Top 5 Must-Visit Attractions in Chennai

Take a leisurely walk on Marina Beach, marvel at Kapaleeswarar Temple, discover treasures at the Government Museum, unwind at Elliot’s Beach and spot wildlife at Guindy National Park — all in Tamil Nadu’s capital.

Aerial view of Chennai, India with the Kapaleeshwarar Temple dominating the skyline

Formerly known as Madras, Chennai, the capital of the state of Tamil Nadu, is India’s fourth-largest city. Located on the Coromandel Coast of the Bay of Bengal, the city serves as the gateway to South India and is as diverse and colorful as its namesake plaid. 

From the awe-inspiring 7th century Hindu temple dedicated to Shiva, to bustling street markets and serene beaches, Chennai captivates visitors with its blend of rich traditions, old heritage and contemporary wonders.

Want to be treated like royalty during your visit? Consider checking into an oceanfront room at the Leela Palace, where you’ll take in spectacular views of the Bay of Bengal. This grand hotel offers five-star luxury at a surprisingly low price. 

Leela Palace Chennai hotel

The epic pool at Leela Palace hotel

No matter where you stay, be sure to add these five must-see locations, where natural beauty, history and one-of-a-kind culture come together to make for an unforgettable trip. 

Marina Beach

1. Marina Beach: A Haven of Serenity

Stretching along the Coromandel Coast, Marina Beach, or simply the Marina, is a popular spot, where both locals and visitors can enjoy the second-longest urban beach in the world. 

Looking out over the Bay of Bengal reveals a seemingly endless body of turquoise-colored water, while its eight-mile (13-kilometer) expanse of golden sand beckons you to take off your shoes and feel the waves lapping at your feet. But you shouldn’t plan on going into the water. This beach is only for walking — swimming is prohibited, as the undercurrent is considered too strong.

The Marina is also the site of a variety of festivals, delicious street food, and souvenir and handicraft shops. 

You can also explore Fort St. George, located at the north end of the beach. Historically known as White Town, it was built in 1639 by the British East India Company and served as the epicenter of the growing city of Madras. 

Fort St. George

Be sure to look out for the statue of Kannagi, the heroine and central character from the Tamil epic Silapathikaram, holding an anklet in her hand and demanding justice. 

Statue of the heroine Kannagi on Marina Beach

I recommend visiting the beach at dusk to enjoy the sunset or at dawn to see the sunrise, when the sky takes on an intense orange hue. 

Kapaleeshwarar Temple

2. Kapaleeshwarar Temple: A Sacred Architectural Marvel

One of Chennai’s most well-known landmarks, Kapaleeshwarar Temple is dedicated to Arulmigu Kapaleeshwarar, an incarnation of Lord Shiva, and his consort, Karpagambal, an embodiment of the goddess Parvati. 

The ancient temple is a testament to the city’s remarkable architectural legacy, combining elements of Dravidian and Pallava styles. You can’t help but be captivated by its monumental gopura, or main temple tower. 

The Kapaleeshwarar temple complex

At 131 feet tall (40 meters) the richly decorated structure is covered with vibrantly colored sculptures depicting scenes from Hindu mythology.

Past the grounds of the temple, the winding alleyways of the Mylapore neighborhood provide a sensory adventure. Explore the lively marketplaces, where kiosks brim with brilliantly colored fabrics, traditional handicrafts and aromatic spices.

The Neo-Mughal façade of the Government Museum in Chennai

3. Government Museum: A Trove of Cultural Treasures

The Government Museum complex has an impressive collection of artifacts and sculptures from the major South Indian periods, ranging from 2nd century BCE Buddhist sculptures to 16th century work from the Hindu kingdom of Vijayanagar. Each exhibit reveals an intriguing story as you meander through the galleries, illuminating the customs, artistic expressions and lifestyles of those who formerly inhabited this part of the country.

13th century bronze statue of Ardhanarishvara at the Government Museum

Its collection of coins, ceramics and other antiquities provides a window into the region’s rich past. Especially breathtaking are the magnificent bronze sculptures produced during the Chola dynasty. Their exquisite craftsmanship depicts gods and goddesses from the Hindu pantheon, including the striking bronze of Ardhanarishvara, the androgynous incarnation of Shiva and Parvati.

Ellitot’s Beach

4. Elliot’s Beach: A Peaceful Spot to Reset

Named after the colonial-era magistrate Edward Francis Elliot, the laidback Elliot’s Beach offers a tranquil escape from the crowds of Marina Beach. This peaceful retreat can be found in the upscale Besant Nagar residential neighborhood and is a favorite hangout for locals, particularly the younger crowd.

The soothing sounds of lapping waves and refreshing ocean breeze will instantly calm your senses as you approach this serene stretch of sand. In often-hectic India, you’ll welcome the opportunity to slow down and appreciate the beauty of the present moment. It’s a great spot to watch the sun rise, too.

For those seeking a more active experience, Elliot’s Beach offers a variety of watersports and activities, including surfing and kayaking. 

If the water isn’t your thing, there are plenty of cafés, restaurants and boutique shops nearby.

Karl Schmidt Memorial

While you’re here, stop and admire the gleaming white memorial dedicated to Karl Schmidt, a Danish sailor who drowned in the 1930s while attempting to save the life of a girl struggling against the tide.

Guindy National Park

5. Guindy National Park: A Green Oasis in the City

Amid Chennai’s bustling cityscape, the lush sanctuary of Guindy National Park calls out to adventurers and nature enthusiasts to experience the tranquil embrace of the natural world. The sounds of the city fade away as you enter the park, replaced by the soothing melody of rustling leaves and chirping birds.

A white peacock at Guindy National Park

Embark on a hike or bike ride along the network of well-maintained trails weaving through scrub and forest. In addition to the verdant foliage, keep an eye out for a wide variety of animals, including spotted deer, blackbucks, serpent eagles and Indian star turtles.

Chennai Central Railway Station

Natural Wonders and Historical Treasures: Something for Everyone

Chennai offers a variety of activities to suit every traveler’s taste. Whether you seek the tranquility of the sea or the bustling energy of its vibrant temple complexes, this captivating city promises an unforgettable time for all who visit. –Jonathan Rastogi

4 Spectacular Historical Monuments in India — Besides the Taj Mahal

Take a tour of some lesser-known but utterly awesome temples across India: the Golden Temple of Amritsar, Meenakshi Temple, Palitana Temples and Birla Mandir.  

The majestic entrance to the Golden Temple in Amritsar. It’s time for the Taj Mahal to stop hogging the spotlight.

Ask anyone to name one thing they know about India and you’re likely to hear the same thing every time: the Taj Mahal.

The Taj Mahal is beautiful — but isn’t by any means the only impressive site to see in India.

Built between 1631 and 1648 by the Mughal emperor Shah Jahan as a testament to his love for his favorite wife, this iconic tourist attraction is as synonymous with India as the Eiffel Tower is with Paris, and Big Ben is with London. But amidst the understandable fanfare, travelers to India may be overlooking a host of other exciting historical monuments.

Here are four of the most beautiful and culturally significant locations in India — other than that famous marble mausoleum. One thing all these sites have in common: They’re some of the most underappreciated monuments in the country.

The Golden Temple

Location: Amritsar, Punjab

History: Completed in 1589, this iconic structure stands as a symbol of immense significance for Sikhism. As the name suggests, the temple is adorned with a resplendent golden coating — at least since 1830, when Maharaja Ranjit Singh overlaid the sanctum with gold leaf. Located in the city of Amritsar, the Golden Temple is surrounded by the tranquil Sarovar, a sacred pool of holy water.

Why it’s so cool: The temple’s exquisite architecture and serene ambiance pair with harmonious prayers and hymns to create a soul-stirring experience. 

Fun fact: The Golden Temple is not only a place of worship but also a symbol of equality and community service. The temple houses the world’s largest community kitchen, called the Langar, where volunteers serve free meals to thousands of visitors daily, regardless of their caste, religion or social status. This inspiring tradition embodies the core values of Sikhism, emphasizing equality, compassion and selfless service.

Travel tip: Consider joining one of the escorted tours that traverse the northern regions of India. Amritsar is well-connected and can be easily reached by various means of transportation. 

While visiting the Golden Temple, it’s advised to dress modestly and for women to cover their head as a sign of respect. Before entering the temple complex, take a moment to cleanse your feet at the designated washing area as a ritualistic purification.

Meenakshi Temple

Location: Madurai, Tamil Nadu

History: Step into a world where ancient legends and vibrant hues intertwine at the awe-inspiring Meenakshi Temple. The roots of this remarkable monument stretch back to the 6th century, when an ancient temple first graced this sacred site. Between 1190 and 1205, the current Meenakshi Temple was built, incorporating and expanding upon its historical foundations. 

Why it’s so cool: While the Taj is serene and understated, Meenakshi has an enchanting kaleidoscope of colors that adorn its 14 gopurams. These towering pyramidal structures, perched over the temple entrances, are resplendent with 3,000-some intricate carvings and statues, from celestial deities to mythical creatures.

Fun fact: The temple is not only dedicated to Meenakshi (an avatar of Parvati, the Hindu goddess of love, beauty and fertility), but also Sundareshwarar, an avatar of her consort, Lord Shiva. The complex houses shrines for both deities, symbolizing the divine union of feminine and masculine energies.

Travel tip: From Madurai Junction Railway Station, it’s a 10-minute walk to the temple grounds. Again, dress respectfully. Consider engaging a guide who can illuminate the temple’s fascinating history, legends and the symbolic significance behind its vibrant colors.

Palitana Temples

Location: Shatrunjaya hills near Palitana in Bhavnagar district, Gujarat

History: Nestled amidst the hills of Gujarat, the Palitana Temples comprise a colossal collection of over 800 sacred buildings that dot the mountainous landscape. These temples, built around the 11th century, hold immense significance for followers of Jainism, drawing thousands of pilgrims from around the world who embark on a spiritual journey of devotion and enlightenment.

Why they’re so cool: Prepare to be awestruck by the sheer magnitude of the Palitana Temples, as they create an ethereal landscape of spirituality and architectural splendor. The journey to these sacred shrines is a testament to the unwavering faith of Jain followers, who ascend a staggering 3,500 steps to reach the base of the temples. The sight of hundreds of temples scattered across the hills creates a mesmerizing panorama that is truly awe-inspiring.

Fun fact: Palitana holds the distinction of being the world’s largest cluster of Jain temples. This extraordinary complex is a sanctuary for Jain devotees, with each temple showcasing intricate carvings, vibrant colors, and architectural marvels. The temples serve as a testament to the spiritual devotion of the Jain community and provide a serene sanctuary for introspection and reverence.

Travel tip: The temples can be conveniently accessed by taking the Western Railway line from major cities like Delhi, Chennai and Kolkata. The nearest cities, Ahmedabad and Bhavnagar, located approximately 25 kilometers away, offer transportation connections to Palitana. 

Be prepared for the ascent to the temples by wearing comfortable shoes and carrying water. If climbing the stairs is not an option, you can hire a palanquin in the town at the base of the hills and get carried up. 

Birla Mandir Kolkata

Location: Ashutosh Chowdhury Avenue, Kolkata, West Bengal

History: The illustrious Birla family commissioned the temple, which was constructed from 1970 to 1996. Carved out of pristine white marble and sandstone, this architectural gem emanates a celestial radiance when the midday sun casts its rays upon it. A symbol of devotion and artistic brilliance, Birla Mandir stands as another testament to India’s rich religious heritage.

Why it’s so cool: Venture inside to discover a realm of intricate statues and carvings dedicated to Hindu avatars of the god Vishnu, such as Lord Krishna and Radha. The exquisite craftsmanship and attention to detail bring these divine figures to life, evoking a sense of reverence and spiritual tranquility.

Fun fact: Across India, there are 14 temples bearing the name Birla Mandir. Each is a testament to the philanthropic efforts of the Birla family, who have contributed significantly to the construction of these sacred spaces. However, the Kolkata Mandir stands out as a pinnacle of aesthetic beauty. Just make sure you’re planning to visit the right one!

Travel tip: You can easily reach the temple by taxi or bus tour from the city. Remember to dress modestly when entering the temple. And be aware that the temple is closed for much of the day. Go early or go late: It opens from 5:30 a.m. to 11 a.m., then closes. It reopens in the evening, from 4:30 p.m. to 11 p.m. 

A carving of Virabhadra, a fierce form of the god Shiva, as part of the crowded and colorful façade of Meenakshi Temple

India, Beyond the Taj Mahal

While I wholeheartedly recommend experiencing the majestic beauty of the Taj Mahal during your sojourn in India, turning a blind eye to these other captivating destinations would be nothing short of a crime. These lesser-known gems deserve a spot on your travel bucket list. –Andrew Ellison

Indian Handicrafts Meet Modern Design: A Q&A With Harpreet Padam

Traditional techniques inform modern consumer products — all within the framework of the Indian aesthetic. 

Harpreet Padam of Unlike Design Co. explains a detail to some of the artisans he collaborates with.

Scrolling through Instagram (one of my favorite hobbies), I was instantly impressed by the well-curated feed of Harpreet Padam (@generalaesthetic). It features images of places and objects found or designed by him. 

Recently, I saw a post featuring an article Harpreet wrote for Big Little Things, a magazine that celebrates thoughtful design and living. In the article, Harpreet describes his lifelong love for traditional Indian handicrafts and his collection of childhood objects filled with special memories and their influence on his designs. 

“A better, exclusive understanding of Indian-ness is something I really strive for through my work.”

— Harpreet Padam, co-founder, Unlike Design Co.

Harpreet is the co-founder of Unlike Design Co., and his creations include the Petal series of tea scoops that have an organic feel to them and were developed in collaboration with woodworkers from Udayagiri, Andhra Pradesh, India. His Bidriware is produced by craftspeople in Bidar, Karnataka. And I’m particularly partial to the miniature houses inspired by the vernacular architecture of Srinagar, Kashmir. 

We were thrilled to connect with Harpreet, who shared a bit about his influences, design background, favorite objects and the enduring legacy of artisans. –Duke

Tell us about your design background.

Honestly, the impulse to study design came about for me by a poster I found in an apartment that the previous tenant, a furniture designer, had left behind. It was a neat collage of industrial design works by the French architect and designer Marc Held. I still have the poster and keep in touch with Marc every now and then. 

I went on to study at the then very respected accessory design department of the National Institute of Fashion Technology in New Delhi. 

After graduating, I worked for six years as a designer, then design head at a fashion accessory firm in Bangalore. It was a wonderful team, and I got the opportunity to design jewelry, home products, store windows, brochures and even a store interior. 

 Eventually, I was drawn to packaging and graphic design for Indian fashion brands. My partner, Lavanya, and I established our studio Unlike Design Co. — first in Bangalore, and now in New Delhi. We do a mix of projects, ranging from home accessories, craft-based objects, graphics and packaging. Both of us also teach at various design schools across India. 

Harpreet looks to traditional Indian culture to create a new, non-Westernized take on contemporary design.

How would you describe your design philosophy?

I look at design as very closely related to business and culture. The experience and understanding of the client as well as the softer nuances within the lives of the user influence my thinking greatly. 

A better, exclusive understanding of Indian-ness is something I really strive for through my work. 

I am also always thinking about how the words “modern” and “contemporary” apply to India and our people. The way designers like myself have been trained and the early influences we have developed as a result of that, our understanding of these words has been shaped largely from a Western viewpoint. My mind struggles to think afresh as an Indian living and working amongst the Indian masses — I think this struggle forms an important part of my design philosophy.

What are some of your favorite objects that you’ve picked up on your travels? Why are these important to you?

 I really like this set of wire puzzles we picked up on the Ganges riverside in Varanasi. The man who sold them used to make them himself. The puzzles range from simple to sheer mind-benders. On subsequent visits, I couldn’t find the man again, and the pieces I had bought earlier became more special.

Harpreet picks up keepsakes on his travels, like these wire puzzles bought along the Ganges in Varanasi.

Then there is this block of wood which I found in a wood turner’s workshop in Kashmir. It’s some sort of a shaping tool, though the artisan was using it as a seat. According to the family, it is very old and made of a rare hardwood exclusive to Kashmir — I forget the name now. I think I enjoyed its multipurpose perception and its naturally aged look. 

Hapreet found this shaped wood block at a workshop in Kashmir.

There are so many more things, found by the roadside, in hardware stores, in people’s homes, rejects during workshops. Lavanya and I collect a lot of such things, get really attached to them, and end up filling cupboards and boxes to the brim.

Artisan Khatoon Bi uses her hands as well as her feet to carve a Petal teaspoon for the Udayagiri wooden cutlery collection.

Who are some of the artisans you work with?

At the moment, I am working with embroiderers, woodcarvers and papier-mâché makers in Kashmir. I also work with a family of Bidriware makers and a community of women cutlery carvers in South India.

A Kashmiri woodcarver’s workshop

What appeals to you about traditional handicrafts?

I enjoy the struggle of aiming to create a kind of new relevance. In the past, a lot of traditional handicrafts were seamlessly integrated into the lives of their users — through intelligent combinations of their function, appearance, significance. Artisans nowadays are a bit detached from a firsthand understanding of consumer lifestyles — sometimes even within their local environments. 

I like the attempt of acting to bridge this understanding — just nudging and guiding a bit. It’s magic to witness an artisan thinking for him- or herself about a new product. And they do it more intuitively than designers. It’s also design, I guess, helping someone with the confidence to think for themselves.

Master craftsman Abdul Rauf works with Harpreet on the Bidriware product line.

Another important thing for me is changing perceptions about traditional handicrafts, especially for young design students, who find the whole subject boring and stuffy. I think I’m able to achieve this to some extent when I teach my craft-based design course at the National Institute of Fashion Technology. 

Prototypes for Unlike’s Srinagar Houses

How have you given traditional handicrafts a modern twist, as in your Srinagar Houses miniatures?

I didn’t have to do much more than spot significant details of old Srinagar houses that stood out for me. And this happens naturally when you visit Kashmir — the older architecture stands in sharp contrast to the more universal style of building prevalent now. 

So I simply made small models of what I saw, and the artisans improved upon it with their own thoughts. Though we did attempt to paint details of windows and brickwork onto the houses, eventually we left them gray. 

The minimalism of the Srinagar Houses lends them a modern feel.

I was inspired to do this by a conversation with one of the traditional artists, who was joking when he said it’s better not to paint windows and doors since the Kashmiri people are almost always under curfew and house arrest. I think that stark grayness, coupled with strong architectural features, gives them a modern feel.

Architecture like this in Bidar helped inspired Unlike’s Bidriware.

What have been your biggest influences as an artist?

Most of all, I think it’s the opportunity of traveling and meeting varied places and people. And then I think it’s also an equilibrium of mish-mash from films, magazines, books, writings and work of designers, artists, filmmakers and the like. 

I spent my late school years studying in and around Corbusier’s Chandigarh and that did affect my view on architecture and design, in a deep way that’s hard to describe. 

I also really admire the writings of the late Italian designer Ettore Sottsass and the work of Vico Magistretti, his fellow designer of the time. 

And then Indian cinema of the 1980s and early ’90s — such films as Ek Doctor Ki Maut by Tapan Sinha, Aakrosh and Ardh Satya by Govind Nihalani, Mathilukal by Adoor Gopalakrishnan and Sadma by Balu Mahendra. I wish my work could imbibe that level of starkness in thought, the honesty and courage to address issues head on — even in commercial products and the way they are made.    

Traditional techniques are used to create the Convention vases in Unlike’s Bidriware line.

Explain some of your favorite traditional techniques, and how you’ve applied them to your work, as in your Bidriware series.

In Bidriware, I think I’m still learning more about the possibility of techniques. In my last extended interaction, I enjoyed learning about the hollow-core casting technique. Unlike many Bidriware objects, this technique does not weld two symmetrical halves to create a hollow object, which is a simple but crude way to do it. The method employs sand casting to achieve a completely hollow form, without visible joints. 

Moreover, the artisan I have been working with is extremely skilled at creating hollow molds out of solid forms — it is magic watching him employ decades of skill and dexterity in the few moments it takes to achieve this. 

I used both these specialities of the artisan for a series of flower vases called Convention.

Share something that you think would only happen in India.

Oh, our roads. The astonishing synchronicity of traffic, animals and people moving in any and all directions of their choosing. I’m not sure any other country can match that.

The Crocotta and Other Monsters

The villains of Supernatural, Season 3, Episodes 12-14 include the old standbys demons and ghosts, as well as Thomas Edison’s spirit phone.

The crocotta, seen in this illustration from the Aberdeen Bestiary, lures its victims by sounding like someone they know in need of help

“Rip out the crocotta’s crystal eyes, put them under your tongue — and you’ll be able to tell the future!”

A demon found at Ostia, as depicted in Demonology and Devil-Lore

S3E12: “Jus in Bello”

Monster: Demon

Where it’s from: All over the world

Description: There’s something demonic in even the most appealing of gods, argues Moncure Daniel Conway, in his 1879 work Demonology and Devil-Lore. “Man found that in the earth good things came with difficulty, while thorns and weeds sprang up everywhere,” he writes. “The evil powers seemed to be the strongest. The best deity had a touch of the demon in him. The sun is the most beneficent, yet he bears the sunstroke along with the sunbeam, and withers the blooms he calls forth.” In fact, “deity and demon are from words once interchangeable,” Conway points out.

What it does: We’ve covered demons before, and their propensity for possessing people.

In this episode, demons are beelining for the Winchester boys, surrounding the sheriff’s office they’re in. “It’s like we got a contract on us,” Dean says, adding, “I think it’s ’cause we’re so awesome.”

How to defeat it: You can get matching pentagram sun tattoos, like Dean and Sam. They’re cheesy as hell, but hey: They keep you from being possessed.

A snouted demon, also from Demonology and Devil-Lore

You can also use a rosary to make holy water in the toilet. And, of course, there’s good old salt. Which leads to this funny exchange with the FBI agent:

Henriksen: Fighting off monsters with condiments. So, turns out demons are real.

Dean: FYI, ghosts are real, too. So are werewolves, vampires, changelings, evil clowns that eat people.

Henriksen: Okay, then.

Dean: Makes you feel better, Bigfoot’s a hoax.

Henriksen: It doesn’t.

The boys learn about a “big new up-and-comer” named Lilith. “And she really, really wants Sam’s intestines on a stick.” Grilled sausage, anyone?

Dean and Sam contemplate a spell that will vaporize all demons in a square radius — but it requires the sacrifice of a “person of virtue,” which is just another way of saying “virgin.” Not up to cutting Nice Nancy’s heart out of her chest, the Winchester Brothers decide to fight their way out, with the help of an exorcism over the PA system.

Demon Ruby gives them black mojo bags to throw Lilith off their trail. For now…

Some ghosts are trapped in continuous loops that play out their deaths

S3E13: “Ghostfacers”

Monster: Ghost

Where it’s from: Morton House, a haunted house possibly in Benton Harbor, Michigan

Description: This ghost looks remarkably lifelike.

What it does: The phantom returns every four years. Some call it the Leap Year Ghost. A crew of ghost hunters is filming an episode of their show Ghostfacers, and of course the Winchester boys show up masquerading as police to take on the evil spirit as well.

An apparition of a gangster gets gunned down. It’s a death echo, Dean explains. They seem to be an invention of the show, though there are plenty of reports of ghosts caught in neverending loops.

The Ghostfacers crew has some competition, including Josh Burger and Stan Maczek, shown using an electromagnetic field (EMF) detector

There are multiple death echoes, including a man hit by a train. These people didn’t die in Morton House, though. So why are their spirits trapped there?

Turns out the home’s last owner, Daggett, was a janitor at the hospital. He brought the bodies home “to play with them.”

Sam disappears. He and Corbett the intern are in some creepy kitchen while “It’s my party, and I’ll cry if I want to” plays over and over. Poor Corbett, who was in love with Ed, one of the Ghostfacer crew, gets poked through the neck and dies.

Daggett is wearing a party hat. He gets lonely, you see. But Dean has no sympathy. “He’s never heard of a RealDoll?” he quips.

How to defeat it: “You gotta be gay for that poor dead intern,” the other Ghostfacer host tells Ed. He concedes and is able break Corbett out of the death echo and convince his spirit to take down Daggett. Remember, people, as Ed says, “Gay love can pierce through the veil of death and save the day.”

The crocotta looks like a big wolf-hyena hybrid, seen in the illuminated manuscript the Rochester Bestiary

S3E14: “Long-Distance Call”

Monster: Crocotta

Where it’s from: India and Ethiopia

Description: In folklore, the crocotta is a mishmash of animals, often described as a giant wolf-like hyena with cloven hooves. On the show, though, it’s a humanoid who lives in filth. In both versions, the monster has a unique means of luring its victims: It can mimic human speech and will call out someone’s name and other personal information, pretending to be someone in trouble. It then devours the poor suckers with the bone ridges it has instead of teeth.

Fun fact: Rip out its crystal eyes, put them under your tongue — and, by Merlin, you can tell the future!  

What it does: A man gets a call on the phone from a woman named Linda. She wants him to join her. They love each other. He pulls the phone out of the wall, but it still rings. “Okay, Linda, you win,” he says. And blows his brains out.

The man’s wife confesses that she picked up the phone during one of these calls — and she only heard static.

The caller ID on the phone reads, SHA33. It’s actually a phone number that’s over a century old. Ten different homes all got calls from that number in the past two weeks, including Dean, who spoke with what sounded like his dead dad.

Which leads us to a red herring — but a fascinating one nonetheless. The Winchester boys are in Milan, Ohio, the birthplace of Thomas Edison. The inventor told The American Magazine in 1920 that he had been working on a spirit phone, “building an apparatus to see if it is possible for personalities which have left this earth to communicate with us.” He thought that a scientific device could detect the “life units” that get scattered throughout the universe when we die.

Thomas Edison tried to invent the spirit phone, which would let us speak with the dead

The killings all turn out to be the work of a crocotta: in this case, a man at the phone company. He’s a bit of a Luddite, offering up this meditation on the modern condition: “You’re all so connected. But you’ve never been so alone.” Preach!

How to defeat it: Ramming its head into a metal hook will do the trick. –Wally

Kanyakumari and the Healing Waters of Cape Cormorin

A Kovalam day trip to the southern tip of India will wash away your sins.

The restaurants in Varkala, another day trip from Kovalam, put their fresh catches on display

Who wouldn’t want the opportunity to spiritually cleanse themselves with a quick dip?

Our friend Kelly visited the beach town of Kovalam in the state of Kerala, India. Her new friends from a yoga retreat kept talking about a day trip to the southern tip of the county and bathing in the spiritually healing waters found there.

“I took one look, and said, “I’m going to get like 15 different flesh-eating bacteria if I go into this water.” ”

Kanyakumari is where three bodies of water meet: the Bay of Bengal, the Indian Ocean and the Arabian Sea. The spot is also referred as Thriveni Sangamam and amongst English speakers as Cape Comorin. It’s about a two-hour and 45-minute drive down from Kovalam. –Wally

Tell us about the day trips you took from Kovalam.

We went to Varkala, which is an hour and a half north of Kovalam. It has a similar vibe, but it skews much younger. Kovalam seems like a place where older people come to retreat.

Varkala has a similar beachy, hippie vibe as Kovalam but skews younger

We also went to the southern tip of India, Kanyakumari. We visited Suchindram Temple and a couple other touristy things. The temple was white and had seven windows to symbolize the different stages of enlightenment.

Include Suchindram Temple on a day trip to Kanyakumari

There’s this idea that if you bathe in the waters of Kanyakumari, you’ll be cleansed of your sins. I was with a bunch of super granola, hardcore yogis, and they were so all about getting in this water. I took one look, and said, “I’m going to get like 15 different flesh-eating bacteria if I go into this water.” There were tons of people there, and the water smelled bad.

The Thiruvalluvar Statue on a small island off of Kanyakumari depicts a famous Tamil poet and philosopher. He is best known for Thirukkural, a collection of couplets on ethics, politics, economics and love. His statue is 133 feet tall — the same number of chapters in his famous tome

So you didn’t end up getting in the water?

Well…they ended up talking me in. Very reluctantly, I finally got in.

Three bodies of water converge at Kanyakumari, and local lore has it that you can wash away your sins by swimming here

That’s called hippie peer pressure.

I wouldn’t put my head in. They were like, “No, you have to — otherwise your sins won’t be cleansed!” And I was like, “I’m good.”

We were pretty much the only white tourists there. A large crowd of men gathered around the area where my friends and I were bathing. People were taking videos and photos.

Did you find that people were fascinated with you as a white woman?

Everyone wanted to take a selfie with me. I’m on so many random people’s cell phones and Facebook pages.

At one point, I decided that I was sick of everybody looking at us, so I took pictures of them.

Ayurvedic Treatment in Kovalam

Our correspondent undergoes bizarre and intense Ayurveda practices in South India.

Ayurveda treatments often involve an oil that smells like peanut butter, and they can be quite intense

The more I heard about Ayurveda, the more intrigued I became. Why the heck isn’t this a major trend here in the United States, like yoga, acupuncture, or heck, even cupping? Could someone please inform Gwyneth Paltrow she needs to start a new fad?

Our friend Kelly went off to India to attend a yoga retreat to break out of a rut in her practice. While in the beach town of Kovalam in the southern state of Kerala, she also investigated Ayurvedic treatments.

“Yoga and Ayurveda are sister sciences,” Kelly told us. Here she describes her intense Ayurvedic treatment during her stay in India.

“You would lay down on a table and have this oil receptacle that was hung by a chain. A woman would slowly drizzle oil over your forehead, back and forth, for 20 minutes at a time.”

The quality of your hair, how oily or dry your skin is, how cold or hot you get — all of these factor into what your dosha is

What exactly is Ayurveda?

Ayurveda is the practice of balancing your body’s natural constitution, also known as your dosha. Everyone is one of three doshas: vata, pitta and kapha. They’re aligned to different elements. I’m a pitta dosha, so I have certain imbalances in my body that Ayurveda tries to correct.

The doctor did an assessment. Your dosha is made up of physical traits as well as personality characteristics. As a pitta dosha, I’m supposed to eat cooling foods. There’s a whole diet I’m supposed to follow.

The three doshas at the center of the star are aligned with different elements and characteristics

What was the facility like?

I went to two. The first one was super sketch. I went twice and decided it was maybe violating some child labor practices. The second facility was a proper one. It was beautiful inside — a huge wooden, three- or four-story hospital.

Describe the Ayurvedic treatments.

If you want treatment, you have to sign up for a minimum of 10 days. Every day I went for about three hours. The way that it broke down was, they would do a massage for an hour, and then a variety of treatments, depending on where I was in the Ayurveda course.

There was a treatment where they would take cotton cloths filled with herbed powder that they would dip in really hot oil and smack all over my body. Smack, smack, smack, smack!

The Ayurvedic oil they used smelled like peanut butter. The oil is believed to cure basically everything, so they use it in almost all of their treatments.

After that, they would do a powder massage rub. There were three women who would work on you together, in unison.

There were baths with this milk substance, which they’d heat and pour over you again and again. There were herbed water baths. There was this one treatment where there was a wooden pillar with a hanging oil receptacle. You would lay down on the table and you’d have this oil receptacle that was hung by a chain, and the woman would slowly drizzle it over your forehead, creating a line, back and forth, for 20 minutes at a time.

What was that like?

It was very relaxing — but a lot of the treatments were actually very stressful, especially after 10 days.

There a bunch of quizzes you can take to determine what dosha you are. I’ve taken a few — and gotten varying answers. I also tend to get dual prakriti, which signifies that I’m influenced by two doshas. From what Kelly has said, that means I’m a big ol’ mess. –Wally

Yoga Escape in Kovalam, India

Experiencing Ashtanga yoga classes in Kerala taught by David Garrigues.

The Ashtanga yoga studio in the beach town of Kovalam, where Kelly began each day

Our friend Kelly, a delightful, brave young woman, went off to India on a whim to join a yoga retreat run by David Garrigues.

The town of Kovalam charmed Kelly — you can read about its strange walled-in sidewalks and the quirky treehouse-like B&B she stayed in here. –Wally

“We do yoga to understand God and prepare ourselves for enlightenment.”

Our fearless adventurer, who had a major breakthrough in her yoga practice during her two-week stay in India

What brought you to Kovalam?

I went to practice yoga. I had been thinking about going to India for a few years, since I started practicing. I was kinda stuck in a rut with my yoga practice. I hadn’t been progressing, and I decided a good way to get out of it would be to go to India.

Why India?

That’s the birthplace of yoga. That’s where the Ashtanga tradition is from —  it originated in Mysore, India. Ashtanga yoga is basically a set number of postures in each of the six series. It’s super traditional. You do it every morning.

I didn’t end up going to Mysore, but I did practice with David Garrigues, a prominent Ashtanga teacher, in the South of India, in Kovalam. He’s based in Philadelphia but has been traveling around a lot.

It was one of those spur-of-the-moment things — though I don’t know if most people do a spur-of-the-moment thing with India. I made the decision very quickly. I booked the trip after thinking about it for about five minutes.

Sometimes you need a helping hand to move past a gatekeeper pose

What was the yoga retreat like?

Every morning, I’d get up at 6 a.m. and do yoga for about two hours. Sometimes there were sutra classes, or we’d go back in the afternoon for an asana [yoga postures] theory class.

What was interesting is I had a lot of challenges with my body over the two weeks I was there. I was in a program that was pretty physically demanding. At the same time, I was getting my body worked on three hours a day at an Ayurvedic clinic. And so the whole time I was there, I was intensely aware of the experience of being in a body. I would feel more frustrated when I couldn’t do a yoga pose. It felt more emotional than it usually does.

But by the second week, I was doing poses that I could never do. That’s a big deal in Ashtanga because in order to move to the next posture in the series, you have to be able to do the one preceding it. People get stuck at what are called gatekeeper poses. I was stuck at Marichyasana D. It’s basically a really deep twist, where you bind behind your knee. I broke through that, with an assist, and I had never come close to doing it before. And I felt like crying — it was really intense emotion.

Some of the more intense asanas, or yoga postures

What appeals to you about yoga?

There are eight limbs of yoga, and asana is just one of them. It’s this all-encompassing spiritual practice to actually do yoga. There are the breathing practices, meditation and other ones. All of it ladders up to this idea that we do yoga in order to understand God and prepare ourselves for enlightenment.

It isn’t associated with any religion — that’s a common misperception. It pairs really well with Buddhism and with Hinduism, and there are definitely shared influences.

Not a bad spot for some evening yoga

How did you feel by the end of your trip?

It was the definitely healthiest I’ve ever felt in my life. I was not ready to come back. I wanted to stay.

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Kovalam: A Hippie Haven in Kerala

This small beach town in South India isn’t your typical Indian experience — but it has its own intensity.

A stay in Kovalam isn’t your typical Indian experience. As a beach town, it’s much more laidback

Most people who travel to India don’t do so on a whim. But Kelly was at an impasse in her yoga practice and sought a spiritual kickstart. So when she saw that David Garrigues, a yoga instructor she admires, would be in a small beach town in the South of India, not five minutes had passed before she had booked her ticket.

Here Kelly shares her life-changing Indian spirit journey. –Wally

Kelly had a magical time on her solo adventure in Kovalam

“In Kovalam, all of the sidewalks have very high walls built up around them. If you are passing someone, and they don’t turn their body, you will touch them. That is how tight the space is.”

All sorts of interesting people flock to Kovalam for its beaches and focus on wellness

Tell us about Kovalam.

It’s a small town on the beach, but super touristy. Apparently, Kovalam used to be this hippie haven. I remember on my second day there, I was sitting in this restaurant overlooking the ocean and looking around and being like, What are all these random people doing here at the edge of the world? You have these old ladies from Russia who are decked out in all of this costume jewelry, and you have the beautiful, sleek yogis and the Brazilians who are there backpacking through India, and it just seemed like such a strange group of people who had gathered there.

Hints of the chaos of India slip into even this idyllic town

The other thing that struck me was the overwhelming sense of anonymity. This was a place I could navigate as my true self versus the self that I have cultivated here with my friends and work.

Most of the locals spoke English, which I didn’t expect. I’ve heard a lot about India, but I think the experience of this town was a lot different. Though I will say there was a certain amount of chaos — leaving the airport in Trivandrum and getting to Kovalam was insane: people on rickshaws and bikes weaving in and out of traffic.

It seemed like everything was in a different stage of being constructed or being torn down. And there were people burning garbage, fires lining the street, and all this new construction, and in front of that, there’d be old men in loincloths selling fruit. It was this bizarre mix of new construction and old tradition.

Johny’s Beach House is like staying in a treehouse

Where did you stay in Kovalam?

I stayed at a place called Johny’s Beach House. It was like stepping into a jungle. It’s only four rooms. But he has this huge garden — there are literally monkeys that will climb through the trees there.

Johny himself — his warm heart is why his B&B is a top-rated place to stay in Kovalam

The garden at Johny’s is filled with lush greenery — and the occasional monkey

Johny built Johny’s Beach House, this hilarious, quirky treehouse, four years ago and he’s been running it ever since. He comes from this really small village and worked his way up in the tourism industry in Kovalam and now he’s the highest-rated place to stay. Which all of the other hotels are really baffled by because they don’t understand why this tiny little treehouse four-bedroom B&B is the top-rated place. But the thing is, when people stay there, they aren’t rating the B&B itself — they’re rating Johny, because he is such a personality, with this quirky sense of humor and is super engaging and really creative. That is his space, and it’s completely a representation of him.

Breakfast at Johny’s

Every morning Johny would make me this porridge with bananas and cardamom and different nuts when I’d get back from yoga. And I’d eat it on my balcony and read my yoga books. It was beautiful.

Did you ever feel unsafe in Kovalam?

There was only one time. I was coming home late. In Kovalam, the way that the town is structured — all of the sidewalks have very high walls built up around them. I bet they’re 7-foot walls. If you are passing someone, and they don’t turn their body, you will touch them. That is how tight the space is.

That was the challenge: getting anywhere. Google Maps doesn’t have all those tiny twists and turns, so I would literally allot 40 minutes to get to a place because I was like a mouse in the middle of a maze — even if it was a 5-minute walk away. Because the sidewalks were built around the homes, there would be dead ends; the sidewalk would turn into a dirt path that would go into somebody’s house. I got lost a bunch of times and one time had to be rescued.

It’s actually sad. Johnny told me that as the tourism industry took off in Kovalam, a lot of these hotels and restaurants and visitor homes built up the walls to prevent locals from entering their properties. And so in way, it was this discriminatory measure, to appeal more to the tourists.

It was a problem if you were coming toward a group of men and they didn’t make any sign of moving. That happened a few times, and it’s very intentional — people do that on purpose with women.

A strange encounter in the walled labyrinthine sidewalks in Kovalam

There was one time I was coming home late. There was a little dog I made friends with while I was there and it hung out outside of Johny’s Beach House and it would follow me around everywhere. I would go find it in the morning and he would follow me to the market or the beach. So he was my little buddy for two weeks.

This little fella followed Kelly everywhere she went in Kovalam and acted as her guard dog

Did you name the doggie?

He was just little Sweeters. So this one night I was walking home and there was a drunk man who I think was maybe following me. I don’t know exactly what happened, but I was starting to get that danger feeling, and a few moments later, I heard the dog start growling. Sweeters was snapping at the man. So I ran to the gate, opened it really fast and shut it.

What was it like being in such a small town?

Everyone watched your every move. The locals would ask, “Where are you from? Where are you staying? What are you doing?” And then they’d track me. They’d say, “Oh, I saw that you were at the blah-blah-blah the other day.” Or I’d meet somebody at a restaurant and they’d say, “You’re studying with David.” Everyone knew everyone’s business, which was really crazy.

People would ask me, “Are you married? Do you have a boyfriend?” It was very intrusive.

You’ll see offering bowls, like this one at Johny’s Beach House, all over Kerala

What was the most interesting Indian custom you encountered?

I really like the head bob. I had to ask Johny, “What does this mean?” And he was like, “Sometimes it means yes. Sometimes it means no. Sometimes it means they didn’t understand what you said.” And I was like, “Oh, that clears it up. Thanks.”

But I also found myself kind of doing it.

Because Johny and I became friends, I was able to do a lot of things I wouldn’t have been able to as a tourist. I spent a lot of time on the back of Johny’s motorbike, clinging on for dear life, struggling to breathe through the pollution. But it was like seeing this area through the eyes of a local.

We went to this really bizarre restaurant in Trivandrum. It seemed like this restaurant was a converted version of a twisty parking garage ramp. There are all these booths along the far wall as the restaurant spirals upward. I guess it’s the place to go in Trivandrum if you want coffee or dosa, which is like a crepe.

Kelly likes to play with her food, as seen on this houseboat restaurant

What was the food like in Kerala?

I’m obsessed with food. But surprisingly, I was underwhelmed.

The yoga studio that I go to in Chicago, the owner was coincidentally in Kovalam at the same time, doing a completely separate retreat. So I spent a lot of time with his people, and he had a house and has been going there for 20 years. He knows everything about Kovalam. And he had a neighbor friend, this woman, who made all of this food for us for our final meal. It was thali [the Indian version of tapas] served on a banana leaf — it was definitely the best meal that I had.

Thali, presented on this banana leaf, consists of small bites of different dishes, much like tapas

“Kelly: What does the head bob mean?

Johny: Sometimes it means yes. Sometimes it means no. Sometimes it means they didn’t understand what you said.

Kelly: Oh, that clears it up. Thanks.”

Mulligatawny Soup: Where It Originated and How to Make It

One of the more flavorful (and seemingly bizarre) soup recipes, this Indian dish has many variations. Here’s our favorite.

British colonists in India insisted on a soup course — and mulligatawny was born

The British historically aren’t known for their culinary skills. Sure, they can whip up a myriad of delicious cakes, as The Great British Baking Show has taught us. But when it comes to meals, many Brits are as bland as can be. My Welsh grandmother once told me, “The only spices you need are salt and pepper.” I disagreed, and with the rise of curry shops around England, the British eventually came around as well. It’s strange to me that a country that colonized so many parts of the world took so long to add bold flavors to its cuisine.

When you try mulligatawny soup, there’s no denying it’s an unexpected but delicious blending of British and Indian culinary styles.

The Origins of Mulligatawny Soup

Indian meals are traditionally served all at once, the containers placed in the center of the table, family-style, with everyone digging in and helping themselves to the shared dishes.

During the British Raj, between 1858 and 1947, when the sun never set on the British Empire, the fussy British colonists and soldiers refused to alter their way of dining, which I’m sure they felt was much more civilized. And that included a soup course.

Well, there wasn’t really an Indian soup, per se, so the servants would water down one of their occupiers’ favorite dishes, milagu tannir, which translates to “pepper water” in Tamil, a southern Indian dialect. (One source says the dish was molegoo tunes, a broth drunk by poor Sri Lankans.) The British never seemed to worry about pronouncing things incorrectly, and they garbled the dish until it came out mulligatawny, as it’s known today.

The colonists brought mulligatawny back to Britain, where it’s a staple on pub menus, though the recipe varies widely. We’re partial to the version my mom makes.

Ingredients

• 2-3 stalks celery, thinly sliced

• 2 chicken breasts, cooked, cooled and shredded

• 5 garlic cloves, minced

• 3 tablespoons garam masala

• 2 teaspoons curry powder

• 8 cups chicken broth

• 2 bay leaves

• 1 teaspoon ground ginger

• 2 tablespoons olive oil

• 2 tablespoons unsalted butter

• 2½ cups onion, chopped

• 3 large Granny Smith apples, diced

• 1 small can diced green chilies

• 2 cups carrots, chopped

• 3 tablespoons lemon juice

• 1 14-ounce can diced tomatoes

• Salt and pepper to taste

• 1 cup heavy cream
   

Apples, curry, carrots, garam masala, chicken, green chilies and onions all come together in a surprisingly cohesive and delicious meal

Preparation

Put oil and butter in a skillet until it melts.

Sauté onion for 4-5 minutes.

Add garlic, sautéing for 2 minutes.

Add the rest of the ingredients to a large pot, except the heavy cream. Cover and simmer.

Ladle out some of the warm liquid and slowly add the heavy cream while stirring. This will help prevent the cream from curdling. Add it back to the pot and cover.

Simmer for at least an hour. The longer the better.

Serve with fresh parsley (and a dollop of sour cream if you’d like).

Back in the day, the heavy cream was coconut milk, so feel free to substitute that.

The original recipe also called for a potato (peeled and chopped), but the Shirl swaps this out for another apple. You can’t tell the difference, she says, and she likes the added sweetness. –Wally

15 Best Articles of 2017

Our top blog posts cover the Paris Catacombs, India’s transsexual hijras, jinns, vintage Halloween, Fès hammans and more.

Duke and I tend to be drawn to the bizarre. We’re fans of the strange (chambers lined with skulls and bones, creepy vintage Halloween postcards and photos). We like to meet those who are societal outsiders (like India’s legal third sex, the hijra). We’re obsessed with the supernatural (jinns, gypsy love spells). But we also appreciate a good pampering (at a Fès hamman, say) and architectural beauties (such as the Milan Duomo).

Seems like you do, too. Here are the top 15 blog posts from last year. What was your favorite? –Wally

1. GRUESOME FACTS (AND HELPFUL TIPS) ABOUT THE PARIS CATACOMBS

No bones about it: If you think piles of skulls and hallways formed of bones are pretty effin’ cool (like us), then the Catacombs of Paris are for you.

2. SECRETS OF THE HIJRA: INDIA’S LITTLE-KNOWN TRANSSEXUALS

Prostitution, curses and dangerous sex change operations are a way of life for this marginalized community.

3. HOW TO PROTECT YOURSELF FROM JINNS AND BLACK MAGIC

Black magic in Islam is a serious concern — and the holy writings offer numerous ways to negate magic jinn.

4. THE BEST PLACE TO MAKE OUT IN PUBLIC IN DELHI

Not a typical tourist stop, the Garden of Five Senses is a whimsical sculpture park worth visiting. It’s also popular with local couples escaping societal judgment against PDA.

5. 24 VINTAGE HALLOWEEN CARDS THAT ARE NOSTALGIC — BUT A BIT CREEPY, TOO

Halloween greetings from the past featured common Halloween symbols: the witch, black cat, jack-o’-lantern, ghost, devil — and one that has been forgotten.

6. 21 VINTAGE HALLOWEEN PHOTOS THAT ARE SO CREEPY THEY'LL GIVE YOU NIGHTMARES

Halloween costumes of the past were scary as hell.

7. WHAT’S THE BEST HAMMAM SPA EXPERIENCE IN FES, MOROCCO?

Reinvigorate yourself at the luxury hammam Les Bains Amani.

8. 7 FUN FACTS ABOUT THE MILAN CATHEDRAL

What to do in Milan, Italy? Visit the gorgeous Duomo di Milano, covered with statues of saints and gargoyles — and don’t miss the amazing view from the rooftop.

9. LOVE SPELLS FROM THE GYPSIES

How to cast a love spell to make someone fall in love with you — or fall out of love with you. Plus, secrets from the Roma that will reveal your future spouse!

10. THE PISHTACO OF PERU

Why one of the world’s creepiest vampire legends lingers to this day.

11. WAT RONG SUEA TEN, THE BLUE TEMPLE

No day trip to Chiang Rai is complete without a visit to this breathtaking wat, between the White Temple and Black Museum.

12. THE BEST AND WORST PARTS OF LIVING IN QATAR

What’s it like living in a Muslim country that fasts for an entire month and limits the sale of booze? What do Qataris think of Americans? And how the heck do you pronounce Qatar?

13. THE INDIAN CASTE SYSTEM EXPLAINED

Brahmin, Kshatriya, Vaishya, Shudra, untouchable: How did the caste system get started, what is the difference between castes — and how does this shameful practice persist to this day?

14. HOW ST. NICHOLAS BECAME SANTA CLAUS

The surprising origins of jolly old St. Nick include a tie to prostitution, kids chopped into pieces, a devil named Krampus and a racist tradition around his helper Zwarte Pieter, or Black Peter.

15. THE BEST SHOP FOR BLUE POTTERY IN THE ENTIRE FEZ MEDINA

If you’re shopping in Fès, just off of Place Seffarine is a small shop with a friendly owner and great deals.