, often outwitting gods and demons alike with his quick thinking. One famous story tells how he won a race around the world against his brother Kartikeya by circling his parents, declaring that they were his whole world — a victory earned through wisdom, not speed.

Consort and family: Son of Shiva and Parvati, brother to Kartikeya. In some traditions, married to Siddhi (spiritual power) and Buddhi (intellect).

Associated festivals: Ganesh Chaturthi: a 10-day celebration where clay idols of Ganesha are immersed in water, symbolizing both his arrival and return to the divine realm.

Worship and significance: Ganesha is invoked at the start of all endeavors — whether building a temple, writing a book or opening a shop. His image is often placed above doorways, on business ledgers and on the dashboards of cars, ensuring smooth beginnings and safe journeys. As Vighnaharta, the remover of obstacles, and Varada, the granter of boons, he is the god to whom devotees turn when seeking success, blessings and protection.

Fascinating fact: The broken tusk has several explanations. In one, Ganesha broke it off to use as a quill for writing the epic Mahabharata as the sage Vyasa dictated it, agreeing never to stop until the work was complete. The sacrifice turned a blemish into an eternal symbol of devotion to knowledge.

Hanuman, the Hindu monkey god, holding a mace and opening his chest to reveal Rama and Sita

Hanuman

The monkey god, embodiment of strength and devotion

Domain: Courage, loyalty, protection, selfless service

Symbolism: The gada (mace) for strength, the mountain he carries for resourcefulness, and his open chest revealing the images of Rama and Sita — a literal heart of devotion

Appearance: A figure with the face of a monkey but the stance of a seasoned warrior — broad shoulders, a long curling tail, eyes full of determination. Hanuman’s skin is often rendered in shades of deep gold or copper, his muscles taut with power earned through ascetic discipline. He wears a simple dhoti, sometimes red, sometimes saffron, with golden ornaments that catch the light as he moves. His most striking image is not when he wields his mace or leaps across the sea, but when he tears open his chest to reveal the divine couple Rama and Sita glowing inside — proof that they live in his heart.

Mount/Vahana: None in the traditional sense; Hanuman’s own supernatural strength, speed, and ability to leap vast distances make him his own transport. In art, he’s often shown soaring through the air, wind whipping through his fur.

Mythological role: Hanuman’s story is woven tightly into the Ramayana. Born to Anjana and blessed by the wind god Vayu, he displayed superhuman powers from childhood — once leaping to catch the sun, mistaking it for a fruit. As an adult, he becomes the devoted ally of Rama in the quest to rescue Sita from Ravana. His feats include burning the city of Lanka with his flaming tail, carrying an entire mountain of herbs to heal Lakshmana, and crossing oceans in a single bound. Yet for all his power, Hanuman is known for humility — he never seeks glory for himself, only the success of Rama’s mission.

Consort and family: Celibate by choice, devoting all his energy to service and devotion. Son of Anjana and the wind god Vayu.

Associated festivals: Hanuman Jayanti, celebrated with recitations of the Hanuman Chalisa and offerings of sindoor (vermilion powder).

Worship and significance: Hanuman is called upon for strength in adversity, courage in the face of danger, and protection from evil influences. Temples dedicated to him often have devotees chanting his name or circling the shrine for blessings.

Fascinating fact: Hanuman’s name means “disfigured jaw” — a reference to the childhood incident where Indra struck him with a thunderbolt when he tried to grab the sun, injuring his jaw but also awakening his divine powers.

Rain falls on the Hindu god Indra, riding a white elephant

Indra

King of the heavens, wielder of the thunderbolt

Domain: Rain, storms, war, kingship, protection of cosmic order (ṛta)

Symbolism: The Vajra (thunderbolt) for irresistible power, Airavata the elephant for strength and majesty, rain clouds for life-giving abundance, the rainbow for divine promise

Appearance: Indra stands tall and broad-shouldered, the bearing of a warrior-king in every line of his frame. His skin glows with the vitality of fresh rain on sunlit stone, and his eyes flash with the quicksilver of lightning. A golden crown rests on his brow, studded with gems that mirror the colors of the sky — sapphire for the clear day, opal for the gathering storm. Draped in silks the color of storm clouds, he carries the Vajra, forged from the bones of the sage Dadhichi, a weapon that can shatter even the mightiest foe.

Mount/Vahana: Airavata, the great white elephant, vast as a mountain and crowned with four tusks. His steps shake the earth, and from his trunk he sprays water that feeds the clouds, heralding the monsoon.

Mythological role: Indra is the king of the Devas and ruler of Svarga, the heavenly realm. In the Vedic age, he was the supreme god, the bringer of rain and the breaker of drought. His most famous legend tells of his battle with Vritra, the serpent-demon who had imprisoned the world’s waters. Riding Airavata and wielding the Vajra, Indra struck Vritra down, freeing the rivers and restoring life to the land. Later myths show him as both hero and flawed figure — brave in battle, quick to defend the gods, yet prone to pride and desire.

Consort and family: Married to Shachi (also called Indrani), queen of the heavens. Son of the sky-god Dyaus and the dawn goddess Prithvi in some accounts, though genealogies vary.

Associated festivals: While Indra is less central in modern Hindu worship, he’s honored in certain regional festivals, such as Indra Jatra in Nepal, which celebrates him as the god of rain and the harvest.

Worship and significance: Once the chief deity of the Rigveda, Indra’s prominence has shifted over time. But he remains a powerful symbol of leadership, protection and the life-giving force of rain. Farmers and warriors alike have invoked his name for victory and survival.

Fascinating fact: In some Balinese traditions, Indra is seen as a mediator between gods and humans — a role that has parallels in the island’s legends of Barong and Rangda, the eternal dance of protection and destruction.

The blue-skinned Hindu goddess Kali, her tongue out, holding a sword and a decapitated head, wearing a necklace of heads

Kali

The fierce mother, devourer of time, destroyer of illusions

Domain: Destruction of evil, liberation, transformation, time, empowerment

Symbolism: Garland of severed heads (knowledge gained through ego’s destruction), skirt of severed arms (detachment from action), lolling red tongue (shock and raw power), weapons and a severed demon head in her hands (victory over darkness)

Appearance: Kali does not arrive quietly. She bursts into the battlefield like a storm let loose, her skin the color of midnight, absorbing all light. Her hair streams wild and unbound, a living halo of chaos, and her eyes blaze like twin suns at the moment of apocalypse. Around her neck hangs a grisly garland — fifty severed heads, each representing a Sanskrit letter, a reminder that all speech and creation eventually dissolve into silence.

Her skirt is a belt of severed arms, trophies from foes, but also a symbol that the fruits of action belong to the divine, not to the ego. In two hands she holds weapons: a sword and a trident; in another, she clutches the freshly severed head of a demon, its blood still dripping onto the ground. Her other hands are extended in gestures of blessing and reassurance, an unsettling reminder that the one who destroys also protects.

Mount/Vahana: None in her most iconic form — Kali’s arrival is so sudden and overwhelming that she needs no mount. In some regional depictions, she is associated with jackals or rides upon the corpse of a demon, symbolizing her mastery over death itself.

Mythological role: Kali’s most famous appearance comes in the battle against the demon Raktabija. Each drop of his blood that hit the earth produced another demon, making him nearly impossible to kill. Kali’s solution was both brilliant and terrifying: she tore through the battlefield, drinking his blood before it could touch the ground, consuming him entirely.

But her ferocity once threatened to tip into total annihilation. In a victory frenzy, she rampaged across the world until Shiva lay down in her path. Stepping on him, she realized what she was doing — her tongue darting out in shock. That moment is immortalized in her most famous pose: foot on Shiva’s chest, tongue out, eyes wide, the destroyer stopped by compassion.

Consort and family: Considered a form of Parvati, consort of Shiva, though in her aspect as Kali she often acts alone.

Associated festivals: Kali Puja, coinciding with Diwali in Bengal; Navratri in her fierce aspect.

Worship and significance: Kali is worshipped not for gentle blessings, but for transformation — she burns away illusions, attachments, and fears. Devotees come to her to destroy what is holding them back, knowing the process may be as fierce as she is.

Fascinating fact: In Tantric traditions, Kali is not feared but embraced as the ultimate reality — the womb and the tomb, creation and destruction in one. Her darkness is not evil, but the infinite void from which all life emerges and to which it returns.

Hindu god Kartikeya (aka Murugan) riding a peacock, and holding a spear and a flag with a rooster on it

Kartikeya (aka Murugan)

The youthful warrior, commander of the divine army

Domain: War, victory, wisdom, leadership, guardianship of dharma

Symbolism: Spear (vel) for piercing ignorance, peacock for pride mastered, rooster emblem for dawn and vigilance.

Appearance: Kartikeya is the god of youth and vigor, and it shows in every depiction. He’s sometimes depicted with six faces (a nod to his birth story, below), though most often as a youth with a single handsome face. His skin glows like burnished gold, his features sharp and confident, with eyes that flash like drawn steel. His hair falls in dark waves past a diadem encrusted with rubies, and his body is draped in fine silks the color of peacock feathers. Across his chest gleams a golden chain, and in one hand he holds the vel, a spear so perfectly balanced it seems to float in his grasp.

The vel was a gift from his mother Parvati, forged from her own shakti (divine power), and it never misses its mark. In his other hand he may carry a small banner emblazoned with a rooster, whose crowing heralds the light that drives away the night’s dangers.

Mount/Vahana: A regal peacock named Paravani, feathers iridescent with blues and greens that shimmer like oil on water. The peacock is a symbol of beauty and vanity mastered — its sharp talons and fierce beak a reminder that elegance does not preclude ferocity. In many depictions, the peacock tramples a serpent beneath its claws, representing the conquest of harmful desires and ego.

Mythological role: Kartikeya was born for battle. When the demon Tarakasura could only be slain by Shiva’s son, the gods sought to bring Shiva and Parvati together. From their union came six sparks of fire, carried by the river Ganga to a lotus pond, where they became six infants. The celestial nymphs known as the Krittikas nurtured them, and when Parvati embraced all six at once, they merged into one child with six faces — a tradition that gave him an alternate name Shanmukha, “Six-Faced One.”

He grew to be the general of the gods’ army, leading them to victory against Tarakasura. In South India, he is celebrated as Murugan, the patron of Tamil culture and poetry, embodying both the scholar and the warrior.

Consort and family: Son of Shiva and Parvati, brother to Ganesha. In some traditions, he’s married to Valli and Devasena.

Associated festivals: Thaipusam, Skanda Shashti, Panguni Uthiram — celebrated with grand processions, kavadi offerings such as pots of milk, and feats of devotion.

Worship and significance: Kartikeya is invoked for courage, clarity and success in competition. In Tamil Nadu, devotees climb hills barefoot to reach his temples, mirroring the god’s own journey to conquer the heights of battle.

Fascinating fact: In some depictions, Kartikeya’s peacock mount is shown turning its head to watch him closely, as if taking silent instruction — a visual metaphor for the disciplined control of power and pride.

Dreamy-eyed, blue-skinned Hindu avatar Krishna plays his pipe while female cowherds look on

Krishna

The divine lover, cowherd and protector of dharma

Domain: Love, compassion, joy, divine play (lila), protection of the righteous

Symbolism: Flute for the music of the soul, peacock feather for beauty and grace, cows for abundance and gentleness, yellow garments for the light of divinity

Appearance: Krishna’s beauty is the kind that makes time pause. His skin is the deep blue of monsoon clouds, luminous and alive, as if it holds the promise of rain. His eyes are dark and playful, holding secrets he’ll never tell outright; instead, he lets them slip in song. Around his head rests a crown woven with fresh peacock feathers, shimmering emerald and sapphire. He wears a yellow pitambara (silken dhoti) that moves like sunlight caught in a breeze.

He holds his flute to his lips, coaxing a melody so sweet that cows stop grazing, rivers change their course to listen, and hearts — even those hardened by pride — begin to soften. At his feet, the gopis (cowherd girls) stand transfixed, drawn not just to his beauty but to the boundless love it reflects.

Mount/Vahana: None. Krishna’s life is pastoral; he walks among cows in the town of Vrindavan, accompanied by the sound of ankle bells and the laughter of companions. In battle, he drives the warrior Arjuna’s chariot as a guide rather than a mounted warrior.

Mythological role: Krishna’s story spans from playful trickster to statesman and philosopher. As a child, he stole butter from every household, earning the nickname Makhan Chor (“Butter Thief”), and once lifted the massive Govardhan Hill on his finger to shelter villagers from a storm sent by the rain god Indra. As an adult, he becomes the moral compass and strategist of the Mahabharata, delivering the Bhagavad Gita to Arjuna on the eve of battle: a discourse on duty, devotion and the eternal soul that has shaped Hindu philosophy for millennia.

But Krishna is also the god of lila — divine play. His romances with Radha and the gopi cowherd girls work also as metaphors for the soul’s yearning for union with the divine.

Consort and family: Beloved of Radha; in later life, married to Rukmini and other queens of the legendary city of Dwaraka. Son of Vasudeva and Devaki, raised by Nanda and Yashoda.

Associated festivals: Janmashtami (his birth), Holi (the festival of colors, recalling his playful smearing of colors on Radha)

Worship and significance: Krishna is worshipped as the supreme personality of godhead in many traditions. Devotees seek him for joy, love and guidance, whether in the innocence of childhood games or the gravity of moral decisions.

Fascinating fact: Krishna’s flute, called Murali, gets its power from the divine breath that flows through it, reminding devotees that we are instruments for the divine will when we let go of ego.

Hindu goddess Lakshmi holds lotuses and a pot, which coins flow from her hand as a sit atop a lotus

Lakshmi

The radiant goddess of fortune, beauty and abundance

Domain: Wealth, prosperity, good fortune, fertility, spiritual abundance

Symbolism: Lotus flowers for purity and spiritual awakening, gold coins flowing from her palms for prosperity, elephants for royal authority and generosity

Appearance: Lakshmi is the very embodiment of grace — a vision bathed in light as if she herself is the sunrise breaking over still waters. Her skin glows with a golden warmth, and she wears a red sari embroidered with gold thread, the fabric rippling like firelight. Each movement is deliberate and fluid, like the gentle opening of a lotus.

In most depictions, she stands or sits upon a blooming lotus floating on the cosmic ocean, the petals cupping her like a throne. Two of her four hands hold lotuses, their long stems rising gracefully; the other two extend in blessing, one palm open in reassurance, the other pouring an endless stream of gold coins that pile into shimmering mounds at her feet. The air around her is alive with elephants spraying water from golden vessels, symbols of strength and auspiciousness.

Mount/Vahana: An owl, symbolizing wisdom and the ability to see through darkness. Though rarely emphasized in modern depictions, the owl reminds devotees that wealth without wisdom can lead to downfall — Lakshmi’s blessings must be balanced with discernment.

Mythological role: Lakshmi emerged fully grown from the churning of the cosmic ocean (Samudra Manthan), radiant and carrying a lotus. The gods and demons had worked together to churn the ocean for the nectar of immortality, but it was Lakshmi’s appearance that became the crowning blessing of their labor. She chose Vishnu as her eternal consort, and from then on accompanied him in every incarnation — as Sita to his Rama, as Rukmini to his Krishna.

True prosperity, she teaches, includes health, love, knowledge and spiritual growth. In some stories, she tests the worthiness of those who seek her, disappearing from households where greed and injustice reign.

Consort and family: Wife of Vishnu; in his earthly incarnations, she is born alongside him.

Associated festivals: Diwali, especially Lakshmi Puja, when homes are cleaned, lit with lamps, and decorated to welcome her

Worship and significance: Lakshmi is one of the most widely worshipped deities in Hinduism. Businesses open their books in her name, households pray to her for stability, and farmers seek her blessing for fertile fields.

Fascinating fact: In southern India, Lakshmi is sometimes depicted in eight forms known as Ashtalakshmi, each representing a different type of wealth — from material prosperity to courage, fertility and knowledge.

Green-skinned Hindu goddess Meenakshi holds a flower while a parrot perches on her shoulder

Meenakshi

The warrior-queen and fish-eyed goddess of Madurai, one of the oldest continuously inhabited cities in the world 

Domain: Fertility, prosperity, protection of Madurai, righteous rule

Symbolism: Green skin for life and abundance, fish-shaped eyes for watchfulness and grace, crown for sovereignty, parrot for love and divine speech

Appearance: Meenakshi’s beauty is unlike any other — her skin glows a vivid green, like new rice shoots after the rain, a sign of the fertile abundance she brings. Her almond-shaped eyes, long and luminous, are said to resemble fish — always open, never blinking, guarding her people as a fish watches over its young. She wears royal silks in deep magenta and gold, and a towering crown studded with rubies and emeralds. In one hand she holds a bouquet of lotuses; in the other, a parrot perches, its feathers bright as new leaves, whispering divine secrets into her ear.

Mount/Vahana: Often depicted standing rather than riding, but sometimes shown with a parrot or lion as her companion.

Mythological role: Born to the king and queen of Madurai after a divine promise from the gods, Meenakshi entered the world with three breasts — a sign she was destined for greatness. Prophecy foretold that the extra breast would vanish when she met her future husband. A fierce warrior, she led armies to conquer neighboring lands, never defeated in battle. When she encountered Shiva in his form as Sundareshwarar, her third breast disappeared, and they were wed in a grand ceremony that united divine power with royal rule.

Consort and family: Married to Shiva (as Sundareshwarar) and worshipped alongside him. Considered an incarnation of Parvati

Associated festivals: Meenakshi Thirukalyanam (her celestial wedding), Chithirai Festival in Madurai

Worship and significance: Meenakshi is the heart of Madurai’s spiritual life, enshrined in the colossal Meenakshi Amman Temple, whose gopurams (gateway towers) rise like jeweled mountains over the city. She is both a tender mother and an unflinching protector, blessing devotees with prosperity while defending her city with warrior strength.

Fascinating fact: In Tamil tradition, parrots are symbols of eloquence and divine love, repeating sacred mantras and carrying messages between the human and divine realms.

The Hindu goddess Parvati, with a crescent moon and flowers inher hair, sitting on her mount, a lion

Parvati

The gentle mother, devoted wife and wellspring of divine energy

Domain: Love, fertility, marital devotion, spiritual power (shakti)

Symbolism: Lotus for purity, mirror for self-knowledge, red garments for passion and vitality, and her many forms — from nurturing Annapurna to fierce Durga and terrifying Kali.

Appearance: Parvati’s beauty is the quiet kind — like a lamp’s steady flame, constant and unwavering. Her skin glows with the warm bronze of sunlit earth, and her large, compassionate eyes seem to see through pretenses straight to the heart. She wears a red sari edged in gold, its color speaking of both love and strength, and her long black hair is often braided and adorned with fresh flowers. A crescent moon, borrowed from her husband Shiva, sometimes gleams in her hair, a sign of their eternal bond.

When she sits beside Shiva atop Mount Kailash, she radiates the warmth that softens his ascetic severity. Yet within that serenity is the power of all the goddesses — the potential to become the lion-riding Durga or the dark, storm-eyed Kali when the world needs defending.

Mount/Vahana: Lion or tiger, representing courage, power and her latent warrior nature. While gentle in her most common form, her vahana is a reminder that she carries within her the force to vanquish evil.

Mythological role: Parvati’s love story with Shiva is one of devotion and persistence. Born as the daughter of the mountain king Himavan, she fell in love with Shiva, the god of destruction, who was lost in deep meditation. Her devotion was tested by years of austerity and trials, until Shiva finally accepted her as his wife. Together, they are the divine couple whose union balances ascetic withdrawal and earthly engagement.

As a mother, Parvati is nurturing yet fiercely protective — the one who fashioned Ganesha from her own body and defended her privacy against even Shiva himself. Her many forms represent the full spectrum of the feminine divine: the giver of food as Annapurna, the destroyer of demons as Durga, the liberator as Kali.

Consort and family: Wife of Shiva, mother of Ganesha and Kartikeya

Associated festivals: Teej (celebrating marital devotion), Navratri (in her various forms)

Worship and significance: Parvati is worshipped by women for marital happiness, fertility and family well-being. She’s also invoked for strength and balance, as she embodies the union of compassion and power.

Fascinating fact: In one tale, Parvati playfully covered Shiva’s eyes from behind, unaware that without his gaze, the universe was plunged into darkness. To restore the balance, she transformed into her radiant golden form, Mahagauri, bringing light back to the cosmos.

Hindu goddess Radha holds a floral garland and pot near a river and flowers

Radha

The eternal beloved, embodiment of devotion

Domain: Divine love, spiritual longing, union with the divine

Symbolism: Lotus for purity of heart, veil for modesty, pastoral settings for the soul’s journey, and her inseparable connection to Krishna as the soul is to a deity

Appearance: Radha’s beauty is the kind that pulls at the heart — not through grandeur, but through the quiet ache of longing. Her skin is luminous, her eyes large and dark, holding both joy and the weight of separation. She wears a flowing lehenga in deep crimson or midnight blue, adorned with golden embroidery that catches the sun. A long veil frames her face, shifting with the breeze as she moves through the meadows of the town of Vrindavan.

In art, she’s almost always shown glancing toward Krishna, her posture poised between approach and retreat. Her hands may cradle a garland of fresh jasmine meant for him, or a pot of butter she will let disappear into his thieving hands. The landscape around her — the river Yamuna, the blossoming kadamba trees — seems to bend subtly toward her, as if drawn to the devotion she radiates.

Mount/Vahana: None. Radha moves through the pastoral world on foot, walking the same cow-trodden paths as Krishna, her presence transforming the fields and forests into sacred space.

Mythological role: Radha’s love for Krishna is the gold standard of devotion in Hinduism — selfless, unbound by social convention and beyond the reach of time. Though she’s not mentioned in the earliest scriptures, later devotional literature, especially in the Bhagavata Purana and the poetry of Jayadeva’s Gita Govinda, elevates her to demigod status. She’s the human soul (jivatma) yearning for reunion with the supreme soul (paramatma), her longing for Krishna standing in for humanity’s longing for the divine. 

Their relationship is one of pure connection. Even when separated, Radha feels Krishna’s presence in every breath, and her yearning is considered even more powerful than the joy of union — for it keeps the heart in constant remembrance of the beloved.

Consort and family: Beloved of Krishna; often depicted as his spiritual counterpart rather than a worldly consort

Associated festivals: Rasa Lila reenactments during Holi and Janmashtami; Radhashtami, celebrating her birth

Worship and significance: Radha is worshipped alongside Krishna in many temples, especially in the Gaudiya Vaishnava tradition, where she’s revered as the source of Krishna’s joy. Devotees seek her grace to cultivate pure, unconditional love for the divine.

Fascinating fact: In some traditions, Radha is considered an incarnation of Lakshmi, born to be Krishna’s eternal companion. Her name is often invoked first in chants — “Radhe Krishna” — as if to approach the beloved through the one who knows him best.

Blue-skinned Hindu hero Rama holds a bow with a quiver of arrows on his back, surrounded by flowers

Rama

The noble prince, upholder of dharma, the right way of living 

Domain: Virtue, moral duty, justice, kingship, protection of the righteous

Symbolism: Bow and arrow for readiness and skill in battle, blue skin for divine origin, simple yet regal garments for humility in leadership

Appearance: Rama stands with the quiet authority of a man who knows his strength and has no need to boast. His skin is the rich blue of a twilight sky, his posture upright and composed. He wears a golden crown that catches the sun, yet his garments are simple — the saffron robes of an exile rather than the ornate silks of a king. Across his shoulder rests a quiver of arrows, and in his hand, his bow is always ready, a natural extension of himself rather than an ornament.

His expression is calm, even in the face of war. There’s a gentleness in his gaze that belies the steel in his resolve — a leader whose strength lies as much in compassion as in martial skill. In art, he is often shown alongside Sita, Lakshmana and Hanuman, forming the ideal vision of a harmonious household and righteous rule.

Mount/Vahana: Rama has no permanent animal mount. In the Ramayana, he travels on foot, by chariot, or with the aid of allies like Hanuman. His lack of a vahana underscores his humanity — the idea that righteousness and divine purpose can be lived out in the mortal world without supernatural crutches.

Mythological role: Rama’s life is told in the epic Ramayana, where he is born as the prince of Ayodhya, the seventh avatar of Vishnu, sent to destroy the demon king Ravana. When his stepmother’s scheming leads to his exile, he accepts the decree without anger, honoring his father’s word above his own comfort. For 14 years, he roams the forests with Sita and his younger brother, Lakshmana, defending sages and villages from demons.

The defining trial of his life comes when Sita is abducted by Ravana. With the help of Hanuman and an army of vanaras (monkey warriors), Rama wages war on the island kingdom of Lanka, eventually killing Ravana and restoring order. His reign after returning to Ayodhya is remembered as Rama Rajya — an era of justice, peace and prosperity.

Consort and family: Husband of Sita, brother to Lakshmana, Bharata and Shatrughna. Son of King Dasharatha and Queen Kaushalya

Associated festivals: Rama Navami (his birth), Diwali (marking his return to Ayodhya

Worship and significance: Rama is revered as the perfect man — a warrior without cruelty, a ruler without arrogance, a husband without neglect. Devotees seek his blessing for moral clarity and the strength to act in accordance with dharma, even when it is costly.

Fascinating fact: In some folk retellings, Rama’s bow was so powerful that only he could lift it — he proved his worth to marry Sita by stringing it with effortless grace, a feat no other suitor could manage.

Saraswati plays her lute while sitting on a large white lotus in the water, as a swan swims by

Saraswati

The serene muse, goddess of wisdom, music and the arts

Domain: Knowledge, learning, speech, music, poetry, truth

Symbolism: Veena (lute) for harmony and creativity, white lotus for purity of mind, flowing river for the unending stream of wisdom, swan for discernment

Appearance: Saraswati is the embodiment of clarity and calm — a vision in white, untouched by the dust of greed or the heat of passion. Her skin is pale and luminous, her long hair flowing like dark silk down her back. She wears a simple white sari with a golden border, the fabric so light it moves like water when she shifts. A garland of fresh jasmine hangs around her neck, and her forehead is marked with the tilak of concentration.

In her hands, she cradles the veena, each note she plays carrying the resonance of cosmic truth. A white lotus blooms beneath her feet, symbolizing the mind’s ability to rise unstained from the muddy waters of ignorance. Behind her, the gentle current of a river often winds through the scene — a reminder of her origin as the goddess of the Saraswati River, whose sacred waters nourished the Vedic civilization.

Mount/Vahana: Swan (hamsa), representing the ability to separate truth from falsehood. In some depictions, she rides a graceful peacock, whose beauty is balanced by its vigilance against snakes — a metaphor for guarding wisdom against corruption.

Mythological role: Saraswati is said to have been present at creation itself, when Brahma called upon her to bring order to the chaos. With her wisdom, she gave names to all things, creating speech and language. She is the inspiration behind poetry, the patron of scholars, and the divine voice that flows through musicians’ hands.

Her presence is subtle yet essential — in mythology, gods and mortals alike call upon her before embarking on intellectual or creative endeavors. Without Saraswati, knowledge remains dormant; with her, it becomes luminous and transformative.

Consort and family: In some traditions, consort of Brahma; in others, she stands alone as an independent force. 

Associated festivals: Vasant Panchami, when devotees dress in yellow, offer her flowers, and keep books and instruments before her image for blessing

Worship and significance: Students, artists and seekers of truth invoke her for clarity of mind and eloquence of speech. Unlike deities who grant material boons, Saraswati bestows treasures that cannot be spent — the kind that grow the more they are shared.

Fascinating fact: It’s considered inauspicious to ask Saraswati for wealth, as she is believed to leave when greed enters. In some households, her image is kept in a quiet corner, away from noisy celebration, to honor her preference for peaceful contemplation.

The Hindu god Shiva in a tiger skin, with a cobra around his neck, a third eye on his forehead, holding weapons, with his Nandi bull nearby

Shiva

The great ascetic, destroyer of illusions, lord of transformation

Domain: Destruction (as renewal), transformation, meditation, time, cosmic balance

Symbolism: Trident (trishula) for the three aspects of existence (creation, preservation, destruction), crescent moon for mastery over time, serpent for fearlessness, river Ganga flowing from his hair for life-giving power, drum (damaru) for the cosmic sound of creation

Appearance: Shiva’s presence is both serene and terrifying — the stillness of a mountain and the force of a storm. His skin is the cool ash-gray of cremation grounds, reminding all that life is temporary and death only a doorway. His hair is long and matted into jata dreads, coiled high upon his head to cradle the Ganga as it flows down from the heavens. A crescent moon glints among his locks, its silver light softening the fire of his third eye.

Around his neck rests a coiled cobra, unmoving, its forked tongue tasting the air — a symbol of Shiva’s mastery over fear and death. His eyes, when open, seem to look through lifetimes; when closed, they turn inward, diving into the infinite void. He wears a tiger skin around his waist, signifying his victory over animal instincts, and rudraksha beads for spiritual focus. In his hand, the trident gleams like lightning, and at his side the damaru beats out the rhythm to which the universe dances.

In his most iconic form, Shiva appears as Nataraja, the Lord of the Dance. With one leg lifted in a graceful arc and the other pressing down on the dwarf of ignorance, Apasmara, Shiva performs the tandava — the cosmic dance of creation, preservation and destruction. In his four arms he has fire, the damaru drum, a gesture of protection, and a hand pointing to his raised foot, offering liberation. Encircled by a halo of flames, Nataraja is a vision of the universe in motion: every heartbeat, every birth and every dissolution bound together in a rhythm that never ceases.

Mount/Vahana: Nandi, the white bull — a symbol of strength, virility and unwavering devotion. Nandi is Shiva’s constant companion, often depicted kneeling in reverence, facing the entrance of Shiva’s temples.

Mythological role: Shiva is one-third of the Hindu Trimurti, alongside Brahma the creator and Vishnu the preserver. His role as destroyer is often misunderstood; he ends cycles so new ones can begin, clearing away stagnation. He’s the patron of ascetics, yogis and those who seek truth beyond illusion.

His stories are as varied as they are powerful: swallowing the deadly poison (halahala) churned from the cosmic ocean to save creation — the act that turned his throat blue and earned him the name Neelkanth; unleashing his third eye to burn desire to ashes; dancing the Tandava, a cosmic performance that both creates and destroys worlds.

Consort and family: Husband of Parvati; father of Ganesha and Kartikeya

Associated festivals: Maha Shivaratri, when devotees fast, chant and keep vigil through the night in his honor.

Worship and significance: Shiva is worshipped in the form of the lingam, a phallic symbol of divine energy and creative potential. Devotees seek his blessing for liberation from worldly attachments and the courage to face transformation.

Fascinating fact: In many villages, Shiva is considered the most approachable of the great gods — Bholenath, the simple lord — quick to grant blessings to anyone who approaches him with sincerity, regardless of status or ritual precision.

The Hindu god Shukra rises a white horse, holds a staff and caries a jar while demon heads surround him

Shukra

The teacher of demons, master of resurrection

Domain: Wealth, pleasure, diplomacy, resurrection, the planet Venus

Symbolism: The staff for wisdom, the water pot for life-giving knowledge, Venus for beauty and prosperity

Appearance: Shukra’s presence is calm yet commanding, with skin like polished sandalwood and eyes that gleam with patient intelligence. His white beard and flowing hair mark the wisdom of ages, while his garments shimmer with the soft sheen of silver — the light of Venus caught in fabric. In one hand he holds a danda (staff), in the other a kamandalu (water vessel) said to carry the sacred nectar of life itself.

Mount/Vahana: Often depicted seated on a white horse or in a chariot drawn by eight horses, each representing a different aspect of worldly desire.

Mythological role: Shukra serves as the guru to the asuras (often translated as “demons”), guiding them with cunning strategy and unmatched knowledge of the cosmos. His most prized possession is the Sanjivani Vidya, the secret art of reviving the dead — a gift from Shiva after intense penance. This power has tipped the scales in many battles, forcing the devas (gods) to find new ways to win. Despite his loyalty to the asuras, Shukra is also revered by humans seeking prosperity, charm and the ability to turn rivals into allies.

Consort and family: Married to Jayanti, daughter of Indra; father of Devayani, whose own stories weave through the Mahabharata

Associated festivals: Shukravar (Fridays), dedicated to Venus, are considered auspicious for his worship. 

Worship and significance: Followers seek Shukra’s blessing for wealth, harmonious relationships and diplomatic skill — but also for protection against enemies, knowing his allegiance to the asuras makes him an expert in countering adversaries.

Fascinating fact: In astrology, Shukra is linked to artistic talent and sensual pleasures; those under his favor are said to possess irresistible charm and an eye for beauty.

The Hindu heroine Sita sits on a lotus and holds a flower

Sita

The steadfast queen, born of the earth and emblem of virtue

Domain: Purity, devotion, courage, self-sacrifice, the ideal of righteous womanhood

Symbolism: Lotus for grace and spiritual beauty, the Earth as her mother, fire as a test of truth, her role as Rama’s equal in love and suffering

Appearance: Sita’s beauty is quiet but unshakable — the kind that deepens the longer you look. Her skin carries the glow of fresh earth after rain, and her eyes, large and steady, hold both tenderness and the weight of trials endured. She wears silks in shades of gold and crimson, with a long veil that frames her face and flows down her back like a stream of sunlight. Jewels gleam lightly at her wrists and neck, never ostentatious, as if she wears them more from tradition than vanity.

In art, she is often shown beside Rama, her posture dignified but never submissive — her head high, her gaze calm. In exile, she appears barefoot among the forest trees, her sari plain, her only ornaments the garlands of flowers she strings with her own hands.

Mount/Vahana: None. Sita’s journeys are always made on foot or by chariot, sharing the same path as her companions. Her lack of a mount reflects her role as an equal partner in hardship rather than a divine figure set apart from mortal trials.

Mythological role: Sita’s life is told in the Ramayana. Found as an infant in a furrow while King Janaka was plowing the fields, she is said to be the daughter of Bhumi Devi, the Earth goddess herself. She grows to marry Rama after he wins her hand by stringing the great bow of Shiva — a feat no other suitor could accomplish.

Her devotion to Rama is absolute: When he’s exiled to the forest for 14 years, she insists on joining him, trading palace comforts for the rigors of wilderness. Her greatest trial comes when she’s abducted by the demon Ravana and held captive in Lanka. Despite months of pressure, she remains unshaken in her loyalty, her only comfort the hope of Rama’s arrival.

After her rescue, she endures the Agni Pariksha, the trial by fire, to prove her purity. In later life, when her character is doubted once more, she chooses to return to the embrace of her mother, the Earth, which parts to receive her — a final act of dignity and self-possession.

Consort and family: Wife of Rama, daughter of King Janaka and Queen Sunaina

Associated festivals: Sita Navami, celebrated especially in Mithila, her birthplace.

Worship and significance: Sita is revered as the ideal of marital devotion, but also as a figure of resilience and moral strength. She embodies the idea that true virtue remains intact, even in the face of injustice.

Fascinating fact: In some folk traditions, Sita is worshipped as an incarnation of Lakshmi, born to accompany Vishnu’s avatar Rama in his earthly mission — making her both queen and goddess.

The Hindu god Vishnu rides the eagle Garuda

Vishnu

The preserver and protector of cosmic order

Domain: Preservation, protection of dharma, restoration of balance, compassion

Symbolism: Conch (shankha) for the sound of creation, discus (chakra) for the mind’s sharpness and the destruction of evil, mace (gada) for strength, lotus (padma) for purity rising from the world’s chaos

Appearance: Vishnu’s form is majestic yet serene — the steady, unshakable center of the universe. His skin is the rich blue of the deepest ocean, his eyes calm pools that seem to hold the reflection of the cosmos itself. He’s adorned in golden silk garments and an abundance of jewels — armlets, necklaces, a crown studded with rare gems — yet nothing about him feels over the top. It’s as if the wealth of creation naturally rests upon him.

In his four hands, he holds his eternal emblems: the lotus, delicate and alive; the mace, heavy with power; the discus, spinning and radiant like a miniature sun; and the conch, ready to sound the victory of righteousness. His posture is relaxed but alert, the quiet readiness of a ruler who acts when the time is right.

Mount/Vahana: Garuda, the mighty eagle, with a wingspan that can blot out the sun. Garuda’s golden feathers flash like lightning as he soars, carrying Vishnu effortlessly across the three worlds: the heavens, the Earth and the underworld. He’s both mount and ally, a living embodiment of speed, loyalty and fearlessness.

Mythological role: Vishnu is the preserver of the Hindu Trimurti, standing alongside Brahma the creator and Shiva the destroyer. His duty is to maintain cosmic balance, stepping into the world whenever evil threatens to overwhelm good. To do this, he takes on avatars — earthly incarnations — to set things right. These include Rama, the noble prince; Krishna, the divine lover and strategist; Narasimha, the man-lion who burst from a pillar to save his devotee; and many others.

When not incarnated, Vishnu rests upon the infinite serpent Ananta (Shesha), floating on the cosmic ocean. From his navel grows the lotus that births Brahma, showing that preservation isn’t separate from creation but intertwined with it.

Consort and family: Married to Lakshmi, goddess of wealth and prosperity, who accompanies him in each of his avatars

Associated festivals: Vaikuntha Ekadashi, Janmashtami (for Krishna), Rama Navami (for Rama)

Worship and significance: Vishnu is worshipped across India in many forms, from the grandeur of temple idols to the small household shrines where his avatars are honored. Devotees seek him for protection, moral clarity, and the assurance that no matter how dark the times, the preserver will arrive.

Fascinating fact: Vishnu’s discus, the Sudarshana Chakra, is said to move at the speed of thought and can cut through anything — but it only strikes when guided by righteousness, never in anger or vanity. –Wally


Spring Festivals Around the World: Sakura, Holi, Semana Santa and More

From Japan’s cherry blossom hanami to India’s colorful Holi and Spain’s heart-pounding San Fermín, discover spring festivals that celebrate renewal, connection and pure joy. 

Spring is the season that grabs you by the hand and pulls you outside, whispering, “Wake up, the world’s alive again!” It’s when the earth shrugs off winter’s weight, and people respond with festivals that feel like love letters to life itself. 

Some of the most enduring spring traditions come from rituals that have been blooming for centuries. The celebration of Ostara at the spring equinox draws inspiration from an ancient Anglo-Saxon festival said to honor the goddess Eostre. This, in turn, influenced early Christians, who created Easter, and is a large part of why we have the Easter Bunny today.  

Spring festivals are raw, messy, beautiful collisions of culture, memory and the kind of joy that makes your chest ache. Let’s wander through a few corners of the globe, from Japan’s petal-dusted picnics to the pulse-pounding streets of Pamplona, each festival a one-of-a-kind story that’ll stick with you long after the season fades.

1. Japan: Sakura Whispers and Stolen Moments

In Japan, spring arrives like a secret shared between friends: the cherry blossoms, known as sakura, bloom in a hush of pink, turning every park and riverside into a fleeting masterpiece. (It’s a perfect counterpart to koyo, the changing colors of leaves in the fall.)

I’ll never forget my first hanami — the custom of gathering to enjoy the beauty of cherry blossoms — in a tiny Osaka park, sprawled on a blanket with strangers who offered me homemade onigiri (rice balls or triangles) and a sip of plum wine. We didn’t need words; the petals drifting down said it all. Sakura isn’t just about the gorgeousness of nature — it’s a gut-punch reminder that nothing lasts forever, so you’d better soak it up. Families, lovers, old friends — they all come together, laughing over sake or staring quietly at the trees, each person wrestling with their own thoughts about time. It’s less a festival and more a moment where the world holds its breath.

2. Spain: San Fermín’s Roar and Reckless Courage

Half a world away, Pamplona, Spain turns spring’s energy into something primal. The San Fermín Festival, brewing through spring and erupting in July, is a beast of a celebration. Picture narrow streets, the air electric with nerves, and the thunder of bulls charging behind runners who are equal parts terrified and exhilarated. 

I stood on a rickety balcony once, clutching a sangria, watching the encierro unfold below: runners tripping, laughing, living on the edge of chaos. It’s the ultimate thrill, sure, but it’s also a nod to history, to Saint Fermín (the patron saint of Pamplona, who was beheaded for his Christian faith), to the days when humans and nature stared each other down. The whole city erupts in a burst of music, dance and sweat-soaked joy. 

If you’re crazy enough to go, keep Flight Refunder in your back pocket — they’ll help you reclaim cash if a canceled flight threatens to derail your adventure.

3. India: Holi’s Explosion of Color and Connection

In India, spring crashes in with Holi, a festival that’s like diving headfirst into a kaleidoscope. I was in a dusty Rajasthan village once, my clothes soaked, my face smeared with turquoise and magenta powder, dancing with a crowd of strangers to a drumbeat that shook the ground. 

Holi is about flinging colors, but it’s also a time to tear down walls — between people, and between the past and present. The story of Krishna — a beloved Hindu god known for his playful spirit — and his soulmate Radha runs through the heart of Holi. Their legendary love, full of laughter and mischief, is echoed in every handful of gulal, the brightly colored powder that revelers throw into the air (and, inevitably, onto other people). 

At Holi, it’s impossible to just be a bystander; you’re part of the chaos, laughing until your sides hurt, feeling like the world could be this free, this kind, every day. It’s the kind of messy joy that stains your skin and your soul.

4. Mexico: Semana Santa’s Soulful Dance of Faith

Mexico’s Semana Santa is spring at its most heartfelt. Holy Week turns towns into theaters of devotion, with processions that weave through streets blanketed in flower petals and sawdust art. 

I wandered San Miguel de Allende one April, caught in a crowd following a statue of the Virgin Mary, her face serene under a crown of roses. The air was heavy with incense, marigolds and the soft hum of prayers. 

Every town does it differently — some with mournful silence, others with bursts of brass bands — but it’s all so alive, blending Catholic roots with ancient Mexican spirit. You feel it in your bones: This is more than religion; it’s about a community stitching itself together, step by sacred step.

5. France: The Soft Spring Embrace of Easter in Provence

Then there’s Provence, France, where spring feels like a warm breeze. Easter here is less about grand spectacles and more about the small, perfect moments: a village square strung with lights, a market stall piled high with crusty baguettes and jars of lavender honey. 

I spent one Easter in Gordes, a storybook hilltop village of stone houses and winding lanes in Provence, nibbling on almond-studded nougat while a parade of kids in flower crowns skipped by. The hills were just starting to green, the air sharp with herbs and promise. Provence’s festivals are simple, soulful and so generous with their beauty. You leave feeling like you’ve been let in on a secret about how to live well.

The Joy, Chaos and Charm of Spring Festivals

Spring festivals are the world’s way of saying, “Hey, we’re all in this together.” Whether it’s Japan’s quiet awe under cherry blossoms, Spain’s reckless sprint through Pamplona’s streets, or India’s color-soaked chaos, these moments are where humanity shines — flawed, vibrant and so damn alive. Traveling to them is like chasing sparks, each one lighting up a piece of who you are. –Erik Ilin

Epic Cycling Tours in South Asia: Explore India and Sri Lanka

Pedal your way through the Rajasthan desert, Kerala’s lush backwaters and Sri Lanka’s scenic tea trails for a biking journey like no other.

Two men ride bikes past men on camels and Islamic buildings in the desert of Rajasthan

South Asia is a cyclist’s paradise, offering diverse landscapes, rich cultural heritage and unforgettable adventures. Combining India and Sri Lanka in one cycling tour allows you to experience the best of both worlds — India’s vibrant chaos and ancient traditions paired with Sri Lanka’s tropical serenity and natural beauty. In this guide, we’ll explore the highlights of cycling in both countries, the best routes and the ideal times to travel.

Three people ride bikes through a crowded street in India, with food vendors and auto rickshaws

Cycling in India: A Journey Through Diversity

India’s vast and varied geography makes it a dream destination for cyclists. From the rugged Himalayas to the serene backwaters of Kerala, and the golden sands of Rajasthan to the Western Ghats, an India bike tour offers a glimpse into the country’s rich cultural heritage and stunning natural landscapes.

Best Cycling Routes in India

A bearded tattooed man rides a bike along the Leh to Manali Highway in India

Leh to Manali Highway

Highlights: This iconic route in the Himalayas takes you through high-altitude mountain passes, including Rohtang La and Baralacha La, with stunning views of snow-capped peaks and remote valleys.

Skill level: Advanced

Best time: June to September, when the passes are open and the weather is mild.

A couple ride their bikes past gorgeous buildings in Jaipur, Rajasthan, India

Rajasthan Desert Circuit

Highlights: Pedal through the Thar Desert, visiting historic cities like Jodhpur, Jaipur and Jaisalmer. Explore palaces, forts and vibrant local markets.

Skill level: Intermediate

Best time: October to March, when the desert heat is bearable.

A family bikes along a river past rice terraces and Hindu temples in Kerala, India

Kerala Backwaters

Highlights: Cycle through palm-fringed roads, lush tea plantations in Munnar and tranquil backwaters in Alleppey. The route blends nature with cultural stops at temples and spice plantations.

Skill level: Beginner to intermediate

Best time: November to February, during the cool and dry season.

Two men bike past a beach in Goa, India

Goa’s Coastal Trails

Highlights: Discover sandy beaches, Portuguese-era churches, and vibrant nightlife while cycling along Goa’s coastal roads and forested interiors.

Skill level: Beginner

Best time: October to February, after the monsoon rains.

A person with pink hair rides a bike through the Indian countryside

Cycling in Sri Lanka: The Island of Serendipity

A Sri Lanka bike tour offers a compact yet diverse cycling experience. Its scenic routes take you through tea plantations, ancient ruins, tropical beaches and wildlife-rich national parks. The island’s friendly locals and vibrant culture add to the charm of a cycling holiday here.

Best Cycling Routes in Sri Lanka

A woman rides her bike past temples, elephants and historic buildings in the Sri Lanka Cultural Triangle

Cultural Triangle Loop

Highlights: Explore ancient cities like Anuradhapura, Polonnaruwa, and Sigiriya. This route combines history with stunning landscapes and opportunities to spot wildlife like elephants.

Skill level: Intermediate

Best time: January to April and August to October, avoiding the heavy monsoon rains.

A man and woman ride their bikes past a waterfall in Sri Lanka's Tea Country

Tea Country Trails

Highlights: Cycle through the rolling hills and tea plantations of Nuwara Eliya and Ella, with stops at waterfalls, colonial-era towns, and scenic viewpoints.

Skill level: Intermediate

Best time: December to March, when the weather in the central highlands is cool and pleasant.

A whale breeches in the water as two people ride along a road on Sri Lanka's southern coast

Southern Coastal Route

Highlights: Pedal along Sri Lanka’s pristine southern coastline, passing through Galle, Mirissa, and Tangalle. Enjoy ocean views, historic sites, and opportunities for whale watching.

Skill level: Beginner

Best time: November to April, during the dry season along the southern coast.

Two men ride bikes through Sri Lanka's Knuckles Mountains

Knuckles Mountain Range

Highlights: Tackle the rugged trails of this UNESCO World Heritage site, known for its biodiversity and panoramic views. This is perfect for mountain biking enthusiasts.

Skill level: Advanced

Best time: February to September, avoiding the monsoon.

A Muslim woman in a headscarf rides her bike through India's green Western Ghats

Planning Your Multi-Country Cycling Adventure

Best Time to Bike Through India and Sri Lanka

  • Winter (November to February): Ideal for both India and Sri Lanka, offering cool, dry weather perfect for cycling.

  • Early spring (March): Suitable for southern India and Sri Lanka’s highlands before temperatures rise.

A man wheels his bike through an airport

Travel Tips for Cycling in South Asia

  1. Visas and travel logistics: Ensure you have the necessary visas for both countries. Flights between India and Sri Lanka are frequent and affordable.

  2. Bike transport: Many airlines accommodate bicycles, but you can also rent high-quality bikes locally in both countries.

  3. Guided vs. self-guided: Opt for guided tours if you’re unfamiliar with local roads and terrain. These often include support vehicles and accommodations.

People ride their bikes to a Diwali celebration in India

Cultural Highlights of India and Sri Lanka

  • India: Don’t miss vibrant festivals like Holi (March) or Diwali (October/November).

  • Sri Lanka: Explore local markets, enjoy a traditional rice and curry meal, and experience its Buddhist heritage.

Two Indians ride their bikes through Jodhpur

Gear Up for the Ride of a Lifetime 

Cycling through India and Sri Lanka combines adventure, culture and natural beauty, offering a once-in-a-lifetime experience for any cycling enthusiast. Whether you’re climbing Himalayan passes, cruising along the Kerala backwaters or pedaling through Sri Lanka’s tea plantations, the journey promises unforgettable memories and unparalleled diversity. –Nel Duman

Top 5 Must-Visit Attractions in Chennai

Take a leisurely walk on Marina Beach, marvel at Kapaleeswarar Temple, discover treasures at the Government Museum, unwind at Elliot’s Beach and spot wildlife at Guindy National Park — all in Tamil Nadu’s capital.

Aerial view of Chennai, India with the Kapaleeshwarar Temple dominating the skyline

Formerly known as Madras, Chennai, the capital of the state of Tamil Nadu, is India’s fourth-largest city. Located on the Coromandel Coast of the Bay of Bengal, the city serves as the gateway to South India and is as diverse and colorful as its namesake plaid. 

From the awe-inspiring 7th century Hindu temple dedicated to Shiva, to bustling street markets and serene beaches, Chennai captivates visitors with its blend of rich traditions, old heritage and contemporary wonders. Be sure to add these five must-see locations, where natural beauty, history and one-of-a-kind culture come together to make for an unforgettable trip. 

People and two horses on Marina Beach in Chennai, India

Marina Beach

1. Marina Beach: A Haven of Serenity

Stretching along the Coromandel Coast, Marina Beach, or simply the Marina, is a popular spot, where both locals and visitors can enjoy the second-longest urban beach in the world. 

Looking out over the Bay of Bengal reveals a seemingly endless body of turquoise-colored water, while its eight-mile (13-kilometer) expanse of golden sand beckons you to take off your shoes and feel the waves lapping at your feet. But you shouldn’t plan on going into the water. This beach is only for walking — swimming is prohibited, as the undercurrent is considered too strong.

The Marina is also the site of a variety of festivals, delicious street food, and souvenir and handicraft shops. 

You can also explore Fort St. George, located at the north end of the beach. Historically known as White Town, it was built in 1639 by the British East India Company and served as the epicenter of the growing city of Madras. 

Pale yellow neo-classical exterior of Fort St. George in Chennai, India

Fort St. George

Be sure to look out for the statue of Kannagi, the heroine and central character from the Tamil epic Silapathikaram, holding an anklet in her hand and demanding justice. 

Statue of the heroine Kannagi, with an outstretched arm on Marina Beach in Chennai, India

Statue of the heroine Kannagi on Marina Beach

I recommend visiting the beach at dusk to enjoy the sunset or at dawn to see the sunrise, when the sky takes on an intense orange hue. 

Rainbow-colored top of Kapaleeshwarar Temple with intricate carvings entirely covering it in Chennai, India

Kapaleeshwarar Temple

2. Kapaleeshwarar Temple: A Sacred Architectural Marvel

One of Chennai’s most well-known landmarks, Kapaleeshwarar Temple is dedicated to Arulmigu Kapaleeshwarar, an incarnation of Lord Shiva, and his consort, Karpagambal, an embodiment of the goddess Parvati. 

The ancient temple is a testament to the city’s remarkable architectural legacy, combining elements of Dravidian and Pallava styles. You can’t help but be captivated by its monumental gopura, or main temple tower. 

The Kapaleeshwarar temple complex

At 131 feet tall (40 meters) the richly decorated structure is covered with vibrantly colored sculptures depicting scenes from Hindu mythology.

Past the grounds of the temple, the winding alleyways of the Mylapore neighborhood provide a sensory adventure. Explore the lively marketplaces, where kiosks brim with brilliantly colored fabrics, traditional handicrafts and aromatic spices.

The neo-Mughul exterior of the Government Museum in Chennai, India

The Neo-Mughal façade of the Government Museum in Chennai

3. Government Museum: A Trove of Cultural Treasures

The Government Museum complex has an impressive collection of artifacts and sculptures from the major South Indian periods, ranging from 2nd century BCE Buddhist sculptures to 16th century work from the Hindu kingdom of Vijayanagar. Each exhibit reveals an intriguing story as you meander through the galleries, illuminating the customs, artistic expressions and lifestyles of those who formerly inhabited this part of the country.

13th century bronze statue of Ardhanarishvara, the androgynous incarnation of Shiva and Parvati, in the Government Museum of Chennai

13th century bronze statue of Ardhanarishvara at the Government Museum

Its collection of coins, ceramics and other antiquities provides a window into the region’s rich past. Especially breathtaking are the magnificent bronze sculptures produced during the Chola dynasty. Their exquisite craftsmanship depicts gods and goddesses from the Hindu pantheon, including the striking bronze of Ardhanarishvara, the androgynous incarnation of Shiva and Parvati.

Teal and white boat on the sand and some people at Elliot's Beach in Chennai, India

Ellitot’s Beach

4. Elliot’s Beach: A Peaceful Spot to Reset

Named after the colonial-era magistrate Edward Francis Elliot, the laidback Elliot’s Beach offers a tranquil escape from the crowds of Marina Beach. This peaceful retreat can be found in the upscale Besant Nagar residential neighborhood and is a favorite hangout for locals, particularly the younger crowd.

The soothing sounds of lapping waves and refreshing ocean breeze will instantly calm your senses as you approach this serene stretch of sand. In often-hectic India, you’ll welcome the opportunity to slow down and appreciate the beauty of the present moment. It’s a great spot to watch the sun rise, too.

For those seeking a more active experience, Elliot’s Beach offers a variety of watersports and activities, including surfing and kayaking. 

If the water isn’t your thing, there are plenty of cafés, restaurants and boutique shops nearby.

The arched Karl Schmidt Memorial on Elliot's Beach in Chennai, India, at sunset

Karl Schmidt Memorial

While you’re here, stop and admire the gleaming white memorial dedicated to Karl Schmidt, a Danish sailor who drowned in the 1930s while attempting to save the life of a girl struggling against the tide.

Bright green grass, plants and trees in Children's Park in Guindy National Park, Chennai, India

Guindy National Park

5. Guindy National Park: A Green Oasis in the City

Amid Chennai’s bustling cityscape, the lush sanctuary of Guindy National Park calls out to adventurers and nature enthusiasts to experience the tranquil embrace of the natural world. The sounds of the city fade away as you enter the park, replaced by the soothing melody of rustling leaves and chirping birds.

A white peacock at Guindy National Park

Embark on a hike or bike ride along the network of well-maintained trails weaving through scrub and forest. In addition to the verdant foliage, keep an eye out for a wide variety of animals, including spotted deer, blackbucks, serpent eagles and Indian star turtles.

Red brick Chennai Railway Station with tall clock tower and nearby streets at twilight

Chennai Central Railway Station

Natural Wonders and Historical Treasures: Something for Everyone

Chennai offers a variety of activities to suit every traveler’s taste. Whether you seek the tranquility of the sea or the bustling energy of its vibrant temple complexes, this captivating city promises an unforgettable time for all who visit. –Jonathan Rastogi

4 Spectacular Historical Monuments in India — Besides the Taj Mahal

Take a tour of some lesser-known but utterly awesome temples across India: the Golden Temple of Amritsar, Meenakshi Temple, Palitana Temples and Birla Mandir.  

Intricately carved golden entrance to the Golden Temple in Amritsar, India

The majestic entrance to the Golden Temple in Amritsar. It’s time for the Taj Mahal to stop hogging the spotlight.

Ask anyone to name one thing they know about India and you’re likely to hear the same thing every time: the Taj Mahal.

The Taj Mahal in India, with red roses in the forefront

The Taj Mahal is beautiful — but isn’t by any means the only impressive site to see in India.

Built between 1631 and 1648 by the Mughal emperor Shah Jahan as a testament to his love for his favorite wife, this iconic tourist attraction is as synonymous with India as the Eiffel Tower is with Paris, and Big Ben is with London. But amidst the understandable fanfare, travelers to India may be overlooking a host of other exciting historical monuments.

Here are four of the most beautiful and culturally significant locations in India — other than that famous marble mausoleum. One thing all these sites have in common: They’re some of the most underappreciated monuments in the country.

The Golden Temple of Amritsar in India on the water with a white palace next to it

The Golden Temple

Location: Amritsar, Punjab

History: Completed in 1589, this iconic structure stands as a symbol of immense significance for Sikhism. As the name suggests, the temple is adorned with a resplendent golden coating — at least since 1830, when Maharaja Ranjit Singh overlaid the sanctum with gold leaf. Located in the city of Amritsar, the Golden Temple is surrounded by the tranquil Sarovar, a sacred pool of holy water.

Why it’s so cool: The temple’s exquisite architecture and serene ambiance pair with harmonious prayers and hymns to create a soul-stirring experience. 

Fun fact: The Golden Temple is not only a place of worship but also a symbol of equality and community service. The temple houses the world’s largest community kitchen, called the Langar, where volunteers serve free meals to thousands of visitors daily, regardless of their caste, religion or social status. This inspiring tradition embodies the core values of Sikhism, emphasizing equality, compassion and selfless service.

Travel tip: Consider joining one of the escorted tours that traverse the northern regions of India. Amritsar is well-connected and can be easily reached by various means of transportation. 

While visiting the Golden Temple, it’s advised to dress modestly and for women to cover their head as a sign of respect. Before entering the temple complex, take a moment to cleanse your feet at the designated washing area as a ritualistic purification.

Meenakshi Temple in India, composes of multiple layers, getting smaller as they go up, each covered with very colorful statues of Hindu deities and creatures

Meenakshi Temple

Location: Madurai, Tamil Nadu

History: Step into a world where ancient legends and vibrant hues intertwine at the awe-inspiring Meenakshi Temple. The roots of this remarkable monument stretch back to the 6th century, when an ancient temple first graced this sacred site. Between 1190 and 1205, the current Meenakshi Temple was built, incorporating and expanding upon its historical foundations. 

Why it’s so cool: While the Taj is serene and understated, Meenakshi has an enchanting kaleidoscope of colors that adorn its 14 gopurams. These towering pyramidal structures, perched over the temple entrances, are resplendent with 3,000-some intricate carvings and statues, from celestial deities to mythical creatures.

Fun fact: The temple is not only dedicated to Meenakshi (an avatar of Parvati, the Hindu goddess of love, beauty and fertility), but also Sundareshwarar, an avatar of her consort, Lord Shiva. The complex houses shrines for both deities, symbolizing the divine union of feminine and masculine energies.

Travel tip: From Madurai Junction Railway Station, it’s a 10-minute walk to the temple grounds. Again, dress respectfully. Consider engaging a guide who can illuminate the temple’s fascinating history, legends and the symbolic significance behind its vibrant colors.

Palitana Temple group peeking above the treetops in Gujarat, India

Palitana Temples

Location: Shatrunjaya hills near Palitana in Bhavnagar district, Gujarat

History: Nestled amidst the hills of Gujarat, the Palitana Temples comprise a colossal collection of over 800 sacred buildings that dot the mountainous landscape. These temples, built around the 11th century, hold immense significance for followers of Jainism, drawing thousands of pilgrims from around the world who embark on a spiritual journey of devotion and enlightenment.

Why they’re so cool: Prepare to be awestruck by the sheer magnitude of the Palitana Temples, as they create an ethereal landscape of spirituality and architectural splendor. The journey to these sacred shrines is a testament to the unwavering faith of Jain followers, who ascend a staggering 3,500 steps to reach the base of the temples. The sight of hundreds of temples scattered across the hills creates a mesmerizing panorama that is truly awe-inspiring.

Fun fact: Palitana holds the distinction of being the world’s largest cluster of Jain temples. This extraordinary complex is a sanctuary for Jain devotees, with each temple showcasing intricate carvings, vibrant colors, and architectural marvels. The temples serve as a testament to the spiritual devotion of the Jain community and provide a serene sanctuary for introspection and reverence.

Travel tip: The temples can be conveniently accessed by taking the Western Railway line from major cities like Delhi, Chennai and Kolkata. The nearest cities, Ahmedabad and Bhavnagar, located approximately 25 kilometers away, offer transportation connections to Palitana. 

Be prepared for the ascent to the temples by wearing comfortable shoes and carrying water. If climbing the stairs is not an option, you can hire a palanquin in the town at the base of the hills and get carried up. 

Birla Mandir Kolkata, a multilayered white temple in India

Birla Mandir Kolkata

Location: Ashutosh Chowdhury Avenue, Kolkata, West Bengal

History: The illustrious Birla family commissioned the temple, which was constructed from 1970 to 1996. Carved out of pristine white marble and sandstone, this architectural gem emanates a celestial radiance when the midday sun casts its rays upon it. A symbol of devotion and artistic brilliance, Birla Mandir stands as another testament to India’s rich religious heritage.

Why it’s so cool: Venture inside to discover a realm of intricate statues and carvings dedicated to Hindu avatars of the god Vishnu, such as Lord Krishna and Radha. The exquisite craftsmanship and attention to detail bring these divine figures to life, evoking a sense of reverence and spiritual tranquility.

Fun fact: Across India, there are 14 temples bearing the name Birla Mandir. Each is a testament to the philanthropic efforts of the Birla family, who have contributed significantly to the construction of these sacred spaces. However, the Kolkata Mandir stands out as a pinnacle of aesthetic beauty. Just make sure you’re planning to visit the right one!

Travel tip: You can easily reach the temple by taxi or bus tour from the city. Remember to dress modestly when entering the temple. And be aware that the temple is closed for much of the day. Go early or go late: It opens from 5:30 a.m. to 11 a.m., then closes. It reopens in the evening, from 4:30 p.m. to 11 p.m. 

Multi-armed Hindu god with headdress and mustache as part of the very elaborate, very colorful facade of Meenakshi Temple in India

A carving of Virabhadra, a fierce form of the god Shiva, as part of the crowded and colorful façade of Meenakshi Temple

India, Beyond the Taj Mahal

While I wholeheartedly recommend experiencing the majestic beauty of the Taj Mahal during your sojourn in India, turning a blind eye to these other captivating destinations would be nothing short of a crime. These lesser-known gems deserve a spot on your travel bucket list. –Andrew Ellison

Indian Handicrafts Meet Modern Design: A Q&A With Harpreet Padam

Traditional techniques inform modern consumer products — all within the framework of the Indian aesthetic. 

Harpreet Padam of Unlike Design Co. explains a detail to some of the artisans he collaborates with.

Harpreet Padam of Unlike Design Co. explains a detail to some of the artisans he collaborates with.

Scrolling through Instagram (one of my favorite hobbies), I was instantly impressed by the well-curated feed of Harpreet Padam (@generalaesthetic). It features images of places and objects found or designed by him. 

Recently, I saw a post featuring an article Harpreet wrote for Big Little Things, a magazine that celebrates thoughtful design and living. In the article, Harpreet describes his lifelong love for traditional Indian handicrafts and his collection of childhood objects filled with special memories and their influence on his designs. 

A better, exclusive understanding of Indian-ness is something I really strive for through my work.
— Harpreet Padam, co-founder, Unlike Design Co.

Harpreet is the co-founder of Unlike Design Co., and his creations include the Petal series of tea scoops that have an organic feel to them and were developed in collaboration with woodworkers from Udayagiri, Andhra Pradesh, India. His Bidriware is produced by craftspeople in Bidar, Karnataka. And I’m particularly partial to the miniature houses inspired by the vernacular architecture of Srinagar, Kashmir. 

We were thrilled to connect with Harpreet, who shared a bit about his influences, design background, favorite objects and the enduring legacy of artisans. –Duke

 

Tell us about your design background.

Honestly, the impulse to study design came about for me by a poster I found in an apartment that the previous tenant, a furniture designer, had left behind. It was a neat collage of industrial design works by the French architect and designer Marc Held. I still have the poster and keep in touch with Marc every now and then. 

I went on to study at the then very respected accessory design department of the National Institute of Fashion Technology in New Delhi. 

After graduating, I worked for six years as a designer, then design head at a fashion accessory firm in Bangalore. It was a wonderful team, and I got the opportunity to design jewelry, home products, store windows, brochures and even a store interior. 

 Eventually, I was drawn to packaging and graphic design for Indian fashion brands. My partner, Lavanya, and I established our studio Unlike Design Co. — first in Bangalore, and now in New Delhi. We do a mix of projects, ranging from home accessories, craft-based objects, graphics and packaging. Both of us also teach at various design schools across India. 

Harpreet looks to traditional Indian culture to create a new, non-Westernized take on contemporary design.

Harpreet looks to traditional Indian culture to create a new, non-Westernized take on contemporary design.

How would you describe your design philosophy?

I look at design as very closely related to business and culture. The experience and understanding of the client as well as the softer nuances within the lives of the user influence my thinking greatly. 

A better, exclusive understanding of Indian-ness is something I really strive for through my work. 

I am also always thinking about how the words “modern” and “contemporary” apply to India and our people. The way designers like myself have been trained and the early influences we have developed as a result of that, our understanding of these words has been shaped largely from a Western viewpoint. My mind struggles to think afresh as an Indian living and working amongst the Indian masses — I think this struggle forms an important part of my design philosophy.

 

What are some of your favorite objects that you’ve picked up on your travels? Why are these important to you?

 I really like this set of wire puzzles we picked up on the Ganges riverside in Varanasi. The man who sold them used to make them himself. The puzzles range from simple to sheer mind-benders. On subsequent visits, I couldn’t find the man again, and the pieces I had bought earlier became more special.

Harpreet picks up keepsakes on his travels, like these wire puzzles bought along the Ganges in Varanasi.

Harpreet picks up keepsakes on his travels, like these wire puzzles bought along the Ganges in Varanasi.

Then there is this block of wood which I found in a wood turner’s workshop in Kashmir. It’s some sort of a shaping tool, though the artisan was using it as a seat. According to the family, it is very old and made of a rare hardwood exclusive to Kashmir — I forget the name now. I think I enjoyed its multipurpose perception and its naturally aged look. 

Hapreet found this shaped wood block at a workshop in Kashmir.

Hapreet found this shaped wood block at a workshop in Kashmir.

There are so many more things, found by the roadside, in hardware stores, in people’s homes, rejects during workshops. Lavanya and I collect a lot of such things, get really attached to them, and end up filling cupboards and boxes to the brim.

Artisan Khatoon Bi uses her hands as well as her feet to carve a Petal teaspoon for the Udayagiri wooden cutlery collection.

Artisan Khatoon Bi uses her hands as well as her feet to carve a Petal teaspoon for the Udayagiri wooden cutlery collection.

Who are some of the artisans you work with?

At the moment, I am working with embroiderers, woodcarvers and papier-mâché makers in Kashmir. I also work with a family of Bidriware makers and a community of women cutlery carvers in South India.

A Kashmiri woodcarver’s workshop

A Kashmiri woodcarver’s workshop

What appeals to you about traditional handicrafts?

I enjoy the struggle of aiming to create a kind of new relevance. In the past, a lot of traditional handicrafts were seamlessly integrated into the lives of their users — through intelligent combinations of their function, appearance, significance. Artisans nowadays are a bit detached from a firsthand understanding of consumer lifestyles — sometimes even within their local environments. 

I like the attempt of acting to bridge this understanding — just nudging and guiding a bit. It’s magic to witness an artisan thinking for him- or herself about a new product. And they do it more intuitively than designers. It’s also design, I guess, helping someone with the confidence to think for themselves.

Master craftsman Abdul Rauf works with Harpreet on the Bidriware product line.

Master craftsman Abdul Rauf works with Harpreet on the Bidriware product line.

Another important thing for me is changing perceptions about traditional handicrafts, especially for young design students, who find the whole subject boring and stuffy. I think I’m able to achieve this to some extent when I teach my craft-based design course at the National Institute of Fashion Technology. 

Prototypes for Unlike’s Srinagar Houses

Prototypes for Unlike’s Srinagar Houses

How have you given traditional handicrafts a modern twist, as in your Srinagar Houses miniatures?

I didn’t have to do much more than spot significant details of old Srinagar houses that stood out for me. And this happens naturally when you visit Kashmir — the older architecture stands in sharp contrast to the more universal style of building prevalent now. 

So I simply made small models of what I saw, and the artisans improved upon it with their own thoughts. Though we did attempt to paint details of windows and brickwork onto the houses, eventually we left them gray. 

The minimalism of the Srinagar Houses lends them a modern feel.

The minimalism of the Srinagar Houses lends them a modern feel.

I was inspired to do this by a conversation with one of the traditional artists, who was joking when he said it’s better not to paint windows and doors since the Kashmiri people are almost always under curfew and house arrest. I think that stark grayness, coupled with strong architectural features, gives them a modern feel.

Architecture like this in Bidar helped inspired Unlike’s Bidriware.

Architecture like this in Bidar helped inspired Unlike’s Bidriware.

What have been your biggest influences as an artist?

Most of all, I think it’s the opportunity of traveling and meeting varied places and people. And then I think it’s also an equilibrium of mish-mash from films, magazines, books, writings and work of designers, artists, filmmakers and the like. 

I spent my late school years studying in and around Corbusier’s Chandigarh and that did affect my view on architecture and design, in a deep way that’s hard to describe. 

I also really admire the writings of the late Italian designer Ettore Sottsass and the work of Vico Magistretti, his fellow designer of the time. 

And then Indian cinema of the 1980s and early ’90s — such films as Ek Doctor Ki Maut by Tapan Sinha, Aakrosh and Ardh Satya by Govind Nihalani, Mathilukal by Adoor Gopalakrishnan and Sadma by Balu Mahendra. I wish my work could imbibe that level of starkness in thought, the honesty and courage to address issues head on — even in commercial products and the way they are made.    

Traditional techniques are used to create the Convention vases in Unlike’s Bidriware line.

Traditional techniques are used to create the Convention vases in Unlike’s Bidriware line.

Explain some of your favorite traditional techniques, and how you’ve applied them to your work, as in your Bidriware series.

In Bidriware, I think I’m still learning more about the possibility of techniques. In my last extended interaction, I enjoyed learning about the hollow-core casting technique. Unlike many Bidriware objects, this technique does not weld two symmetrical halves to create a hollow object, which is a simple but crude way to do it. The method employs sand casting to achieve a completely hollow form, without visible joints. 

Moreover, the artisan I have been working with is extremely skilled at creating hollow molds out of solid forms — it is magic watching him employ decades of skill and dexterity in the few moments it takes to achieve this. 

I used both these specialities of the artisan for a series of flower vases called Convention.

Share something that you think would only happen in India.

Oh, our roads. The astonishing synchronicity of traffic, animals and people moving in any and all directions of their choosing. I’m not sure any other country can match that.

The Crocotta and Other Monsters

The villains of Supernatural, Season 3, Episodes 12-14 include the old standbys demons and ghosts, as well as Thomas Edison’s spirit phone.

The crocotta, seen in this illustration from the Aberdeen Bestiary, lures its victims by sounding like someone they know in need of help

The crocotta, seen in this illustration from the Aberdeen Bestiary, lures its victims by sounding like someone they know in need of help

Rip out the crocotta’s crystal eyes, put them under your tongue — and you’ll be able to tell the future!
A demon found at Ostia, as depicted in Demonology and Devil-Lore

A demon found at Ostia, as depicted in Demonology and Devil-Lore

S3E12: “Jus in Bello”

Monster: Demon

Where it’s from: All over the world

Description: There’s something demonic in even the most appealing of gods, argues Moncure Daniel Conway, in his 1879 work Demonology and Devil-Lore. “Man found that in the earth good things came with difficulty, while thorns and weeds sprang up everywhere,” he writes. “The evil powers seemed to be the strongest. The best deity had a touch of the demon in him. The sun is the most beneficent, yet he bears the sunstroke along with the sunbeam, and withers the blooms he calls forth.” In fact, “deity and demon are from words once interchangeable,” Conway points out.

What it does: We’ve covered demons before, and their propensity for possessing people.

In this episode, demons are beelining for the Winchester boys, surrounding the sheriff’s office they’re in. “It’s like we got a contract on us,” Dean says, adding, “I think it’s ’cause we’re so awesome.”

How to defeat it: You can get matching pentagram sun tattoos, like Dean and Sam. They’re cheesy as hell, but hey: They keep you from being possessed.

A snouted demon, also from Demonology and Devil-Lore

A snouted demon, also from Demonology and Devil-Lore

You can also use a rosary to make holy water in the toilet. And, of course, there’s good old salt. Which leads to this funny exchange with the FBI agent:

Henriksen: Fighting off monsters with condiments. So, turns out demons are real.

Dean: FYI, ghosts are real, too. So are werewolves, vampires, changelings, evil clowns that eat people.

Henriksen: Okay, then.

Dean: Makes you feel better, Bigfoot’s a hoax.

Henriksen: It doesn’t.

The boys learn about a “big new up-and-comer” named Lilith. “And she really, really wants Sam’s intestines on a stick.” Grilled sausage, anyone?

Dean and Sam contemplate a spell that will vaporize all demons in a square radius — but it requires the sacrifice of a “person of virtue,” which is just another way of saying “virgin.” Not up to cutting Nice Nancy’s heart out of her chest, the Winchester Brothers decide to fight their way out, with the help of an exorcism over the PA system.

Demon Ruby gives them black mojo bags to throw Lilith off their trail. For now…

Some ghosts are trapped in continuous loops that play out their deaths

Some ghosts are trapped in continuous loops that play out their deaths

S3E13: “Ghostfacers”

Monster: Ghost

Where it’s from: Morton House, a haunted house possibly in Benton Harbor, Michigan

Description: This ghost looks remarkably lifelike.

What it does: The phantom returns every four years. Some call it the Leap Year Ghost. A crew of ghost hunters is filming an episode of their show Ghostfacers, and of course the Winchester boys show up masquerading as police to take on the evil spirit as well.

An apparition of a gangster gets gunned down. It’s a death echo, Dean explains. They seem to be an invention of the show, though there are plenty of reports of ghosts caught in neverending loops.

The Ghostfacers crew has some competition, including Josh Burger and Stan Maczek, shown using an electromagnetic field (EMF) detector

The Ghostfacers crew has some competition, including Josh Burger and Stan Maczek, shown using an electromagnetic field (EMF) detector

There are multiple death echoes, including a man hit by a train. These people didn’t die in Morton House, though. So why are their spirits trapped there?

Turns out the home’s last owner, Daggett, was a janitor at the hospital. He brought the bodies home “to play with them.”

Sam disappears. He and Corbett the intern are in some creepy kitchen while “It’s my party, and I’ll cry if I want to” plays over and over. Poor Corbett, who was in love with Ed, one of the Ghostfacer crew, gets poked through the neck and dies.

Daggett is wearing a party hat. He gets lonely, you see. But Dean has no sympathy. “He’s never heard of a RealDoll?” he quips.

How to defeat it: “You gotta be gay for that poor dead intern,” the other Ghostfacer host tells Ed. He concedes and is able break Corbett out of the death echo and convince his spirit to take down Daggett. Remember, people, as Ed says, “Gay love can pierce through the veil of death and save the day.”

The crocotta looks like a big wolf-hyena hybrid, seen in the illuminated manuscript the Rochester Bestiary

The crocotta looks like a big wolf-hyena hybrid, seen in the illuminated manuscript the Rochester Bestiary

S3E14: “Long-Distance Call”

Monster: Crocotta

Where it’s from: India and Ethiopia

Description: In folklore, the crocotta is a mishmash of animals, often described as a giant wolf-like hyena with cloven hooves. On the show, though, it’s a humanoid who lives in filth. In both versions, the monster has a unique means of luring its victims: It can mimic human speech and will call out someone’s name and other personal information, pretending to be someone in trouble. It then devours the poor suckers with the bone ridges it has instead of teeth.

Fun fact: Rip out its crystal eyes, put them under your tongue — and, by Merlin, you can tell the future!  

What it does: A man gets a call on the phone from a woman named Linda. She wants him to join her. They love each other. He pulls the phone out of the wall, but it still rings. “Okay, Linda, you win,” he says. And blows his brains out.

The man’s wife confesses that she picked up the phone during one of these calls — and she only heard static.

The caller ID on the phone reads, SHA33. It’s actually a phone number that’s over a century old. Ten different homes all got calls from that number in the past two weeks, including Dean, who spoke with what sounded like his dead dad.

Which leads us to a red herring — but a fascinating one nonetheless. The Winchester boys are in Milan, Ohio, the birthplace of Thomas Edison. The inventor told The American Magazine in 1920 that he had been working on a spirit phone, “building an apparatus to see if it is possible for personalities which have left this earth to communicate with us.” He thought that a scientific device could detect the “life units” that get scattered throughout the universe when we die.

Thomas Edison tried to invent the spirit phone, which would let us speak with the dead

Thomas Edison tried to invent the spirit phone, which would let us speak with the dead

The killings all turn out to be the work of a crocotta: in this case, a man at the phone company. He’s a bit of a Luddite, offering up this meditation on the modern condition: “You’re all so connected. But you’ve never been so alone.” Preach!

How to defeat it: Ramming its head into a metal hook will do the trick. –Wally

Kanyakumari and the Healing Waters of Cape Cormorin

A Kovalam day trip to the southern tip of India will wash away your sins.

The restaurants in Varkala, another day trip from Kovalam, put their fresh catches on display

The restaurants in Varkala, another day trip from Kovalam, put their fresh catches on display

Who wouldn’t want the opportunity to spiritually cleanse themselves with a quick dip?

Our friend Kelly visited the beach town of Kovalam in the state of Kerala, India. Her new friends from a yoga retreat kept talking about a day trip to the southern tip of the county and bathing in the spiritually healing waters found there.

I took one look, and said, “I’m going to get like 15 different flesh-eating bacteria if I go into this water.”

Kanyakumari is where three bodies of water meet: the Bay of Bengal, the Indian Ocean and the Arabian Sea. The spot is also referred as Thriveni Sangamam and amongst English speakers as Cape Comorin. It’s about a two-hour and 45-minute drive down from Kovalam. –Wally

Tell us about the day trips you took from Kovalam.

We went to Varkala, which is an hour and a half north of Kovalam. It has a similar vibe, but it skews much younger. Kovalam seems like a place where older people come to retreat.

Varkala has a similar beachy, hippie vibe as Kovalam but skews younger

Varkala has a similar beachy, hippie vibe as Kovalam but skews younger

We also went to the southern tip of India, Kanyakumari. We visited Suchindram Temple and a couple other touristy things. The temple was white and had seven windows to symbolize the different stages of enlightenment.

Include Suchindram Temple on a day trip to Kanyakumari

Include Suchindram Temple on a day trip to Kanyakumari

There’s this idea that if you bathe in the waters of Kanyakumari, you’ll be cleansed of your sins. I was with a bunch of super granola, hardcore yogis, and they were so all about getting in this water. I took one look, and said, “I’m going to get like 15 different flesh-eating bacteria if I go into this water.” There were tons of people there, and the water smelled bad.

The Thiruvalluvar Statue on a small island off of Kanyakumari depicts a famous Tamil poet and philosopher. He is best known for Thirukkural, a collection of couplets on ethics, politics, economics and love. His statue is 133 feet tall — the same num…

The Thiruvalluvar Statue on a small island off of Kanyakumari depicts a famous Tamil poet and philosopher. He is best known for Thirukkural, a collection of couplets on ethics, politics, economics and love. His statue is 133 feet tall — the same number of chapters in his famous tome

So you didn’t end up getting in the water?

Well…they ended up talking me in. Very reluctantly, I finally got in.

Three bodies of water converge at Kanyakumari, and local lore has it that you can wash away your sins by swimming here

Three bodies of water converge at Kanyakumari, and local lore has it that you can wash away your sins by swimming here

That’s called hippie peer pressure.

I wouldn’t put my head in. They were like, “No, you have to — otherwise your sins won’t be cleansed!” And I was like, “I’m good.”

We were pretty much the only white tourists there. A large crowd of men gathered around the area where my friends and I were bathing. People were taking videos and photos.

 

Did you find that people were fascinated with you as a white woman?

Everyone wanted to take a selfie with me. I’m on so many random people’s cell phones and Facebook pages.

At one point, I decided that I was sick of everybody looking at us, so I took pictures of them.

Ayurvedic Treatment in Kovalam

Our correspondent undergoes bizarre and intense Ayurveda practices in South India.

Ayurveda treatments often involve an oil that smells like peanut butter, and they can be quite intense

Ayurveda treatments often involve an oil that smells like peanut butter, and they can be quite intense

The more I heard about Ayurveda, the more intrigued I became. Why the heck isn’t this a major trend here in the United States, like yoga, acupuncture, or heck, even cupping? Could someone please inform Gwyneth Paltrow she needs to start a new fad?

Our friend Kelly went off to India to attend a yoga retreat to break out of a rut in her practice. While in the beach town of Kovalam in the southern state of Kerala, she also investigated Ayurvedic treatments.

“Yoga and Ayurveda are sister sciences,” Kelly told us. Here she describes her intense Ayurvedic treatment during her stay in India.

You would lay down on a table and have this oil receptacle that was hung by a chain. A woman would slowly drizzle oil over your forehead, back and forth, for 20 minutes at a time.
The quality of your hair, how oily or dry your skin is, how cold or hot you get — all of these factor into what your dosha is

The quality of your hair, how oily or dry your skin is, how cold or hot you get — all of these factor into what your dosha is

What exactly is Ayurveda?

Ayurveda is the practice of balancing your body’s natural constitution, also known as your dosha. Everyone is one of three doshas: vata, pitta and kapha. They’re aligned to different elements. I’m a pitta dosha, so I have certain imbalances in my body that Ayurveda tries to correct.

The doctor did an assessment. Your dosha is made up of physical traits as well as personality characteristics. As a pitta dosha, I’m supposed to eat cooling foods. There’s a whole diet I’m supposed to follow.

The three doshas at the center of the star are aligned with different elements and characteristics

The three doshas at the center of the star are aligned with different elements and characteristics

What was the facility like?

I went to two. The first one was super sketch. I went twice and decided it was maybe violating some child labor practices. The second facility was a proper one. It was beautiful inside — a huge wooden, three- or four-story hospital.

 

Describe the Ayurvedic treatments.

If you want treatment, you have to sign up for a minimum of 10 days. Every day I went for about three hours. The way that it broke down was, they would do a massage for an hour, and then a variety of treatments, depending on where I was in the Ayurveda course.

There was a treatment where they would take cotton cloths filled with herbed powder that they would dip in really hot oil and smack all over my body. Smack, smack, smack, smack!

The Ayurvedic oil they used smelled like peanut butter. The oil is believed to cure basically everything, so they use it in almost all of their treatments.

After that, they would do a powder massage rub. There were three women who would work on you together, in unison.

There were baths with this milk substance, which they’d heat and pour over you again and again. There were herbed water baths. There was this one treatment where there was a wooden pillar with a hanging oil receptacle. You would lay down on the table and you’d have this oil receptacle that was hung by a chain, and the woman would slowly drizzle it over your forehead, creating a line, back and forth, for 20 minutes at a time.

 

What was that like?

It was very relaxing — but a lot of the treatments were actually very stressful, especially after 10 days.

There a bunch of quizzes you can take to determine what dosha you are. I’ve taken a few — and gotten varying answers. I also tend to get dual prakriti, which signifies that I’m influenced by two doshas. From what Kelly has said, that means I’m a big ol’ mess. –Wally

Yoga Escape in Kovalam, India

Experiencing Ashtanga yoga classes in Kerala taught by David Garrigues.

The Ashtanga yoga studio in the beach town of Kovalam, where Kelly began each day

The Ashtanga yoga studio in the beach town of Kovalam, where Kelly began each day

Our friend Kelly, a delightful, brave young woman, went off to India on a whim to join a yoga retreat run by David Garrigues.

The town of Kovalam charmed Kelly — you can read about its strange walled-in sidewalks and the quirky treehouse-like B&B she stayed in here. –Wally

We do yoga to understand God and prepare ourselves for enlightenment.
Our fearless adventurer, who had a major breakthrough in her yoga practice during her two-week stay in India

Our fearless adventurer, who had a major breakthrough in her yoga practice during her two-week stay in India

What brought you to Kovalam?

I went to practice yoga. I had been thinking about going to India for a few years, since I started practicing. I was kinda stuck in a rut with my yoga practice. I hadn’t been progressing, and I decided a good way to get out of it would be to go to India.

 

Why India?

That’s the birthplace of yoga. That’s where the Ashtanga tradition is from —  it originated in Mysore, India. Ashtanga yoga is basically a set number of postures in each of the six series. It’s super traditional. You do it every morning.

I didn’t end up going to Mysore, but I did practice with David Garrigues, a prominent Ashtanga teacher, in the South of India, in Kovalam. He’s based in Philadelphia but has been traveling around a lot.

It was one of those spur-of-the-moment things — though I don’t know if most people do a spur-of-the-moment thing with India. I made the decision very quickly. I booked the trip after thinking about it for about five minutes.

Sometimes you need a helping hand to move past a gatekeeper pose

Sometimes you need a helping hand to move past a gatekeeper pose

What was the yoga retreat like?

Every morning, I’d get up at 6 a.m. and do yoga for about two hours. Sometimes there were sutra classes, or we’d go back in the afternoon for an asana [yoga postures] theory class.

What was interesting is I had a lot of challenges with my body over the two weeks I was there. I was in a program that was pretty physically demanding. At the same time, I was getting my body worked on three hours a day at an Ayurvedic clinic. And so the whole time I was there, I was intensely aware of the experience of being in a body. I would feel more frustrated when I couldn’t do a yoga pose. It felt more emotional than it usually does.

But by the second week, I was doing poses that I could never do. That’s a big deal in Ashtanga because in order to move to the next posture in the series, you have to be able to do the one preceding it. People get stuck at what are called gatekeeper poses. I was stuck at Marichyasana D. It’s basically a really deep twist, where you bind behind your knee. I broke through that, with an assist, and I had never come close to doing it before. And I felt like crying — it was really intense emotion.

Some of the more intense asanas, or yoga postures

Some of the more intense asanas, or yoga postures

What appeals to you about yoga?

There are eight limbs of yoga, and asana is just one of them. It’s this all-encompassing spiritual practice to actually do yoga. There are the breathing practices, meditation and other ones. All of it ladders up to this idea that we do yoga in order to understand God and prepare ourselves for enlightenment.

It isn’t associated with any religion — that’s a common misperception. It pairs really well with Buddhism and with Hinduism, and there are definitely shared influences.

Not a bad spot for some evening yoga

Not a bad spot for some evening yoga

How did you feel by the end of your trip?

It was the definitely healthiest I’ve ever felt in my life. I was not ready to come back. I wanted to stay.