8 Reasons to Visit Marsa Alam, the Hot, New Egypt Beach Destination

Much more laidback than Hurghada and Sharm el-Sheikh, Marsa Alam offers pristine sea life for scuba divers and snorkelers, European-style service, desert excursions and nearby Wadi El Gemal National Park. And, of course, there are the dugong sea cows.

Not too long ago, Marsa Alam, Egypt was known only as a hidden gem for divers. The secret’s getting out — and the area is rapidly developing as a more laidback alternative to the northern Red Sea beach party destinations.

Home to one of the oldest ancient civilizations in the world, Egypt is a mysterious and fascinating travel destination that should be on your radar. However, the pyramids, temples and tombs are only the beginning — it's also a beach destination bordering both the Mediterranean and Red Seas. Located on the western shore of the Red Sea, the town of Marsa Alam offers a less-crowded alternative to Sharm el-Sheikh and Hurghada.  

Not long ago, Marsa Alam was a small fishing village whose only tourists were avid in-the-know scuba divers. In recent years, though, it has grown into a promising European-style resort destination. Almost directly east of Edfu on the Red Sea, it’s farther south than most other beach towns in Egypt. 

There’s a small international airport that services Marsa Alam, though it’s actually an hour or so north, in Port Ghalib. Whether you’re looking to relax and enjoy pristine sand beaches, high-quality luxury accommodations, desert trekking, or exploring the abundant sea life, there’s something for everyone here. 

Another gorgeous sunrise at Marsa Alam — which you’ll be up to see since you weren’t partying till the wee hours at the club

8 Reasons Why Marsa Alam Is Becoming a Hot Travel Destination

More and more tourists are skipping Cairo and heading to the beach resorts of Hurghada and Sharm el-Sheikh. However, Marsa Alam is one of the newest destinations and is quickly rising in popularity. Here’s why you should consider this up-and-coming hotspot in Egypt. 

This part of the Red Sea isn’t yet crowded or polluted — and the aquatic life is stunning.

1.   An untouched underwater world

Thanks in large part to its remote location, the underwater world of Marsa Alam is more wild and currently less affected by tourism — a real paradise for divers and snorkelers.

Who doesn’t love dugongs, this area’s version of the manatee?

Schools of exotic fish, vibrant coral reefs, sea turtles, dolphins and dugong sea cows can all be found in this part of the Red Sea. And if you’re not a fan of snorkeling or diving, there’s always the option of booking a glass-bottom boat excursion to enjoy the wonders of this enchanting underwater world.

First and foremost, Marsa Alam is a beach destination, where you can relax on the sand, swim, snorkel and scuba dive.

2.   Gorgeous beaches

The beach stretches for over 30 miles (50 kilometers). Almost every hotel has its white sand beach — a great place to admire the sunrise. 

And because Marsa Alam isn’t as crowded as Hurghada or Sharm el-Sheikh, it’s a good option for families with children. There’s a calmness to this region for those who want the opportunity to be alone with nature.

The Lazuli Hotel in Marsa Alam is just one of many luxury resorts popping up in the area.

3.   High-quality service

Tourists here mainly hail from Germany, Poland, Austria and the Czech Republic, giving Marsa Alam a European feel. In fact, unlike other resort destinations in Egypt, prices are in euros. And for those of you who have experienced bad service elsewhere in Egypt, you shouldn’t find it in Marsa Alam. 

It is also worth noting that, unlike other beach hotspots, vendors and travel services representatives aren’t as pushy here. 

Even the winter isn’t too cold in Marsa Alam, and most beaches are protected from the infamous Egyptian winds.

4.   Good weather

Because Marsa Alam is farther south than other beach resorts, the enviable climate is warmer, especially in winter, when the temperature averagess between 60 and 84 degrees Fahrenheit — making it a comfortable holiday destination all year round. Also, most hotels have bays that are protected from the infamously strong Egyptian winds. 

Explore the ancient Roman ruins at Wadi El Gemal National Park.

5.   Excursions and activities

Marsa Alam is a place where you can swim for hours, ride an ATV in the desert next to the sea, and visit nature reserves and national parks. 

Wadi El Gemal National Park (Valley of the Camels) is a must-do day trip just 28 miles (45 kilometers) to the south of Marsa Alam. It’s the third largest park in the East Arabian Desert, consisting of 1,840 square miles of land and 810 square miles of marine life. Here you have the opportunity to observe rare birds and animals as well as wander among the ruins of temples and other buildings that date back to Ancient Rome!  This area was known as the Emerald Mountains and supplied the empire with green beryl gemstones.  

Take a day trip to marvel at the natural sculptures in White Desert National Park.

6.   Awesome deserts

If you want a break from the beach, then a trip to the Sahara el Beyda is a great option, with its stunning scale and boundless space. The surreal chalk-white landscape, punctuated by natural sculpture shaped by the harsh desert winds, is now a protectorate known as White Desert National Park. 

Who says Marsa Alam has to be relaxing all the time? Hop on an ATV and go for a ride in the dunes of the nearby desert.

To me, the desert represents freedom. Don’t worry about it getting too hot — it’s particularly pleasant even in the spring. Go for a ride on a quad bike or jeep, ending with a trip to the closed nature reserve beach to look for giant shells and pieces of coral. The sand here rivals that of the Maldives in its whiteness.

The Iberotel Costa Mares is but one of several five-star hotels in the Marsa Alam area.

7.   New world-class hotels and resorts 

So many four- and five-star hotels to choose from! They stretch along the coast in either direction from Marsala Alam. Yes, they are right on the beach — but, at the same time, there is a lot of greenery here. The staff will set you up with sports, wellness treatments and other activities. 

8.   Tourist infrastructure

Pharmacies, shops, bars and restaurants are popping up all over town. You can also head to neighboring Port Ghalib, about an hour away, to eat at one of the restaurants there.

Marsa Alam, where the desert meets the Red Sea

Oh-So-Chill Marsala Alam 

Compared to other popular resorts in Egypt, Marsa Alam is much more relaxed. This is an opportunity to experience amazing beaches and sea life away from noisy tourists and discos. But, like many other on-the-rise destinations, it might not be long before Marsa Alam becomes overcrowded. I recommend going sooner than later. –Isabelle Jordan

 

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Also in the area

Edfu is a little over three hours away, directly west.

The Temple of Horus at Edfu

Kom Ombo Temple and the Crocodile Museum

Sofitel Legend Old Cataract Hotel Aswan

Abu Simbel

Fashion and Beauty in Ancient Egypt

What did the average Egyptian look like? A tour of the clothes, jewelry and makeup worn in Ancient Egypt.

What was an Ancient Egyptian’s beauty regime like?

Ancient Egyptians had no qualms about nudity. To be fair, it does get really hot there. 

But that doesn’t mean they ran around naked all day. They did have a sense of style — the clothes tended to be simple, with jewelry adding colorful accents.

“When you think about these standards of beauty, you realize how similar they are to our own modern-day ideals.”

The dry desert climate has preserved an astounding amount of statues and paintings from Ancient Egypt, so we have a good idea of what they looked like and what they wore.

What did Ancient Egyptians look like?

On the average, they were shorter than modern-day humans: Women were about 5 feet tall, while men were typically around 5'5".

Ancient Egyptian women strived to be thin with pert breasts, while men with broad shoulders tapering down to flat stomachs were considered handsome. Some things never change.

What was the ideal of beauty?

A good place to start with standards of beauty is the art of a time period. You can see how bodies were depicted in paintings and sculptures — especially those that don’t aim at realism. The body types in Ancient Egyptian art remained amazingly similar for over 3,000 years.

So what was considered hot to the Ancient Egyptian? Thin was in. Curved hips weren’t often depicted, but small, firm breasts were admired. 

“[S]ome of the mummies of older women, whose natural equipment had sagged under the relentless pressure of the years, were stuffed with wax or sawdust in the pectoral region to give the necessary curves,” writes Barbara Mertz in Red Land, Black Land: Daily Life in Ancient Egypt.

And the men emulated a long and lean physique, including broad shoulders that tapered down to a flat stomach. 

When you think about these standards of beauty, you realize how similar they are to our own modern-day ideals.

What hairdos did Ancient Egyptian women adopt?

How did Ancient Egyptians wear their hair?

“The girls let their hair hang loose or braided it into pigtails, but boys had an unusual coiffure — the head was shaved except for one long lock on the side, which was braided,” Mertz writes. You’ll see this sidelock carved onto many a temple wall.

A statue showing the unusual sidelock worn by Egyptian boys

This distinctive hairstyle was something men would wax idyllic about, feeling nostalgia for the carefree days of boyhood as the time “before I had cut off the sidelock.” Perhaps the act of cutting off the sidelock was a rite of passage into adulthood for Ancient Egyptian men.

Men in the Old Kingdom wore their hair short, not unlike today. Other styles that were popular included the shoulder-length bob and a short cap of tight curls arranged in rows. 

A man with rows of tight curls — a popular style in Ancient Egypt

For women, in the Middle Kingdom the haircut that was all the rage had bangs and long hair on the sides cut at an angle. 

By the New Kingdom, noblewomen had a new style: a top layer of long, thin curls or crimps, beneath which were rows of shorter curls or marcelled waves that hung to the shoulders. 

A wig with a colorful covering from the tomb of a minor wife of Pharaoh Thutmose III.

Did they wear wigs?

Yes, both men and women did, and they were mostly made of human hair. A woman’s wig tended to be long and dark-haired, though in the early dynasties, some females sported hairstyles as short as their male counterparts. 

Facial hair wasn’t too popular in Ancient Egypt, but there are some statues that show men with mustaches or beards.

What about facial hair? 

“At certain periods neat little mustaches were worn, and sometimes beards seem to have been fashionable,” Mertz writes. But most often, men in Ancient Egypt were clean-shaven. That long goatee you see on statues and carvings of pharaohs was artificial: You can sometimes see the chin straps.

A variety of clothing styles for the different classes. You’ll note that white was the color of choice.

What clothes did Ancient Egyptians wear?

For young children, the answer was nothing — not a bad idea, Mertz muses, given the heat and the propensity of toddlers to get dirty.

“Older children wore clothing like that of their parents, a kilt, or skirt, for boys, a simple linen dress for girls,” Mertz writes. 

Linen was pretty much the only material used for clothing, although now and then wool was used. Egyptian weavers could use linen to make everything from a coarse fabric to a delicate gauze.

No bright colors or patterns here: The clothes were usually white. 

Dresses and kilts got more elaborate in later periods.

What were Ancient Egyptian women’s dresses like?

Women were typically clad in an ankle-length dress with wide shoulder straps over the breasts.

“The dress must have been designed to fit the figure as tightly as possible, and it may have been stylish to make it of thin material,” Mertz writes, adding, “A becoming style for the slim and graceful, but I wonder how plump ladies felt about it?”

In later periods, fashion got a bit more complex among the well-to-do. Another style that became all the rage had a sheer linen robe with accordion pleats and a small cape that crossed and tied in front of the breasts. It hung loose unless tied with a long sash at the waist.

There are also depictions of dresses made entirely of colored beads, intricately woven into elaborate patterns. They were most likely quite revealing, and where they show up in bas-reliefs and statues, they’re donned by goddesses or comely servant girls.

Men’s wardrobes were simple: a white skirt, or kilt, and no top.

What did Ancient Egyptian men wear?

Most men went shirtless but wore a knee-length kilt. It was secured by knots, sashes or simply tucked in. Later on, the kilt, like women’s dresses, more fancy, and started sporting accordion pleats.

Like the womenfolk, men also wore long, sheer, flowing robes.

Leather sandals were preferred over those made of papyrus, which didn’t last long.

What about their shoes? 

Most people went barefoot but had sandals for special occasions. Even the poor would have had a pair of sandals made from papyrus, though they didn’t last long. Leather was preferred. 

Ancient Egyptian jewelry didn’t have many precious stones but featured turquoise, garnet, obsidian, lapis lazuli and other colorful rocks.

What was Ancient Egyptian jewelry like?

The precious stones used to make bracelets (worn by women, boys and sometimes men), diadems, girdles, anklets and rings included carnelian, turquoise, garnet, feldspar, rock crystal, obsidian and lapis lazuli. 

But the most popular material was faience. If you read anything about Ancient Egypt, you’ll come across this word. Egyptian faience was composed of ground quartz, a colorant and other materials molded into a shape — most often a blue-green bead. 

Copper (for the lower class) and gold (for the upper class) were the most common metals used. Both were readily available, thanks to mines in the desert and neighboring Nubia. Electrum, a pale yellow mix of silver and gold, was also commonly used for jewelry. 

These large necklaces were called pectorals. This one features faience, a common blue-green material used at the time.

“The most common ornament was the flexible collar, made of concentric rows of beads, some of which might be shaped like animals or flowers or leaves,” Mertz writes. “It covered the front of the wearer’s body from the base of the neck to the middle of the breast, and since it was made of bright colors, it formed an important part of the overall costume.” 

Men and women lined their eyes with kohl in a distinctive style.

Did Ancient Egyptians wear makeup?

Anyone even remotely interested in Ancient Egypt (or who has seen Elizabeth Taylor in Cleopatra) is familiar with kohl. Egyptians focused on the eyes, and kohl was the eye shadow of choice. It’s still popular, though it’s now made of soot. But back in the day, Egyptians ground up malachite to make green kohl, and galena to make shades of gray. They applied this eye shadow over the eyebrows and around the eyes using a tiny wooden spoon or a rod made of bone (or, in a pinch, their finger). 

Red ochre worked as rouge and sometimes as lipstick. 

The Egyptians were fond of oiling themselves, which, as Mertz points out, makes sense in a hot, dry climate.

And to complete the package, people also applied scented oils, including myrrh and resin or floral bouquets, such as lily. –Wally

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The Sex Lives of Ancient Egyptians

How did Ancient Egyptians view love, sex and marriage? What were their views on homosexuality? Did women have equal rights? And what was childbirth like?

Ancient Egyptians were a lot less prudish when it came to sex than we are today.

All it takes is a trip to one of the many impressive temples that have stood the test of time for thousands of years to establish a lifelong admiration for the Ancient Egyptians. The Pyramids at Giza are but one testament to their ingenuity. 

And the more I learn about their society, the more impressed I am. When it comes to sexuality, equal rights and divorce, for instance, the Ancient Egyptians were surprisingly enlightened. Sure, there was their predilction for incest — but aside from that, they had some pretty forward-thinking ideas, especially for the time.

“The rights of a divorced woman were far ahead of their time.

A divorcée controlled her own possessions and was entitled to a percentage of the assets acquired by the couple. ”

Premarital sex and children born out of wedlock were legal and carried no stigma.

How did Ancient Egyptians view sex?

They most likely didn’t have the same puritanical prudishness about sex that lingers in the West to this day.

“It seems clear, from references in the poetry and other sources, that there was no moral prohibition against physical love between young unmarried persons, nor was there any stigma attached to children born out of wedlock,” writes Barbara Mertz in Red Land, Black Land: Daily Life in Ancient Egypt.

A statue depicting a lesbian couple from Ancient Egypt

These men are shown in a pose usually reserved for married couples.

What about homosexuality?

The signs point to Ancient Egyptians being OK with the gays. One case in point: There’s a Fifth Dynasty tomb at Saqqara that was jointly used for two men in the manner of a husband and wife. Though both were married with children, the men are depicted in a nose-to-nose embrace in one wall carving — a pose typically used for spouses. 

“Were these men lovers?” Mertz asks. “Your guess is as good as mine, though I think the evidence points in that direction.”

Marriages focused on cohabitation; a couple became husband and wife once they crossed the threshold of the house they would share.

What were Ancient Egyptian marriages like?

Well, it certainly wasn’t a major industry like it is for us. In fact, marriages might not even have been officially celebrated.

“We know very little about the ceremony of marriage, but most authorities agree that it was unimpressive, if indeed it existed,” Mertz writes. “Evidently, a man simply built a house and invited a woman to share it; when she moved in, the couple was considered to be married.”

This looks like a happy family — but if the woman wanted to get divorced, it was quite easy.

Could you get divorced?

No problem. In fact, a lack of compatibility was enough to end a marriage. By the Late Period, there were divorce documents that read, “If I repudiate you, if I take a dislike to you and want someone else…”

And the rights of a divorced woman were far ahead of their time. A divorcée controlled her own possessions and was entitled to a percentage of the assets acquired by the couple. Women could also pass on their property to whomever they wanted — rights that married women in England and America didn’t even obtain until the 19th century, Mertz points out.

Women had a surprising amount of rights — especially for an ancient civilization. They could hold property, get fair divorce settlements and hold even the highest office, that of pharoah.

How were women treated?

There was some equality among the sexes, with evidence of women holding even the highest positions, with the best example being Hatshepset, the woman who became king, or pharoah, and ruled over all of Egypt.

“We know of female treasurers and officials, and even a vizier — the highest position under the king,” Mertz writes. “One woman held the fascinating title of ‘Overseer of Doctors.’ Were these women doctors? Was she a practicing physician? Nobody knows for sure. The rarity of such titles indicated that they were exceptions to the general rule of male domination of the professions and crafts.”

Akhenaten and Nefertiti are famous for being a loving family, depicted holding their daughters — a slice of daily life that just wasn’t done at the time.

And one of the queen’s titles translates to something like, She for Whom Anything She Says Is Done. Sounds pretty powerful to me.

What about the harems?

Ancient Egyptian harems weren’t like the ones in the Muslim world. Mertz argues that a better translation is “women’s quarters.” The words that meant wife and concubine were occasionally interchangeable — which gives us a clue that these were women of status. 

“Some houses didn’t have separate areas for women; some did; but the dwellers therein were free to come and go as they liked,” Mertz writes. 

The royal family in particular practiced incest, emulating the gods, including the brother and sister pairing of Osiris and Isis.

Is it true that Ancient Egyptians practiced incest?

Well…yes. Certainly in the royal family. 

Ancient Egyptians didn’t have the same taboos we do (and, as smart as they were about architecture and so many other things, they obviously didn’t realize the dangers of depleting the gene pool by having kids with close relatives). 

Plus, they were emulating their gods. Just as in Ancient Greece and Rome, the deities of the Egyptian pantheon had some brother and sister pairings — most notably, Osiris and Isis.

Is it a mere coincidence that the word “senet,” at some periods in Ancient Egypt, meant both sister and wife? 

Egyptian women squatted during childbirth and were supported on either side (though not usually by cow-headed deities).

How did Ancient Egyptians give birth?

To see how Ancient Egyptian women delivered babies, the best evidence we have lies in their word for childbirth: The hieroglyph shows a woman squatting (or kneeling) with the arms and head of a baby emerging from between her legs. Hey, why not let gravity do its part?

A hieroglyph for childbirth reveals how Ancient Egyptians would have given birth.

The pregnant woman would have been supported on either side by females of the household, with a midwife helping with the delivery. 

How did they celebrate birthdays?

They probably didn’t. “One event that was never recorded was the year of an individual’s birth — and I mean any individual, king, commoner or prince,” Mertz writes.

From views on homosexuality to the rights of women, Ancient Egypt turns out to be a particularly progressive civilization. –Wally

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LEARN MORE: Daily Life in Ancient Egypt

Diseases, houses, food: What was it really like to be an Ancient Egyptian?

Daily Life in Ancient Egypt

How long did Ancient Egyptians live — and what did most people die of? What were the houses and schools like in Ancient Egypt? What did Ancient Egyptians eat and drink? Egyptologist and author Barbara Mertz unearths these secrets.

What was in an Ancient Egyptian’s diet? How long did they live? And, most importantly, were they cat or dog people?

While I love learning about world religions, mythology and history, not everyone can be a ruler or high priest. It’s nice to also think about the little people. As we explored the wonders of Egypt, I kept finding myself wondering what it was like for the average person. 

It was surprisingly difficult to find a book that covered this subject. There are tons of tomes covering the temples, tombs and pharaohs. But one that tells you how most Egyptians at the time kicked the bucket? Hard to come by. 

“Before we start feeling superior to our ‘primitive’ predecessors, we should bear in mind that a good many people in today’s ‘civilized’ world live under conditions that are as bad or worse than the ordinary ancient Egyptian endured.”

— Barbara Mertz, “Red Land, Black Land”

So thank Horus for Barbara Metz (who, incidentally is the author of the delightful murder mysteries of the proto-feminist archeologist detective, Amelia Peabody). Mertz’s book, Red Land, Black Land: Daily Life in Ancient Egypt, written in her oh-so-distinctive voice, was just what I was looking for.

Barbara Mertz — perhaps the most entertaining author on Ancient Egypt out there

Dear Reader, a Caveat

Part of what I find so enjoyable about Mertz is that she tells it like it is. She’s not too full of her own self-importance to be self-deprecating about herself and fellow Egyptologists. One thing she’ll never be accused of is being stuffy; in fact, there’s a sassiness and wit to her writings that delights me.

Mertz warns that you can’t take anything you learn about Ancient Egypt as outright facts. What we know about that time period could be a misinterpretation of the evidence, and a new discovery can utterly uproot existing theories. 

“[T]he most reliable books on ancient Egypt are loaded with boring words like ‘probably’ and ‘perhaps’ and ‘possibly’; scholars avoid ‘maybe’ for stylistic reasons, but it should be prefixed to at least 50 percent of the statements made in any book on Egypt — including this one,” she writes.

That’s especially true since Mertz first published Red Land, Black Land in 1966, with an updated edition that came out in 1978.

Mummies reveal a lot about how Ancient Egyptians lived — and died.

How long did the average Ancient Egyptian live?

About 35 years — and no wonder, Mertz says. They toiled hard and had limited access to healthcare: “Studies of Egyptian mummies show that these people suffered from a number of diseases, most of which went untreated,” she writes. “Poor nutrition and the inability to cope with infection contributed to high infant mortality. The flour ground on stone querns contained large quantities of grit that wore away tooth surfaces. Cavities were fairly infrequent, since the Egyptians didn’t have refined sugar, but a number of mummies have hideous gum abscesses.”

Ancient Egyptian doctors didn’t do the best job at fighting off a host of diseases.

What diseases were the most common?

Studies of mummies from Ancient Egypt have revealed a host of illnesses, including malaria, tuberculosis and smallpox. “Black lung disease resulted from the smoke-filled, poorly ventilated houses, and desert lung disease from the constantly blowing sand,” Mertz writes. “Perhaps the worst and most common illness was parasitic infection, which still occurs in Egypt today. The most pervasive parasite goes by two names, bilharziasis or schistosomiasis. I won’t go into details, since they are really revolting, but if not treated, the infection produces calcification of the bladder, fibrosis of the intestine, scarring of the liver, serious anemia, chronic fatigue and possibly heart disease. It isn’t fatal except in rare cases, but the sufferer probably wishes it were.”

It all sounds pretty awful — but Mertz points out, “Before we start feeling superior to our ‘primitive’ predecessors, we should bear in mind that a good many people in today’s ‘civilized’ world live under conditions that are as bad or worse than the ordinary ancient Egyptian endured.”

Ancient Egyptian homes weren’t too shabby; they had four rooms, plus the rooftop.

What was an Ancient Egyptian house like? 

For the middle and upper classes, there were typically four rooms in their homes. The room facing the street had no windows, aside from grates near the roof. Beyond this was an all-purpose room with columns and a higher ceiling, where the family slept, ate and entertained. A raised platform was used for a couch, bed or possibly to give birth. And behind this were two more small chambers: a kitchen and a storeroom or extra bedroom. There was a basement for storage, and a flat roof that served as extra living space. 

Beds tilted slightly downward, so instead of a headboard, there was a footboard to keep the sleeper from gently sliding down onto the floor, Mertz writes. And no down-filled pillows were to be found: “the item that would finish most of us was the pillow, which was not a pillow at all but a headrest of shoulder height, with a support curved to fit the neck,” she explains.

Dining tables were also unheard of. Even in royal palaces, every guest or pair of guests had their own little table to eat at.

In the kitchen, there weren’t any counters. While it doesn’t sound very sanitary, all cooking prep was performed on the floor, from grinding grain to kneading bread.

Egyptian homes didn’t have counter space, so meal prep was done on the ground. Consequently, a lot of food had grit in it that wore away at the teeth.

Privacy wasn’t really an option, as homes were filled with extended family members.

At Amarna, a city that briefly served as Egypt’s capital, the villas of chief courtiers even had bathrooms — a small, walled-off space with a brick-supported seat and a removable vessel beneath.

A model of an Ancient Egyptian home. Peasants’ homes were made of mud brick and would be reduced to nothing in a bad downpour.

What about the homes of the lower class?

Their huts would have been made of mud brick, containing a single room that everyone — including any domesticated animals — shared. And while it doesn’t rain often in Egypt, when it does, it’s a deluge. “A heavy downpour would reduce a peasant’s house to a pile of mud,” Mertz writes. “On the positive side, such domiciles were easy to build.”

Bread and beer were the two main staples of the Ancient Egyptian diet.

What did Ancient Egyptians eat and drink?

The key staple of the Ancient Egyptian diet was bread. In fact, some loaves have survived to the present day! 

They were also quite fond of beer. These two items top the list of the mortuary texts that list the food most desired in the afterlife. 

Early Egyptians ate a lot of fish — the River Nile offered a never-ending supply.

Milk, cheese, beans, lentils and chickpeas were also consumed. 

Vegetables played a large part in the Ancient Egyptian’s diet, primarily onions, garlic, radishes and lettuce (which was an aphrodisiac and features prominently in a bizarre myth about Horus and Seth). 

“Meat was probably scarce in poor households, but well-to-do families raised cattle and such exotic animals as oryxes and gazelles for food,” Mertz writes. 

They also domesticated pigs, sheep, geese and ducks.

Wealthy nobles, not surprisingly, ate better than the peasants. For one, they could sweeten their food with honey, and they ate carob, which is as close to chocolate as the ancients got.

They ate fruit, including dates, figs, melons and grapes, which were also dried into raisins or made into wine. 

More wine? Egyptians seemed to prefer beer, but as these amphoras attest, vino was popular, too.

“People ate with their fingers,” Mertz writes, “and when the meal was over a servant, or a daughter of the household, came around with water, which was poured over the hands.”

This carving shows what appears to be an Ancient Egyptian school.

Did Ancient Egyptians go to school?

We’re not sure, but we can presume that some of the upper class children, particularly the boys, were educated at a temple or in a room of a scribe’s house. 

The tools of the scribe’s trade

They were given the equivalent of pen and ink, and they wrote on ostraca, broken fragments of pottery or stone, because papyrus was too expensive for educational purposes. As you can imagine, they wrote in the hieroglyphic Egyptian script (“the most beautiful system of writing ever devised,” according to Mertz).

“Incidentally,” she continues, “the correct noun form for the little images is ‘hieroglyphs.’ Popular writers occasionally call them ‘hieroglyphics,’ and this small error scratches at the sensitivities of Egyptologists like a fingernail on a blackboard.”

Ancient Egyptians got a lot of things right — including a love of cats, which they domesticated.

How did they feel about cats?

It’s believed that Ancient Egypt was the first place cats were domesticated. 

They were also at the center of the worship of the feline-headed deity, Bastet: “Mummified cats have been found in large numbers,” Mertz writes. “I regret to say that the majority appear to have been deliberately done in, presumably as an offering to the goddess in question. (Don’t ask me to explain the logic of this.)”

The Egyptian word for cat might have been an onomatopoeia: It’s spelled miw. “How it was vocalized we may safely leave to the imagination of any cat-owning reader,” Mertz writes, cheeky as ever. –Wally

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KEEP READING: The Sex Lives of Ancient Egyptians

Learn their views on premarital sex, children born out of wedlock, homosexuality, women’s rights and more!

Ancient Egyptian Words You Should Know

Do you know your ba from your ka? What’s a vizier? How about a cartouche? Our handy glossary of Ancient Egyptian terms will have you speaking like a pharaoh in no time.

How many Ancient Egyptian terms can you spot in this image?

The terms we use to describe the religion, history and artifacts of Ancient Egypt are a strange mishmash of words that have French, Greek, English, Arabic — and yes, sometimes even Egyptian — origins.

Talk Like an Egyptian 

As you read more about the fascinating and complex world of Ancient Egypt, it helps to familiarize yourself with the terms that come up the most often. It’s probably a good idea to bookmark this page for easy reference — especially if you’re considering a visit. 🤗 

ankh: The hieroglyphic symbol for life, similar to a cross but with a loop in place of the upper arm. It was especially popular in jewellery and on temple carvings, where it was held in the hands of deities or being given by them to the pharaoh, to represent their power to sustain life and to revive human souls in the afterlife.

atef: The atef crown was made up of the White Crown of Upper Egypt with red ostrich feathers on either side. It was worn by the god of the underworld, Osiris.

ba: The ba is, essentially, the concept of the soul. Depicted as a bird with a human head, it could leave a person’s tomb to fly about. 

barque: These thin boats that curve up at either end were the transports of the gods, especially during festival processions. In temple sanctuaries, models of barques held statues of a deity. When a pharaoh died, a barque would transport them on their way to becoming a god.

Book of the Dead: This is the modern name ascribed to a collection of 200 hymns, rituals and spells that allowed the deceased to travel safely through the underworld and enter the afterlife. Ancient Egyptians knew it as the Spells for Going Forth by Day.

canopic jars: Four containers used to store the preserved internal organs of the deceased (the lungs, stomach, liver and intestines) extracted during the mummification process. Each jar was topped with the head of one of the god Horus’ sons.

cartouche: The oval frame that surrounds the name of a king, queen or god in inscriptions.

Coffin Texts: Collected during the First Intermediate Period, around 2134-2040 BCE, these 1,185 incantations and other forms of religious writing were inscribed on coffins to help the deceased navigate the afterlife, providing maps of the underworld and the best way to avoid dangers on one’s way to paradise.

deshret (or Red Crown): The crown, with a square base that curved upward into a point and had a coil spiraling out in front, was worn by the rulers of Lower Egypt.

djed: A representation of the spine, it symbolized stability. A djed amulet was often placed in coffins, where the backbone of the deceased would lay, to ensure eternal life. During a Sed festival, the pharaoh, with the help of priests, would raise a djed column. 

Duat: The underworld, home of the gods Osiris, Anubis and Ma’at, as well as many grotesque monsters. The sun deity Ra travels through the Duat every night, where he battles the serpent Apep, or Apophis. This is where a deceased person’s soul travels for judgment. 

Eye of Horus (aka udjat eye or wedjat eye): A falcon’s eye that acts as a protective talisman and symbolizes rebirth after death. Its origins lie in a myth where the evil god Set plucks out one of his nephew Horus’ eyes. 

faience: A powdered quartz paste that ranges in color from turquoise to teal. Modeled and sometimes fired, it was commonly used for jewelry, pottery and sculptures.

hedjet (or White Crown): The crown of Upper Egypt, it’s often irreverently (but accurately) described as looking like a bowling pin.

hieroglyphs: Think of them as the emojis of their day. Often mistakenly called hieroglyphics, they make up the system of pictorial writing used in Ancient Egypt. Though they sometimes represented the actual objects they depicted, hieroglyphs usually stood for particular sounds. 

Horus name: Beginning in the Predynastic Period, pharaohs would take on an additional name, cementing their relationship with the falcon-headed god Horus. The pharaoh oversaw their entire country and, like the bird of prey, could strike at enemies below. 

hypostyle hall: The reception area of a temple. Originally, most would have had a roof over rows of densely packed columns with capitals depicting palms, papyri or lotuses to represent the lush island of creation.

ka: The best way to describe this is as a soul — it’s someone’s other self, what makes them unique. It’s with a person throughout their life, but upon death the ka and the body become separate. The body has to be preserved, and the ka nourished, or it will starve and cease to exist. It’s represented as a human with upraised arms — or just the arms raised at a 90-degree angle. 

khepresh (or Blue Crown): Often worn by pharaohs when going into war, the khepresh was a blue headpiece with a uraeus on the brow.

kohl: Black powder made from galena ore (the chief source of lead) mixed with oil and used as an eyeliner by women and men.

Lower Egypt: The Ancient Egyptian worldview was upside-down compared to ours. Lower Egypt was the northern half of Egypt, so called because the Nile flows north before entering the Mediterranean Sea. Its capital was Memphis.

ma’at (aka maat): The principle of balance and cosmic order, personified by a goddess of the same name. It was a pharaoh’s duty to rule according to ma’at.

mammisi: A birth house, where a woman would go to deliver a child and recover for two weeks or so. These chapels were often situated in front of a temple and were said to be where a god had been born.

mastaba: A type of tomb first created in the Old Kingdom. From the Arabic word for “bench,” they were rectangular and flat-roofed, with a substructure belowground. As time went on, architects stacked stories atop them, leading to step pyramids and, eventually, the triangular pyramids like those at Giza.

nemes: A striped head covering worn by pharoahs. It covered the brow and skull, hung down on the side to rest on the shoulders, and was drawn together in the back in a sort of ponytail. King Tut was a fan. 

Opening of the Mouth: A ceremony held at the tomb, where the mouth of a mummy was symbolically opened so the dead could use their senses in the afterlife.

Opet: A festival held during the inundation, or flooding of the Nile. The statue of the chief god Amun would travel upon a barque from his sanctuary at Karnak to Luxor Temple.

papyrus: The writing surface used by Egyptian scribes. Derived from the pith of the stalks of papyrus, which grew along the banks of the Nile, the plant was also used to make boats, sandals, baskets and rope. 

pectoral: An elaborate necklace that covered much of the chest.

pharaoh: The supreme ruler of Ancient Egypt. He or she (there are a few times when a woman took the throne, like the remarkable Hatshepsut) was considered a god.

pschent (or the Double Crown): A combination of the deshret and hedjet crowns, it showed that the pharaoh controlled both Lower and Upper Egypt.

pylon: A massive gateway leading into a temple. Some held rooms, like the one for the harem at Medinet Habu.

Pyramid Texts: The earliest religious texts of Ancient Egypt. These spells, religious beliefs and myths were inscribed on the walls of Fifth and Sixth Dynasty pyramids (2465-2150 BCE). They were used to magically transform the deceased into the god of the afterlife, Osiris. Composed of 2,217 spells grouped into 714 “utterances,” they gave way to the Coffin Texts.

rekhyt: A stylized lapwing bird with wings spread and human arms raised in adoration, representing the general populace or the pharaoh's subjects. When depicted on the walls of ancient temples, it signified that the public was allowed in that area. 

sarcophagus: A large stone container that held a mummy's coffin. Its name comes from the Greek sarkophagos, meaning “flesh-eater.”

Sed: A festival of rejuvenation that renewed the powers of a pharaoh, it was usually — but not always — held in their 30th year of rule.

senet: A game played in Ancient Egypt. No one knows the rules, but they think it was a bit like chess. Pieces were usually fashioned from animal bone or clay. 

shabti (also shawabti or ushabti): A small mummy statuette of a servant placed in tombs that could be magically brought to life to perform tasks for the deceased in the afterlife.

sistrum: A sacred rattle made of a wood, metal or clay frame set loosely with crossbars strung with small metal discs. It was shaken during ritual dances for the goddess Hathor and later Isis.

sphinx: A mythological beast with the body of a lion that usually had the head of a pharaoh or god. The famous one sits outside Cairo at Giza. 

stele (also stela): An upright slab of stone that served as a monument, inscribed with religious or historical text.

Upper Egypt: The southern half of the kingdom of Ancient Egypt. It’s called Upper Egypt because the Nile River flows northward, from Upper to Lower Egypt. Its capital was Thebes.

uraeus: A rearing cobra in a threatening pose that represented divine authority, worn as a crown or head ornament by Ancient Egyptian divinities and rulers. It showed that the pharaoh had the protection of the goddess Wadjet, the patroness of Lower Egypt.

vizier: The second in command after the pharaoh. The role held many responsibilities, including administration of the government, security, judgement and the safety of the empire.

was scepter: A staff that’s often forked at the bottom and topped with the head of a creature, possibly the Bennu bird, a mythological heron who wears the atef crown. Carried by gods and pharaohs, the was scepter stood for power and dominion. –Wally

Habiba Gallery in Luxor: Fair Trade Handicrafts

This charming shop in the Luxor souk sells gorgeous items made by local women’s collectives.

If you’re staying in Luxor, be sure to stop into Habiba Gallery to pick up some local handicrafts — and say hi to Linda, who owns the shop.

Wally and I have never met a souk we didn’t like. As our time in Luxor neared its end, we made arrangements with the concierge at our amazing hotel, Al Moudira, to take us across the Nile to shop for souvenirs.

We arrived about 20 minutes later, outside the atmospheric pavilion that serves as the tourist market of Luxor. You’ll know you’re there when you see the massive louvered wooden pergola flanked by a pair of smaller pergolas and the name El-Souk emblazoned above the entrance. For a moment I felt like we were stepping into the city’s past as horse-drawn carriages trotted by while I was taking a photo. 

“The shelves of Habiba are lovingly stocked with curated goods that represent the vast array of Egypt’s cultural richness and craft heritage.

Local producers, many of them women, are supported through the principles of fair trade, providing a path to economic self-sufficiency. ”

Beneath the latticework archway lies the entrance to the Luxor souk — just be careful of the horse and carriages.

Inside the pedestrian-friendly bazaar are merchants selling spices and shops selling scarves, djellabas, trinkets, alabaster, statuettes and more. It wasn’t exactly bustling — we were there on a Sunday, and as Luxor has a large Coptic Christian population, many stalls were closed — but that was fine by me. 

After haggling at a few stalls in the market, our eyes lit up when we spotted Habiba Gallery, located on Andrawes Pasha, a side street running off the main souk. Wally and I have always had a passion for handicrafts, and the shop came highly recommended by Zeina Aboukheir, the “boss lady” proprietor of Al Moudira. 

A playful textile depicting village life, including a watermelon vendor and colorful birds in a cage

UnCommon Threads: Every item Has A Story

As we excitedly began to collect items we wanted to buy, Linda Wheeler, an Australian expat and the owner of Habiba Gallery, began sharing the stories behind the pieces. One of the first of many to catch our eye were a group of earthenware pottery. It was difficult to choose between the unique handmade pieces, but ultimately we settled upon a couple of plates, and a serving vessel in the shape of a cow. 

Duke and Wally couldn’t resist this dish shaped like a cow — at least they think it’s shaped like a cow.

Linda explained to us that the handmade pottery came from Tunis, a small village located in the Fayoum Oasis. The pieces were made by the former students of Swiss-born ceramicist Evelyne Porret. In 1989, Evelyne and her husband, Michel, established a pottery school to mentor and nurture the talents of the children of Tunis. Like Linda, Evelyne and Michel laid the foundation for locals to embrace an entrepreneurial spirit, and many of their students now run small businesses of their own.

Fun natural patterns adorn the plates we bought. The prices at Habiba are fair — no haggling necessary!

The next item was a supersized, Egyptian cotton hammam towel or blanket from Naquadah, a predominantly Coptic village located on the West Bank of the Nile River just south of Luxor. The fine textiles are woven by the local women, who have preserved the traditional craft of manual looming — practiced there since pharaonic times. 

Linda told us how her conversations with the producer of these textiles eventually led to the subtle variation in style we saw before us. We chose one with a simple deep blue striped pattern and hand-knotted fringe. 

This was quickly followed by a brightly colored embroidered textile with a whimsical scene depicting village life and a tote bag with a block-printed fly pattern. No one can deny a fly’s persistence, and the Ancient Egyptians viewed this trait as a positive attribute. Pharaohs were known to have presented military personnel with a golden fly amulet to acknowledge an individual’s success and tenacity. We now better understood the impressive necklace with three flies on it that we had seen at the Luxor Museum.

Wally regaled Linda with a story about how I was unable to exercise discipline when it came to negotiating — in fairness, I had caved rather easily at the shop we visited beforehand, but I was not going to leave Egypt without a few rather authentic-looking objects. Linda diplomatically replied, “Well, if you love them, then it was worth it. And if you think you’re getting a good deal, then that’s OK.”

The shelves of the shop are lovingly stocked with curated goods that represent the vast array of Egypt’s cultural richness and craft heritage. Local producers, many of them women, are supported through the principles of fair trade, providing a path to economic self-sufficiency. 

Whimsical hand-painted wooden spindle dolls reminded Duke of Japanese kokeshi.

One of the refreshing things about Habiba is that everything is clearly marked, so there’s no need to ask for the price or haggle. Linda was never pushy and allowed us to peruse the shop at our own pace. After about 20 minutes, we had a large stack piled on the counter — quite a few things for ourselves as well as presents for family and friends.

Linda, an Aussie expat, started Habiba with a sewing machine and a dream. The shop now showcases gorgeous handicrafts made by women’s collectives in Egypt.

The Story of Habiba and Its Goal of Female Empowerment

It all started when Linda brought her trusty sewing machine with her to Luxor. 

“The idea was to impart my simple skills and love of sewing onto the ladies in Karnak,” Linda says. “Some were widowed, divorced or illiterate, and I hoped to encourage them to make their own clothing. But this was a daunting task, so I reverted to beadwork, a traditional technique familiar to the women, and discovered they were happy to apply their skills to smaller items such as accessories.”

Wanting to find a way to improve these marginalized women’s livelihoods and provide them with a sustainable source of income, Linda decided to open a shop to sell their products. She chose Habiba, the Arabic word for “beloved,” and, with the help of Abd el Shafy, who assisted with the maze of bureaucracy, her dream came true. 

Habiba is filled with beautiful handicrafts like these wooden boxes with geometric mother of pearl marquetry.

At first, the shop didn’t offer a large range of items. “I borrowed a black jalabiya and headscarf and set out with my friend Sahar to find additional handicrafts,” Linda says. “Being a traveller, the thought excited me, and what better reason to see the country and meet the local community? I’ve been to the Siwa Oasis, Sinai Peninsula, Western Desert, Aswan, Fayoum Oasis and El-Mahalla.”

She also partnered with Fair Trade Egypt. “I would travel to the source to see how the product was made and who was involved,” Linda explains. “Meaningful relationships were formed, and over time we’ve developed new ideas with them.”

Technology has improved communication and social customs have relaxed, so Linda no longer needs to modestly cover herself in native garb when she travels around Egypt. 

Linda’s favourite site in Luxor is Karnak Temple. “I will walk through to the offering room, past those huge columns, and then on to the sanctuary of Sekhmet at the Temple of Ptah. It’s my place for grounding,” she says. So it’s fitting that she has helped to establish a workshop space in Karnak named Hands of Habiba, where the women are learning to become independent.

“For me, being a shop owner isn’t entirely about the money,” Linda says. “It’s about sharing the comments of our happy customers with the artisans. My life here has been about the women and the love and support that we give to each other. Living in Egypt is a simple life: buying local, living local and supporting local. The people make the experience — so friendly and always willing to give you their time.”

Her time in Luxor amongst the locals just might have influenced her, as we found Linda to be a delight. If you’re in this part of Egypt, be sure to stop into Habiba and purchase something (or some things) to take back with you, knowing that you’re helping empower Egyptian women. –Duke

“My life here has been about the women and the love and support that we give to each other.

Living in Egypt is a simple life: buying local, living local and supporting local. The people make the experience — so friendly and always willing to give you their time.”

— Linda Wheeler, owner, Habiba Gallery

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RELATED: Shopping in Egypt? Here’s what to expect — and how to get the best bargains.

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Habiba Gallery
opposite the exit gate to Luxor Temple
Andrawes Pasha Street
Luxor, Egypt

The Cool Confines of the Luxor Museum

Whether you need a break from exploring the temples of Luxor and Karnak to escape the heat or just want to take a virtual tour, the Luxor Museum is filled with amazing statues and reliefs of King Tut, Akhenaten and other famous pharaohs, as well as Egyptian gods including Amun, Sobek and Sekhmet.

Not too many travelers bother with the Luxor Museum — but that’s a mistake.

A processional route over a mile and a half long once connected the temples of Luxor and Karnak. There’s talk of renovating and reopening this roadway, and it would be an impressive sight, lined with noble sphinxes, with the glittering water of the River Nile twinkling off to one side. To be honest, though, I can’t imagine that long of a walk, with no shelter from the sun god Ra’s blazing heat. 

After you’ve explored Luxor or Karnak Temples, though, you can escape the intense sun with a visit to the Luxor Museum. Even though it’s situated about a 20-minute walk from Luxor Temple, partway to Karnak, it seems as if not too many tourists add this to their itinerary. 

When we suggested it to our guide, Mamduh, he looked a bit surprised, as if we might have been the first people he’s had make the request.

“If you want to see a lot of the statues that once filled the temples of Ancient Egypt, you’ll have to visit a museum.”

The interior is a cool, sleek white space with angles that give it a surprisingly modern feel. It’s not too large of a space, which means you can see the entire collection in an hour or so. 

Guides aren’t allowed to lecture about the various exhibits. So Mamduh, who had been with us all week, educating us on Ancient Egyptian culture and archeology, from Aswan up to Luxor, had to shift his role. He was no longer our teacher; he became a friend exploring the museum with us. Judging from the sparkle in his eye and his childlike sense of wonder, he hadn’t spent much time in the museum and looked at this as an opportunity to increase his education.

The mummified remains of Ramesses I have a colorful past, including a stint at Ripley’s Believe It or Not! in Niagara Falls, Ontario. Unlike at the Egyptian Museum in Cairo, you can actually photograph this mummy.

Where Are the Statues of Ancient Egypt?

The temples of Ancient Egypt, once packed with statues, are now sadly bereft of these works of art. I often remarked to Duke how much I wished the niches, sanctuaries and pedestals were still home to the statues that once adorned them. If you want to see these statues, you’ll have to visit a museum — and the one in Luxor fittingly houses numerous carvings that were unearthed at the nearby temples of Karnak and Luxor.

Before we started wandering the museum, we stopped into an auditorium to watch a short documentary about Thebes (the ancient city where Luxor now stands). The fim had a grainy, bootlegged quality that revealed how woefully outdated it is. It reminded Duke and me of the film reels we used to watch in elementary school. To be honest, I don’t recall much about it. If time is limited, this is definitely something you could skip.

Here’s a brief tour of the Luxor Museum, showcasing some of our favorite artifacts.

Senusret I (circa 1971-1926 BCE)

Limestone 

Part of the colossal pillar of Pharaoh Senusret I from the White Chapel at Karnak, the structure was built to commemorate the first anniversary of the Sed Festival, held during the 30th year of his reign. Senusret is depicted in the traditional form of the god of the afterlife, Osiris, with arms folded across his chest and holding an ankh, the symbol of life, in each hand. 

Senusret III (1878-1840 BCE) 

Quartz 

This quartz head, found at Karnak, sporting the double crown and false beard, captures the humanity of the great Twelfth Dynasty ruler. His heavy-lidded eyes and supposed slight smile (I don’t really see it) represent  a break in the sculptural tradition of Egypt’s Middle Kingdom. 

Amenenhat III (1841-1792 BCE)

Black granite

Check out that look of disgust! Stern features like this were typical of the Middle Kingdom statuary.

Ramesses III (1550-1532 BCE)

Graywacke

This cult statue of Ramesses III, the last great warrior king of the New Kingdom, wears a short wig surmounted by the double crown. One part of the sculpture, which decorated the Precinct of Mut at Karnak, was discovered in the 1930s by the Oriental Institute of Chicago. The other was unearthed in 2002 by an expedition team from Johns Hopkins University. 

Thutmose III (1490-1436 BCE)

Graywacke

Shown eternally youthful, Thutmose III is wearing a belt with his cartouche, an oval carving with the pharaoh’s name in hieroglyphics.

Amun-Min relief (1490-1436 BCE)

Limestone

Look at those colors, still so bright after thousands of years! The chief deity Amun is merged with the fertility god Min. The relief, from Deir el-Bahari, was destroyed during the Amarna period and restored by a later pharaoh.

Unknown officer (1440-1400 BCE)

Sandstone 

This uninscribed Eighteenth Dynasty painted statue depicts an officer wearing a shebyu collar. While these necklaces were often worn by New Kingdom pharaohs, they were also given as a reward for valor or distinguished service.

Amenhotep II relief (circa 1426-1400 BCE)

Red granite

Amenhotep II was particularly proud of his prowess as an athlete and warrior. He’s shown shooting arrows through a target. In the inscription, he boasts of being so much stronger than normal men that he uses copper for target practice rather than wood, through which his arrows pass like papyrus.

Sobek and Amenhotep III (circa 1386-1353 BCE)

Calcite, Egyptian alabaster

The crocodile-headed deity holds an ankh to bestow life to the youthful ruler. The statue was usurped by Ramesses II.

Iwnit (1405-1367 BCE)

Diorite, possibly

This statue of Iwnit, a minor goddess from the Amduat and consort to the god Montu, was created during the reign of Amenhotep III. With dimples at the corner of her mouth, which give the impression of a fleeting smile, some call this the Mona Lisa of Karnak.

Amenhotep III (circa 1386-1353 BCE)

Quartzite

This New Kingdom figure of Amenhotep III was originally adorned with gold that was removed in antiquity, leaving some rough spots visible where armlets once were. 

Sekhmet

Gray granite  

The war goddess Sekhmet personified the fierce protective aspects of women and was known as the Mistress of Dread (coolest nickname ever?). In the New Kingdom she belonged to a group of goddesses known as the Eye of Ra. Here she’s shown with a broken sun disk above her head.

Amenhotep, son of Hapu (1400 BCE) 

Granite 

This statue of a seated scribe with stylized fat folds represents Amenhotep, son of Hapu, an important official under Pharaoh Amenhotep III. A palette with two inkwells, one for red and one for black, hangs over his left shoulder. As overseer of all the king’s works, a post he reached later in life, he was responsible for many of Amenhotep’s ambitious building projects. Like Imhotep, he became deified after death. 

Wall painting of Amenhotep III (circa 1386-1353 BCE)

Painted stucco

Sadly, all that’s left of this wall painting from the tomb of an official are fragments. The image shows Pharaoh Amenhotep III seated under a canopy, with his mother behind him and his enemies beneath him, a position of power. If you want to see what this would have looked like in full, the facsimile painted in 1914 by Egyptologist Nina de Garis Davies can be viewed at the Metropolitan Museum of Art in New York City. 

Amenhotep III (circa 1386-1353 BCE)

Granodiorite 

This sculpture from north Karnak depicts the kneeling figure of Pharaoh Amenhotep III, a popular figure at the Luxor Museum. Holding a pair of flails, the king is kneeling during his coronation by the god Amun-Ra, whose now-missing hand would have originally rested upon Amenhotep’s crown. 

Temple wall of Amenhotep IV aka Akhenaten (circa 1380-1335 BCE)

Sandstone

This partially restored wall from a razed temple dates from the first five years of Amenhotep IV’s reign. The fragments,  known as talatat, were used as filling material and removed from the interior of the ninth pylon at Karnak. This scene depicts the so-called Heretic King and his wife Queen Nefertiti worshipping the multi-armed Aten, with images of daily life associated with the temple storehouses, workshops and breweries.

Akhenaten (circa 1380-1335 BCE)

Sandstone 

These are the remains of a colossal statue in the easily identifiable Amarna style (which we both love) found east of the Amun-Ra temple precinct, in an open court dedicated to the solar god Aten, built by Akhenaten in the third year of his reign. The colossi were knocked down and left in situ during the reign of Horemheb. During an excavation in 1925, Henri Chevrier, chief inspector of antiquities at Karnak, uncovered 25 fragments.

Tutankhamun sphinx (1347-1336 BCE)

Calcite

The face of this sphinx from Karnak Temple appears to bear the features of King Tut — most noticeably in the eyes and chin. This likeness wears a nemes headdress and originally had human arms that held a vase. 

Tutankhamun as Amun (1347-1336 BCE)

Limestone

Amun, the patron deity of Thebes, is depicted in the form of the legendary Boy King. Tutankhamun restored the cult of Amun (and the other gods) after the death of monotheistic, monomaniacal Akhenaten.

Atum and Horemheb (circa 1300-1292 BCE)

Diorite

The militaristic Pharaoh Horemheb kneels before the solar deity Atum, offering two nw jars. Atum is seated on a throne, holds an ankh and wears a long wig and a curved false beard, topped with the double crown of Egypt. Carved into the side of the throne is the sema tawny, lung and windpipe, symbolizing the union of the two lands (Lower and Upper Egypt). The well-preserved artwork was discovered in 1989, buried beneath the solar court of Amenhotep III at Luxor Temple. 

Seti I (1323-1279 BCE)

Alabaster

Wally thinks the spot where his penis would be was a light switch. Seti I was a warrior king like his father Ramesses I before him. He was the husband of Queen Tuya and the father of Ramesses II also known as Ramesses the Great. A passionate builder, he’s responsible for the hypostyle hall at Karnak. 

Nebre (circa 1292-1189 BCE)

Sandstone

This work was discovered at a fortress that protected the western border of Egypt from the Libyans. Nebre served as a commander under Ramesses II and held multiple titles, including troop commander, charioteer of the king, overseer of foreign lands and chief of the Medjay, an elite police force. He holds the staff of office, topped by the lion head of Sehkmet, goddess of war. –Wally

 

A Visual Tour of the Egyptian Museum in Cairo

Take a virtual tour to see our favorite statues of famous pharaohs and tomb relics.

If you can’t actually visit the Egyptian Museum in Cairo, do the next best thing: Virtually tour some of the exhibits below

It’s bad enough that I’ve been self-quarantined inside our home for a week and a half now, with no end to this isolation in sight. On top of that, I seem to have contracted the dreaded coronavirus, with lingering symptoms of COVID-19. 

To make matters worse, I’ve had to cancel a mini-sabbatical to Spain, where I had planned to visit my good friends Jo and José in Málaga, fulfilling my dream of experiencing Semana Santa and touring the colorful towns of the South of Spain, with their charming Moorish influence. 

Plus, it’s looking as if Duke and I will also have to forgo our trip to Athens and the Greek Isles this spring as well. 

“Most of us find ourselves looking for ways to live vicariously, to continue to explore the world — even if that means virtually. ”

Like many of you, travel is what we look forward to. In many ways, it’s what makes life worth living. Planning a trip abroad gives Duke and me something to dream about. In a time when the world wasn’t so chaotic, our future travels would be what got us through tough times. Now we have no idea when we’ll be able to take a vacation again. The world is on lock-down, frozen in place. It’s not a comfortable feeling, and the real extent of the crisis might not be apparent for weeks or even months.

With so much time on our hands, most of us find ourselves looking for ways to live vicariously, to continue to explore the world — even if that means virtually. 

Here’s a photographic tour of the Egyptian Museum in Cairo, showcasing some of our favorites statues, sarcophagi and other works of art. (To get a feel for the delightfully dilapidated museum, read Duke’s write-up.)

A gray granite statue of Ramesses II as a child protected by the god Horus, depicted as a falcon.

The fragmented sculpture of the goddess Mut and her husband, the chief god Amun, is composed of 79 pieces. The head of the goddess was discovered by French Egyptologist August Mariette in 1873. Other parts were unearthed during additional excavations in the Temple of Amun-Re at Karnak and sent to the museum, where they were reassembled.

The colossal figures of Amenhotep III, who ruled around 1386-1353 BCE, and his wife Tiye survey the great hall of the Museum of Egyptian Antiquities. The statue was discovered at Medinet Habu. Tiye, whose arm wraps around her husband's waist, is the same size as the king, demonstrating her equal status as a powerful and influential queen.

This statue, carved in a variety of sandstone known as graywacke, shows the Fourth Dynasty Pharaoh Menkaure wearing the crown of Upper Egypt. The king, who was born in 2532 BCE, is flanked by the goddess Hathor (left), crowned with a solar disc between cows horns, and Anput (right), the personification of the 17th nome, or district, of Upper Egypt. Note the jackal above her, referring to her husband, the god Anubis.

A realistic-looking sycamore wood figure with white quartz and resin eyes from the Fifth Dynasty, depicting a khry-heb, or lector priest, named Ka-aper. He was responsible for transcribing religious texts and reciting hymns in the temple and at ritual festivals.

Skeleton of a dog. Ancient Egyptians were known to sacrifice and mummify a variety of animals.

An alabaster statue of the high priestess Amenirdis, who held the title of God’s Wife of Amun during the Twenty-Fifth Dynasty. She’s wearing a diadem of cobras and holding a small whip, or flagellum, bent to resemble a lily.

A row of small stone sarcophagi stand in front of a chipped wall typical at the Egyptian Museum

A statue of Meryre and his wife Iniuia. Meryre began his career under the reign of Akhenaten, the so-called Heretic King who ruled from 1353-1336 BCE in the Eighteenth Dynasty, as steward and scribe of the Great Temple of the Aten in Armana, Akhenaten’s capital city, and later as high priest at the temple of Aten at Memphis.

Dwarves commanded respect in Ancient Egypt, thought to possess divine gifts. One of the much-loved gods of the time, Bes (right), was depicted as a dwarf.

A granite sarcophagus lid of a dwarf named Djeho from the Thirtieth Dynasty. Inscriptions on the lid indicate that he was employed to dance at burial ceremonies connected to the sacred Apis bull.

This painted limestone head of Hatshepsut originally belonged to one of Osiride statues resembling the god of the underworld, Osiris, at Deir el-Bahari, the female pharaoh’s mortuary temple.

This granite sphinx was one of several that once stood at Hatshepsut’s mortuary temple. This remarkable woman ruled Egypt, first as co-regent for her nephew/stepson Thutmose III and subsequently as pharaoh.

Another sphinx of Hatshepsut, this one painted limestone. It’s believed to have originally stood at her mortuary temple. Unusual for Ancient Egypt, her face is surrounded by a leonine mane.

A detail of the outermost shrine that enclosed the sarcophagus of Tutankhamun. Composed of gilt plaster over wood with a faience inlay, it bears protective symbols: the djed, or spine of Osiris, and the tjet, or Isis knot.

A diorite statue of the Fourth Dynasty Pharaoh Khefren, who may have ruled around 2558-2532 BCE, seated on a throne, protected by the outstretched wings of a falcon, a symbol of the god Horus. The eagle is on the back, so you unfortunately can’t see it from this angle.

A statue of the lion-headed goddess of war, Sekhmet. Don’t let her calm expression fool you: She could be violent and was given various titles, including Mistress of Dread, Lady of Slaughter and She Who Mauls.

This compact granite block statue depicts Senenmut, the favored official and director of building works under Hatshepsut, who reigned from 1479-1458 BCE, during the Eighteenth Dynasty. Senenmut held many roles, one of which was tutor to Hatshepsut’s daughter, Princess Neferure. The strange style of statuary was common for tutors. The head of the young royal emerges from Senenmut’s cloaked, protective form.

Model soldiers carrying shields and spears from the tomb of a pharaoh. Fun fact: The bravest soldiers were given amulets shaped like flies, to show that they had stung the enemy.

Funerary models carved of wood show scenes from everyday life. Placed in a pharaoh’s tomb, they assured that he would have all he desired, including food and drink, in the afterlife.

A gray granite statue of Tutankhamun depicted as Khonsu, a moon god whose name means Wanderer, son of Amun and Mut. The Boy King wears the sidelock braid of youth and is holding a crook, flail and djed pillar.

A 2nd millennium BCE funerary stele found at Abydos that may or may not depict a ruler named Sobekhotep and his wife.

This red granite statue depicts Ramesses II (left) and the creator god, Ptah (right). Ptah held a close relationship to the primeval god Tatenen, whose name means Risen Earth, referring to the primordial mound that emerged from the watery chaos at the beginning of the world. –Wally

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10 More Museums You Can Virtually Tour

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The Egyptian Museum
Tahrir Square Rd.
Cairo, Egypt

The Charmingly Cluttered Egyptian Museum in Cairo

The decidedly old-school Museum of Egyptian Antiquities houses impressive collections from Ancient Egypt, including the mummies of numerous pharaohs, Amarna Period relics and the treasures of King Tut’s tomb (for now). 

Be sure to explore the peaceful park in front of the salmon-colored museum, which opened in this spot in 1902

There was simply no way I was going to miss the treasures of Tutankhamun, much less the mummies of the pharaohs. So I knew our trip to Cairo wouldn’t be complete without a visit to the landmark Egyptian Museum.

It was a dry, hot morning when Wally and I left the Kempinski Nile Hotel and walked along the Corniche — the grand boulevard that runs parallel to the Nile River. The thoroughfare was not yet car-choked, and we had to walk past armed military police as we approached the Museum of Egyptian Antiquities, more commonly known as the Egyptian Museum. 

“The Egyptian Museum felt trapped in time, a bit like the decaying mansion of Miss Havisham, the jilted spinster from Charles Dickens’ novel “Great Expectations.””

The colossi of Pharaoh Amenhotep III and Queen Tiye tower above Wally (a queen shown actual size)

The Egyptian Museum’s Rough Start

The museum’s first home was established in 1863 by French Egyptologist Auguste Mariette on the banks of the Nile, in Cairo’s Bulaq district. Over time, its extensive collection continued to grow, but in 1878, one of the worst floods in Egypt’s history completely destroyed much of the building, as well as some of Mariette’s drawings and excavation documents. The artifacts were temporarily relocated to the royal palace of Ismail Pasha at Giza after the catastrophe. 

Construction on a new museum began in 1897 at its present location in Tahrir Square, an address that’s now known as the site of protests during the Egyptian Revolution of 2011, part of the Arab Spring. It officially opened its doors to the public on November 15, 1902. 

A pair of larger-than-life figures personifying the goddesses of Upper and Lower Egypt adorn the museum’s façade on either side of the entry arch

The main façade of the salmon-colored Beaux-Arts style structure features a pair of Art Nouveau female figures personifying the goddesses of Upper and Lower Egypt. The museum’s collection consists of approximately 120,000 objects — the largest assemblage of pharaonic antiquities dating from the Old Kingdom (circa 2613-2181 BCE) to the Greco-Roman Period (332 BCE-395 CE). 

We purchased our tickets, which included general admission and the two rooms of royal mummies for 300 Egyptian pounds (just under 20 bucks when we visited), plus an additional ticket for photography for 50 L.E. (about $3). 

Looking down upon the entrance, with its metal detectors

Exploring the Egyptian Museum

We made our way through the courtyard, which contains a reflecting pool with papyrus, additional stone artifacts and a monument dedicated to Mariette. Passing through the museum’s arched entrance, we paused at a security checkpoint, where we showed our tickets and placed our phones in plastic bins before entering. Make sure to look up at the sculpted keystone of the central arch with its Art Nouveau depiction of the goddess Isis, wearing the headdress of Hathor: a solar disc cradled between the horns of a cow. 

Peek behind a wall partition and you’ll see just how disorganized the Egyptian Museum is

Lose Yourself in the Cluttered Collections

The museum has two floors, each of which is arranged in roughly chronological order. Objects are displayed amongst wooden crates and errant forklifts, giving the space a transitory feel. The sprawling second floor halls are filled row upon row of glass cases haphazardly combined with cabinets of curiosities. The Egyptian Museum felt trapped in time, a bit like the decaying mansion of Miss Havisham, the jilted spinster from Charles Dickens’ novel Great Expectations. 

The section on the Amarna Period, with Akenhaten’s defaced sarcophagus in the foreground

The Good: The Androgynous Amarna Period

One of our favorite parts of the museum was the section on the Amarna Period. At the center of this collection are Akhenaten and his wife Nefertiti. Akhenaten is remembered as the “Heretic King” who abandoned traditional Egyptian polytheism in favor of the monotheistic worship of a single god, the Aten. His reign and art are referred to as Amarna because of the Beni Amran, a Bedouin tribe living in the area when his short-lived capital city was discovered by archaeologists.

The royal family shown worshipping the Aten (aka the sun) and its life-giving rays — check out those thunder thighs!

The Aten was depicted as the disc of the sun, whose rays ended in hands reaching out to touch the royal family. What we like best about the Amarna style is its sculpture, which differs radically from the rest of Ancient Egyptian art, which remained largely static for millennia. Perhaps the androgynous elongation and curved form of the colossal statues of Akhenaten and Nefertiti were meant to illustrate the transformative power of the Aten’s rays?

The unfinished yet still stunning bust of Nefertiti

Don’t miss the unfinished quartzite head of Nefertiti with the sculptor’s ink marks still intact, and take a moment to gaze upon the coffin of Akhenaten, which was defaced after his death. His cartouche (the hieroglyphic symbol with a pharaoh’s name) on the lid of the coffin was obliterated so that his spirit would be unable to return in the afterlife.

Catch the treasures of King Tut before they’re moved to the new Grand Egyptian Museum

King Tut…at Last!

The incredible Tutankhamun galleries are located on the second floor — a collection I have wanted to see ever since I was a little boy. It contains hundreds of funerary objects from Tutankhamun’s tomb, including the black jackal-topped Anubis shrine and gilded canopic shrine surrounded by the divinities of Isis, Nephthys, Neith and Selket.

A shrine to the jackal-headed god of mummification, Anubis, found in King Tut’s treasury

A gilded shrine shows a lesser-known deity, Selket, the goddess of magic, who wore a scorpion atop her head

King Tut’s iconic, dazzling golden death mask, inlaid with colored glass and semi-precious stones, is displayed in a case in a separate room, where photography isn’t permitted. You probably already know what it looks like, anyway.

Sarcophagi line the hall leading to the Mummy Rooms, where you can see the dried-up corpses of legendary kings and queens of Ancient Egypt

Mummies Dearest

The shrunken, desiccated bodies of the royal mummies, the kings and queens who ruled Egypt over 3,500 years ago, are located on the second floor and displayed in dimly lit, climate-controlled rooms, within hermetically sealed nitrogen-filled glass cases.

Despite the entrance ticket referring to “the Mummy Room,” note that there are actually two, on either side of what I’m calling the Mummy Hall — the walls are lined with what I’m assuming are original display cases stacked nearly floor to ceiling with coffins and wooden sarcophagi.

Ancient Egyptians painted coffins with the image of the person inside, so their spirit would know where to return after wandering at night

An attendant will ask for your ticket and will punch a hole in it before you enter. Patrons are not allowed to take photos inside either of these rooms. I would suggest adhering to this policy as you probably don’t want your camera or device confiscated — or worse, be asked to leave. 

Rows of figurines of gods and goddesses sit tucked away in vitrines — some labeled, some not

The Bad: Put a Label on It

The Egyptian Museum’s succession of rooms and dusty display cases preserve a Colonial Era charm, but make it difficult to guess the history and chronology of many unmarked artifacts. Signage is often dated, has indecipherable handwritten captions or is nonexistent. Perhaps with the transfer of Tutankhamun’s treasures to the Grand Egyptian Museum (GEM), the Egyptian Museum can take the opportunity to reorganize and refine its collection — though the GEM project, as of this writing, is significantly behind schedule. 

You take the good, you take the bad, you take them both and there you have — the Egyptian Museum. But the somewhat run-down state makes you feel like you’re stepping back in time

I’ve been fascinated by Ancient Egypt since I was a child, and the Egyptian Museum remains a singular experience for me — definitely one highlight among many and a must-visit for those in Cairo. –Duke

 

The Egyptian Museum can be a bit of a mess inside — but that’s part of its charm

The Egyptian Museum
Tahrir Square Rd.
Cairo, Egypt

Atenism: Akhenaten’s Experiment in Monotheism

The world’s first monotheistic religion wasn’t Judaism — it happened in Ancient Egypt during what’s known as the “Amarna heresy.”

Oh my gods! Everyone knows that Ancient Egypt was polytheistic, with a troupe of animal-headed gods that were worshiped for thousands of years. And it’s true. Ancient Egypt was polytheistic — except, of course, for those 20 years or so when it wasn’t.

Many of us thought that the Jews were the first monotheists in history. But sometime early in his reign, from 1353-1336 BCE, the Egyptian Pharaoh Akhenaten upended centuries of polytheistic practices and decreed that there was only one god: the sun itself.

“Ancient Egypt was polytheistic — except, of course, for those 20 years or so when it wasn’t.”

Sun worship started with his father, Pharaoh Amenhotep III, who identified himself with a minor god, the Aten, elevating it to the status of a favored god and personal deity.

Amenhotep III might have initiated the intense worship of the Aten that took over his son, the pharaoh who became Akhenaten

Like Father, Like Sun

After Amenhotep III died, his son ascended the throne under the name Amenhotep IV, which meant The God Amun Is Content. But the pharaoh, in the fifth year of his reign, changed his name to Akhenaten, He Who Is Effective on the Aten’s Behalf, when he became convinced that the Aten was the one true god. 

Egyptologists never fail to point out that the Aten is the “solar disc,” though I’m not sure how that differs from just saying that they worshipped the sun.

Gerhard Fecht, who taught Egyptology at the Free University of Berlin and who died in 2006, noted the similarity of the pronunciation in ancient times of Aten (“yati”) and father or forefather (“yata”), which he believed was far from a coincidence. Akhenaten styled himself as the son of the sun and the father of his people, and he believed that he would merge with the sun in death. 

Wally and Duke are particularly partial to the Amarna style of art, as shown in this statue of Akhenaten

The Upsides of the So-Called Amarna Heresy

History hasn’t looked favorably upon Akhenaten, deeming him “the Heretic King” for having the gall to shift Ancient Egypt from polytheism to monotheism for a short period and for moving the capital from Thebes to a new city, Akhentaten, now referred to as Amarna.

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THE RISE AND FALL OF AMARNA, Ancient Egypt’s short-lived new capital

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There’s much to admire about this fascinating ruler, though. For one thing, he created a new style of art — strangely captivating genderbending statuary on the one hand and paintings that convey an intimate realism on the other — when the rest of the three millennia of Ancient Egypt had a remarkably stagnant style. If we can believe the artwork (and we have every reason to be skeptical, since imagery was used for propagandist purposes throughout the ancient kingdom), Akhenaten was utterly devoted to his queen Nefertiti.

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THE AMARNA STYLE OF ART REVEALS THAT AKHENATEN HAD MARFAN SYNDROME…and other conspiracy theories

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We’re also led to believe that Akhenaten doted on the six — count ’em, six — daughters he had with Nefertiti. Most pharaohs would have been disappointed by not having at least one son who could become heir to the throne, but Akhenaten was so enamored of his daughters, he included depictions of them in the artwork he commissioned — an uncommon practice for the time. 

There’s evidence that The Hymn to the Aten influenced one of the Psalms in the Bible

The Great Hymn to the Aten

This controversial pharaoh was a man who loved nature, waxing poetic in the Great Hymn to the Aten, which it’s believed he wrote himself. This poem begins:

For you are risen from the eastern horizon and have filled every land with your beauty;
For you are fair, great, dazzling and high over every land,
And your rays enclose the lands to the limit of all you have made;
For you are Re, having reached their limit and subdued them for your beloved son;
For although you are far away, your rays are upon the earth and you are perceived.

When your movements vanish and you set in the western horizon, 
The land is in darkness, in the manner of death. 
People, they lie in bedchambers, heads covered up, and one eye does not see its fellow.
All their property might be robbed, although it is under their heads, and they do not realize it.
Every lion is out of its den, all creeping things bite. 
Darkness gathers, the land is silent. The one who made them is set in his horizon.

Scholars delight in pointing out how similar the Bible’s Psalm 104 is to the second stanza. It’s not too far-fetched to accuse the Psalm author, who wrote hundreds of years after the Aten hymn, of plagiarism.

Akhenaten and Nefertiti, with three of their daughters, basking in the holy rays of the sun, known as the Aten in Ancient Egypt

Who’s Worshipping Whom?

In his book Akhenaten: Egypt’s False Prophet, Nicholas Reeves argues that Akhenaten worshipped the sun, while the populace of Egypt worshiped Akhenaten. He sees the move to monotheism as a political ploy to strengthen the pharaoh’s power. This point is strengthened by the carvings found in the few tombs used outside of Akhentaten: Instead of gods and goddesses, they feature the royal family prominently.

Atenism created a new trinity. Instead of Amun, the father who jerked off to create the twin siblings, his son Shu and daughter Tefnut, you had the Aten, Akhenaten and Nefertiti. In fact, their six daughters rounded out the royal family, providing a new version of the Ennead, the nine gods of creation.

Aten’s temples were open to the air, a striking contrast to previous Egyptian places of worship, notably the dark and mysterious confines of the temples to Amun, known as the Hidden One. Other temples held a small chamber at the back, the sanctuary, or holy of holies, which housed the cult image of the deity. But with the Aten there was no need for a statue — the god could be seen blazing up in the sky, its warmth felt upon the skin during daylight.

A relief from the Karnak Temple shows Akhenaten worshipping the sun. The new religion was probably appealing at first, with its focus on life and beauty instead of death

Eat, Drink and Be Merry

Atenism’s popularity was short-lived, perhaps even beginning to wane while Akhenaten was still alive. But its initial appeal is easy to imagine. 

For centuries, Ancient Egyptians were obsessed with death; their great monuments, elaborate spells and mummification rituals were meant to assure a pleasant afterlife. But Atenism focused instead on the here and now, on life on this Earth. 

In the past, Egyptian tombs were located on the West Bank of the Nile, most notably the Valley of the Kings. But Akhenaten broke with tradition, designating the eastern hills as the site of the royal tombs and lesser cemeteries. No longer would death be associated with the west and the god Osiris, evoking the sunset and a bleak finality. Instead, death was now connected to the sun that rose from the eastern cliffside, offering light and hope each day.

The Militaristic Move to Monotheism

Most likely in the 10th year of his reign, Pharaoh Akhenaten ceased to tolerate any mention of other gods aside from the Aten, and launched an all-out war against the old deities, Amun and his consort Mut in particular. 

“An order went out from the palace to smash up the divine statues and hack out the names and images of these gods wherever they occurred — on temple walls, on obelisks, on shrines, on the accessible portions of tombs,” Reeves writes. 

The priesthood of the chief god, Amun, in particular, didn’t fare well under Akhenaten’s decree to worship only one deity: the Aten

The persecution spread to the common people as well. Eye makeup containers and commemorative scarabs from this time have been found with the hieroglyphs for other gods gouged or scratched out. 

We don’t just have to take Reeves’ word for how bad things got. Here’s what Manetho, a priest and historian from the Ptolemaic Kingdom in the early third century BCE, wrote about Akhenaten’s monomania:

…not only did they [pharaoh’s men] set towns and villages on fire, pillaging the temples and mutilating images of the gods without restraint, but they also made a practice of using the sanctuaries as kitchens to roast the sacred animals which the people worshipped; and they would compel the priests and prophets to sacrifice and butcher the beasts, afterwards casting the men forth naked.

Upon Akhenaten’s death, his son and successor, King Tut, returned Egypt to polytheism

King Tut Restores the Old Gods

After Akhenaten’s death, his son Tutankhamun’s reign didn’t last long — but did effect major change. Tut brought Ancient Egypt back to polytheism, after his father’s failed experiment. His Restoration Stela paints a bleak picture of how badly things had gotten in such a short time: 

…the temples and the cities of the gods and goddesses, starting from Elephantine as far as the Delta marshes … were fallen into decay and their shrines were fallen into ruin, having become mere mounds overgrown with grass. Their sanctuaries were like something which had not yet come into being and their buildings were a footpath [i.e., public] — for the land was in rack and ruin. The gods were ignoring this land. … if one prayed to a god, to ask something from him, he did not come at all; and if one beseeched any goddess in the same way, she did not come at all.

Akhenaten undeniably wreaked havoc upon the social order. His persecution of the gods that had been worshipped for millennia must have greatly unnerved the populace. He created countless enemies by stripping the priests of Amun of their power and stealing their great wealth to build his new capital city. He didn’t concern himself with the military or economics. For all his focus on hope, he left Ancient Egypt in worse shape than when he took the throne. 

But his revolutionary religious vision, even if it was self-centered, very well could have planted the seeds of the monotheistic religions that dominate the world today. –Wally