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Who Is Hecate? The Ancient Goddess of Crossroads, Witchcraft and the Dark Moon

From Anatolian origins to garlic offerings left at shadowy intersections, the many-faced Hecate has spent thousands of years standing where worlds collide.

The goddess Hecate, with three faces, holding torches under a dark moon, with two dogs, ritual offerings, standing at a crossroads

The crossroads were quiet.

Not the peaceful kind of quiet — the kind that makes you feel like something might be watching just beyond the reach of the torchlight. In the ancient world, intersections were places where the living and the dead might brush shoulders. Spirits gathered there. Offerings were left there. And somewhere in the darkness, the goddess Hecate was listening.

Today she’s best known as the dark queen of witchcraft — a torch-bearing goddess with black dogs at her side and keys to the underworld dangling from her belt. But like many figures in Greek mythology, the story most people know about Hecate is only the final chapter of a much older and stranger history.

She was the goddess of life, death and everything in between.

She was just Goddess with a capital G.
— Wycke Maliway, co-owner of Malliway Bros.

As Wycke, the instructor of a recent class I attended on Hecate at the always delightful Malliway Bros. witchcraft store in Chicago, explained early on, the goddess doesn’t fit neatly into a single role.

First off, let’s clarify how you pronounce her name. Apparently, according to a Greek woman who attended the class, the proper pronunciation is “Eh-kah-tee,” though nowadays most people pronounce the H so it’s “Heh-kah-tee.”

Across centuries of mythology and folklore, Hecate has been described as a cosmic goddess honored by Zeus, a protector of childbirth and prosperity, a guide of the dead, a patron of witches and the mysterious guardian of crossroads. She appears in ancient poetry, magical spells and whispered folk traditions that span more than 2,000 years.

In other words, if you try to pin Hecate down to one job description, you’re going to have a hard time.

The goddess Hecate, wearing a crown, holding keys and a torch

Hecate’s Origins: A Powerful Anatolian Goddess

Unlike Zeus and other Olympians, Hecate probably didn’t originate in Greece at all. Scholars widely believe her cult began in Caria, a region of ancient Anatolia in what is now southwestern Turkey, before spreading into the Greek world. 

That foreign origin may explain why Hecate always seems slightly different from the Olympian crowd. Many Greek gods have tidy portfolios: war, love, wine, wisdom. Hecate, by contrast, feels like a bundle of powers that don’t quite belong together: childbirth and death, prosperity and ghosts, healing and witchcraft.

In her earliest form, she appears to have been something much bigger than the shadowy crossroads goddess we know today. As Wycke explained, early traditions describe her almost as a universal deity: “She was the goddess of life, death and everything in between,” Wycke said. “She was just Goddess with a capital G.”

That sweeping set of responsibilities might sound odd to modern readers, but in the ancient world the boundaries between those forces were far blurrier than they are today. Life and death were inseparable. Fertility meant both birth and the risks that came with it. Protection meant guarding both the home and the spiritual forces that might threaten it.

Seen through that lens, Hecate’s strange mixture of powers begins to make sense. She was something primal — a deity tied to the raw forces that governed life itself.

And when Greek religion absorbed her into its mythology, those ancient powers didn’t disappear.

They just took some unexpected forms.

The darkened figure of the goddess Hecate, holding a torch and keys in an archway

Why Hecate Is the Space In-Between Things

One of the most interesting insights from the class came from a distinction that modern readers often miss when they look at Greek mythology.

We tend to treat titans and gods as basically the same thing — just different generations of divine beings. But in many traditions, they function very differently. 

Olympian gods typically preside over domains.

Poseidon rules the ocean.

Athena governs wisdom and strategy.

Ares represents war.

But titans embody the forces themselves.

The titan Oceanus isn’t simply the ruler of a river — he is the cosmic river surrounding the world.

Gaia isn’t the goddess of the Earth — she is the Earth.

Hecate belongs to that older category.

She isn’t simply a goddess who supervises crossroads from afar. She’s not a god who rules thresholds. She is the threshold.

That idea helps explain why Hecate shows up in so many strange places throughout mythology.

  • Doorways

  • City gates

  • Graveyards

  • Crossroads

  • Moments of transformation

  • The boundary between life and death

All of those spaces have something in common: They exist between worlds.

And if Hecate is the embodiment of thresholds, then every place where one reality meets another belongs, in some sense, to her.

Which is exactly why ancient worshippers left offerings where roads divided — and why people still whisper her name when they find themselves standing at a turning point.

Artemis, with bow and arrows and a deer; Apollo shining bright with a lute; and Hecate, holding a torch and keys

The Origin of Hecate’s Name: A Connection to Apollo and Artemis 

Another intriguing clue to Hecate’s beginnings may lie in her name itself.

Scholars have suggested that the name Hecate may mean something like “influence from afar” or “the one who reaches far.” The meaning could reflect the belief that she came from a distant land before entering Greek religion, or that her power extended across many far-flung places and realms.

The name also closely resembles “Hekatos,” an epithet used for Apollo that means “Far-Reaching.” This similarity has led some scholars to speculate that Hecate may originally have been connected to Apollo’s twin sister, Artemis.

In this interpretation, Hecate could represent a darker or more mysterious aspect of Artemis herself. As Artemis, the goddess presided over purity, virginity and childbirth. As Hecate, she would have taken on the shadowed mantles of night, witchcraft and ghosts.

The titan Hecate offers Kronos a swaddled rock instead of the baby Zeus to swallow

Hecate in Hesiod: The Titan Zeus Refused to Sideline

Hecate’s first major appearance in Greek literature comes in the works of the poet Hesiod, writing around the 8th century BCE. And if you’re expecting her to show up as a shadowy witch lurking in graveyards, think again.

In Hesiod’s Theogony, Hecate is one of the most honored figures in the entire divine order.

According to the poem, after Zeus defeated the titans and reorganized the cosmos, he made a deliberate decision about Hecate: He left her powers untouched. While other titans lost influence, Hecate retained authority over vast portions of the world. Hecate is described as receiving honor in heaven, earth and sea, with the power to grant success in everything from warfare to athletic competition. If people pray to her, she can bestow victory, prosperity and good fortune.

In other words, long before she became the goddess of witches and crossroads, Hecate was something far more expansive — a cosmic figure who could influence almost any aspect of human life.

Why was Zeus so fond of her? According to Greek myth, the titan Kronos devoured each of his children at birth after learning of a prophecy that one of them would overthrow him. Desperate to save her youngest child, his wife, Rhea, devised a plan. When Zeus was born, she hid the infant and instead wrapped a stone in swaddling cloth, presenting it to Kronos as if it were the newborn child. Kronos swallowed the stone, believing he had eliminated the threat.

Later traditions add an intriguing twist to this famous deception.

A relief from Lagina, an important cult center of Hecate in ancient Caria, depicts the moment when the swaddled stone is given to Kronos — but in this version of the scene, the figure presenting the bundle is Hecate.

Because Hecate was also associated with childbirth, the image suggests she may have played a role as midwife in delivering the infant Zeus and helping orchestrate the trick that saved him. If Hecate helped ensure his survival, Zeus’s generosity toward her suddenly makes a lot more sense. 

For a goddess who would later become associated with ghosts, graveyards and midnight rituals, it’s a surprising beginning. But it also explains why Hecate never quite fits neatly into the Olympian system.

She didn’t start there.

She came from somewhere older — and she carried that ancient authority with her.

The goddess Hecate, holding a torch,  unlocking the gates to Hades, spirits floating around her

From Cosmic Goddess to Queen of the Crossroads

So how does a goddess honored by Zeus as a ruler of heaven, earth and sea end up haunting graveyards with a pack of black dogs?

The answer lies in one of the strangest shifts in Greek religion.

At some point in the centuries after Hesiod, Hecate’s role began to change. She increasingly became associated with places that made ancient people uneasy: crossroads, thresholds, graveyards and the restless spirits believed to linger there.

“The crossroads was a dangerous place,” Wycke said, “a place that was so liminal that anything could come out of that.”

In the ancient world, crossroads weren’t just intersections of roads. They were believed to be intersections of worlds. Travelers, spirits and unseen forces were all thought to move through them. Offerings were left there to appease wandering ghosts, and rituals were performed to ward off bad luck or spiritual danger.

If you needed a deity to watch over such a place, Hecate made perfect sense.

She was already associated with boundaries and transitions. Over time, that role expanded until she became the guardian of places where the ordinary rules of the world seemed to weaken. Roads that met in the dark. Doorways between houses and the street. The boundary between life and death.

Once Hecate became the goddess who ruled those spaces, new associations quickly followed. Ghosts. Necromancy. Witchcraft. The unseen forces that ancient people believed moved through the night.

The Greek god Hermes with caduceus and the goddess Hecate with keys and a torch

Hecate and Hermes: Guardians of Roads and Boundaries

If Hecate ruled the crossroads, she wasn’t doing it alone.

Greek religion already had another deity deeply tied to roads, travel and the strange spaces between destinations: Hermes.

Hermes is famous as the fleet-footed messenger of the gods, but he also had a more mysterious job description. He was the patron of travelers, merchants and thieves — people constantly crossing boundaries. He guided souls to the underworld. And along ancient roads, travelers would often pass stone pillars known as herms, small statues dedicated to him that marked boundaries and intersections.

Both Hermes and Hecate move easily between worlds.

Over time, their paths diverged into two very different magical traditions. Hermes became associated with the philosophical and alchemical traditions later known as Hermeticism — the intellectual side of magic, full of symbols, texts and elaborate ritual systems. Hecate, meanwhile, became the patron of something far more earthy: crossroads offerings, herbal magic and the folk practices that would eventually evolve into modern witchcraft.

Two gods. Two roads.

Both watching the places where the worlds overlap.

The goddess Hecate holds a torch and Persephone's hand, leading her out of Hades

Hecate and the Search for Persephone

One myth helped cement Hecate’s reputation as a goddess of the night.

When Persephone was abducted by Hades, the world plunged into crisis. Persephone’s mother, Demeter, wandered the earth in grief, searching desperately for her missing daughter. Crops failed. The Earth began to wither.

But someone had witnessed the crime.

Hecate.

In the myth, she approaches Demeter carrying two blazing torches and tells her that she heard Persephone cry out when she was taken. Together they go to the sun god Helios, who reveals the truth: Zeus allowed Hades to carry Persephone into the underworld as his bride.

Hecate’s role in the story may seem small at first, but once Persephone begins her yearly cycle between the underworld and the surface, Hecate becomes her companion and guide — a torch-bearing figure who helps her move between those realms.

The myth reinforced Hecate’s growing association with the boundary between life and death. If Persephone was the queen of the underworld, Hecate was the one who knew the road that led there.

It also strengthened her connection to torches, one of her most recognizable symbols. Ancient statues of Hecate often show her holding them aloft, illuminating the darkness of the crossroads and the shadowy paths between worlds.

Hecate as the triple-form goddess: a maiden with a torch; a mother with staff and baby; and a crone holding a ring of keys

Hecate the Triple-Form Goddess

At some point in classical Greece, Hecate quite literally gained more faces.

By the 5th century BCE, statues of the goddess began appearing in a new and striking form: three bodies standing back to back, each facing a different direction. The earliest known version of this sculpture type is often credited to the Athenian artist Alcamenes, who created a triple statue of Hecate placed at a crossroads near the Acropolis.

The imagery made immediate sense.

A goddess who guarded crossroads needed to watch all directions at once.

Ancient writers sometimes described these statues as Hecate Triformis, the Three-Formed Hecate. Each figure looked outward toward a different road, symbolically guarding the point where the paths met.

But like many ancient symbols, the triple form quickly accumulated deeper meanings.

For some worshippers, the three faces represented the three realms Hecate had once ruled in Hesiod’s Theogony: heaven, earth and sea. Others associated them with the three phases of the moon — waxing, full and dark — linking Hecate to lunar cycles and night magic. Later traditions interpreted the three forms as representing life’s stages: maiden, mother and crone.

Whatever the explanation, the triple statue became one of Hecate’s most recognizable forms. These hekataia statues were often placed at crossroads, city gates and doorways, acting as protective guardians where different paths — and different possibilities — met.

And they reinforced something ancient worshippers already suspected about the goddess.

If you arrived at a crossroads in the dark, Hecate would see you coming no matter which road you took.

Symbols of the goddess Hecate: the dark moon, a torch, black dogs, herbs, keys, a snake, an athame, a caudron, pentacle and herbs

Symbols of Hecate: Torches, Keys and Howling Dogs

Like many ancient deities, Hecate’s identity was expressed through a set of objects and animals that quickly became unmistakably hers. If you saw a statue holding torches beside a pack of black dogs at a crossroads, you didn’t need a name carved into the base.

You were looking at Hecate.

The most famous of her symbols is the torch. In myth, she carries two blazing torches while helping Demeter search for the abducted Persephone. From that story onward, Hecate becomes the figure who lights the dark paths between worlds. Statues often show her raising the torches high, illuminating crossroads, doorways and the unseen roads traveled by spirits.

Another powerful symbol is the key. In ancient imagery, Hecate sometimes appears carrying large keys at her belt or in her hand. The meaning is straightforward: She’s the keeper of gates. If there’s a doorway between worlds — whether it leads to the underworld, the spirit realm or some other unseen threshold — Hecate holds the key.

And then there are the dogs.

In Greek and later magical traditions, the barking or howling of dogs was often interpreted as a sign that Hecate was near.

Black dogs in particular became strongly tied to Hecate’s imagery, appearing beside her in artwork and myth. In some stories they accompany her through the night like a supernatural hunting pack. In others they serve as guardians of the crossroads she protects.

The goddess Hecate turns Hecuba, Queen of Troy, into a black dog

One explanation for this connection appears in a myth involving Hecuba, the tragic queen of Troy. After the fall of the city, Hecuba was taken captive by the Greeks. In some versions of the story, her grief and rage become so overwhelming that she transforms into a dog and throws herself into the sea. Other traditions say the transformation was an act of mercy from the gods — sometimes attributed to Hecate herself.

Hecate is also associated with snakes, animals that symbolized both death and renewal in the ancient world. Their ability to shed their skin made them natural emblems of transformation — another theme that runs through the goddess’s mythology.

They were also creatures of thresholds themselves — living close to the ground, emerging suddenly from holes and crevices, slipping between the visible world and the unseen spaces beneath it.

For a goddess who governs crossroads and transitions, the symbolism fits perfectly. Like the serpent, Hecate is a figure who moves easily between worlds, presiding over the moment when one state of being sheds its skin and becomes another. She’s often depicted with serpents coiling along her arms and waist. 

Another important symbol connected to Hecate is Hecate’s Wheel, sometimes called the Strophalos.

The exact meaning of the symbol has been partially lost over time, but many scholars believe it represented rebirth, divine thought and the movement of spiritual power. The wheel’s three spiraling arms are often interpreted as another expression of Hecate’s triplicity — echoing her threefold form and the three roads that meet at a crossroads.

Like much of Hecate’s imagery, the symbol suggests motion, transformation and the turning of unseen forces.

Hecate is also deeply connected to pharmakeia, the Greek term for a form of magic that works through herbs, poisons and medicines. The word itself sits at the root of our modern term pharmacy, but in the ancient world it carried a far more mysterious meaning. Practitioners of pharmakeia used plants to heal, curse, transform and alter fate — all practices that later traditions strongly associated with Hecate.

Because of this, the goddess became linked with a wide range of powerful plants.

Many were known for their medicinal or poisonous properties, including hemlock, aconite, mugwort, garlic, hellebore, belladonna and mandrake. Others carried symbolic ties to the underworld or liminal spaces, places that fall under Hecate’s influence. Plants such as dandelion, mint, yew, mullein, black poplar and willow were therefore also connected to her.

Taken together, these symbols reinforce the same theme that appears throughout Hecate’s mythology: she governs the forces that exist between categories — healing and poison, life and death, transformation and decay.

The goddess Hecate floats above a crossroads, where a cauldron simmers and people have left her a supper of garlic with candles, as two black dogs sit to either side

Hecate’s Supper: Offerings at the Crossroads

If you lived in the ancient Greek world and wanted to stay on good terms with Hecate, there was a simple solution.

Feed her.

Every month, on the night of the dark moon, households would leave offerings at crossroads in a ritual known as Hecate’s Supper. The food was placed at three-way intersections — the places most closely associated with the goddess.

The menu was humble but specific.

Offerings commonly included things like:

  • Garlic

  • Eggs

  • Bread or cakes

  • Fish

  • Cheese

  • Honey 

Garlic in particular shows up again and again in sources tied to Hecate. 

But the offerings weren’t just gifts. They served several purposes at once. One was appeasing wandering spirits believed to gather at crossroads. Another was purification — a way of symbolically casting off misfortune or spiritual pollution from the household.

Food placed at the crossroads could carry away the problems of the past month.

In some accounts, the offerings were also intended for the restless dead believed to travel with Hecate. The food was left behind as a gift for the goddess and her spectral companions.

Once the offerings were placed, the person who brought them walked away. No turning around. After all, if you looked back, you might see who had come to collect the meal.

A group of witches perform a ritual by a statue of a dog, cauldron, keys, garlic and candles to invoke the goddess Hecate

A Ritual to Invoke Hecate in a Time of Dire Need

This ritual calls upon Hecate to intervene when life reaches a difficult turning point. It draws on many of the goddess’s traditional symbols — crossroads, bones, garlic, dogs and liminal herbs — and asks for her guidance when the road ahead feels uncertain.

You will need:

  • A dog statue

  • Two candles

  • A black bowl

  • Salt water

  • Red wine

  • Poisonous herbs

  • Healing herbs

  • Three keys

  • A long bone

  • A bulb of garlic

  • Graveyard dirt

  • Ritual blood

  • Hecatean incense (myrrh, mugwort, mullein and poplar)

Opening the Ritual Space

Begin by cleansing the space and casting the circle.

Participants form a circle while the ritual leader traces the boundary of the ritual space.

During this process, the group repeatedly chants:

Thout a tout tout, throughout and about.
Thout a tout tout, throughout and about.

As each participant joins the chant, visualize the ritual space forming — a circle that becomes a crossroads between worlds.

At the center of the altar, place the dog statue flanked by the two candles.

Before it place the three keys and the black dish.

The Libations of Life and Death

Take up the vessel of salt water and say:

By libation of sorrow,
And humor of death.

Pour the salt water into the black dish.

Next take up the red wine and say:

By libation of glory,
And humor of life.

Pour the wine into the dish.

Take up the poisonous herbs and say:

That which poisons—

Then take up the healing herbs and say:

Is that which heals.

Place both herbs into the dish.

Drawing Down the Realms

One participant lights the first candle and raises it high, saying:

Through Helios in sunlit trails,
Through Nyx among her blackened veils,
We call the heavens to the earth.
Moonlight, starlight, given worth.

Another participant lights the second candle and holds it low, saying:

Through Hades’ shroud of gold and wraith,
Through Kore harrowed by her faith,
We call the depths unto the earth.
Beyond its death is given birth.

The two candles are then placed beside the altar.

The ritual space now stands between heaven, earth and underworld.

Calling the Goddess

Burn incense of myrrh, mugwort, mullein and poplar.

The ritual leader stirs the waters in the black dish with a long bone and invokes Hecate:

Come to us, Infernal Queen,
You who stands at all between.
Who keeps her vigil at the gate

Presides in birth, and death, and fate.

You who poisons and who heals,
Who gives and takes and yet reveals.
Keeper of lost, fair and foul,
Herald of the black hound’s howl.

Three by the moon, the realm, and age,
Three by the roads that cross your stage.
By company of wayward ghost,
And night where witches seek your host.

In crown of oak and mantled snakes,
Hecate, we hail, we wake!
Enodian Hecate,
I invoke you Triodites,
Heavenly, Chthonian and of the sea!

The final words are repeated until the presence of the goddess is felt.

The dish is placed at the base of the dog statue, with candles on either side.

Opening the Crossroads

One participant takes the three keys.

Each key is pointed toward a different direction while saying:

Three by three by the witch’s fork,
Key by key to latch the work,
And cross the roads where shadows lurk.

Afterward, the keys are placed before the dish, each pointing down its direction.

The Garlic Offering

One participant lifts the garlic bulb before the dog statue.

The bulb may be marked with ritual blood and graveyard dirt while saying:

Pale as the moon in shining grace,
Red as the moon when Earth gives chase,
Black as the moon who hides its face.
From heaven, land and chthonic shade,
In dire time we call your aid.

Place the garlic at the center of the three keys.

Personal Supplication

Each participant approaches the altar.

They peel a clove of garlic and make a personal request or promise to Hecate.

The clove is then dropped into the black dish.

Seeking the Goddess’ Answer

The dish is stirred and the long bone is dropped into the water.

Ask whether Hecate accepts the offering.

Interpret the result:

  • Vertical bone: The answer is yes

  • Horizontal bone: The answer is no

If the answer is no, the rite continues until acceptance is granted.

Closing the Ritual

Once the offering is accepted, the circle is closed and the ritual space released.

The offering should later be taken and left at a crossroads as a gift to Hecate.

A shirtless man covered in tattoos holds a skull and performs a bone oracle necromantic divination to ask Hecate questions

Hecate’s Bone Oracle: A Method of Necromantic Divination

If you want an answer directly from Hecate, necromancy is one of her favored forms of divination.

Fill a black bowl with water and suspend a bone over its surface. Then say:

Goddess of darkness, bring life to this bone,
Raise death from ashes, dirt and stone.

White as the skull, black as the grave,
The moon shall tell us what we crave.

Call the spirit to our plea,
Let us see, let us see.

After speaking the invocation, ask your question to the goddess and drop the bone into the water.

Interpret the answer based on how the bone settles:

  • Horizontal: The answer is no

  • Vertical: The answer is yes

  • Diagonal: The answer is unclear or undecided

For further insight, burn mugwort and mullein above the bowl and watch the smoke carefully. Shapes and movements in the smoke may provide additional clues to the answer.

The ritual reflects Hecate’s long-standing connection with spirits, death and the hidden knowledge believed to exist at the boundary between worlds.

The goddess Hecate, with a flaming black dog, surrounded by ghosts, in her role as Queen of Ghosts and the Dead

Why Hecate Still Waits at the Crossroads

For a goddess whose cult stretches back thousands of years, Hecate feels strangely modern.

She isn’t a goddess of stability or comfort. She doesn’t promise an orderly world where everything stays exactly where it belongs. Hecate governs the places where certainty falls apart — the moments when something ends and something else has not quite begun.

Ancient people understood those moments as literal places. A three-way crossroads outside the city. A threshold between the house and the street. A graveyard at the edge of town where the living and the dead might brush past one another in the dark.

But crossroads don’t only exist on roads.

They show up in life all the time.

The end of a relationship.

A decision about where to go next.

The uneasy pause before stepping into something unknown.

In those moments, the symbolism of Hecate suddenly makes perfect sense. A goddess who carries torches. A keeper of keys. A figure who walks easily between worlds because she was never meant to belong entirely to any one of them.

Which is why Hecate isn’t simply a goddess of crossroads.

She is the crossroads.

And perhaps that’s why her mythology has survived so stubbornly across centuries of religion, folklore and modern witchcraft. Every human life eventually reaches a place where the road splits, the future grows dark and someone has to decide which direction to take.

When that moment arrives, it helps to imagine a torch burning somewhere ahead on the path.

And a goddess who has been standing there for a very long time. –Wally

8 Wild Facts About Saffron

Why are people mad about saffron? The fragile tendrils of the Crocus sativus flower yield the most expensive spice in the world. 

Three small strands that jut out of the crocus flower are what we use as the spice saffron.

Three small strands that jut out of the crocus flower are what we use as the spice saffron.

The most precious and costly spice in our cupboard — and most likely yours — is saffron, which comes from Crocus sativus, the saffron crocus. Its name is derived from the Arabic za’faran, which has its roots in the word for yellow. Today, Iran is the world’s top producer, though the plant is also a cash crop of Spain, Greece, Morocco and the Kashmir region of India. 

Saffron might not be worth its weight in gold — but it’s the most expensive spice in the world.

Saffron might not be worth its weight in gold — but it’s the most expensive spice in the world.

1. It’s said that a pound of saffron is worth more than a pound of gold, but this turns out to be a myth. 

Despite this, saffron is still the most expensive and labor-intensive spice in the world. Fortunately, a little goes a long way. It only takes a pinch to infuse its aromatic, earthy flavor and brilliant color. Saffron is integral to far-ranging dishes, from Spanish paella to Indian biryani, from Persian pilau to the yeasted saffron buns of Cornwall, England. Its widespread usage was often introduced by conquerors: the Moors in Spain and the ancient Persians in India. 

The crocus is sterile and needs to be planted each year, and then harvested by hand.

The crocus is sterile and needs to be planted each year, and then harvested by hand.

Interestingly, saffron is a sterile plant that is difficult to reproduce without human intervention. New plants are grown by digging up and replanting the corm (the bulb-like part of the stem). Its high price makes sense: There’s no way to harvest the delicate crimson filaments of the Crocus sativus mechanically. The strands, known botanically as stigmas, must be carefully removed from the heart of the small violet blooms by hand, and there are only three per flower. To put this into perspective, approximately 350 tiny threads of saffron make up a single gram. So, it takes about 75,000 flowers for 1 pound of saffron: Its retail value is estimated at around $5,000 a pound. A pound of gold as of this writing is worth over $27,000.

Buddhist monks, like these in Cambodia, don’t waste saffron on dyeing their robes; they use other natural dyes, including tumeric.

Buddhist monks, like these in Cambodia, don’t waste saffron on dyeing their robes; they use other natural dyes, including tumeric.

2. The robes of Buddhist monks aren’t actually dyed with saffron.

When I think of my first trip to Southeast Asia, I can picture the vivid saffron-colored robes worn by the Buddhist monks of Cambodia. According to monastic discipline, the robes must be made from cloth that is naturally dyed using indigenous plants, barks or spices, though saffron is too expensive to be used widely. Instead, that distinctive yellowish-orange color most often comes from the knobby turmeric root.

Perhaps the association with saffron and the dye used for monks’ robes comes from a transliteration of the botanical name for turmeric, curcumin, which originates from the Arabic kurkum, meaning saffron. 

I can attest to the dyeing power of turmeric, from the intense amber stains it left on my hands and the chute of my juicer.

What exactly is Donovan’s “Mellow Yellow” about? Who’s this Saffron he’s mad about?

What exactly is Donovan’s “Mellow Yellow” about? Who’s this Saffron he’s mad about?

3. The song “Mellow Yellow” by Donovan was actually about a female sex toy.

The first time I recall hearing the word saffron was riding in a car with my dad while he was listening to an oldies station. The song was “Mellow Yellow,” written and recorded by the Scottish singer Donovan. It begins, “I’m just mad about Saffron. Saffron’s mad about me.” I wasn’t sure if it was saffron the spice or a woman with that name that made him mellow. But when the song was released in 1967, a rumor emerged that it was about smoking bananadine cigarettes, the scraped and dried white pith of a banana peel, which were believed to have hallucinogenic properties. The myth has since been debunked, as Wally can attest from a high school “experiment,” when he tried smoking dried banana peels, to no effect.

Donovan admitted that “Mellow Yellow” was about a vibrator.

Donovan admitted that “Mellow Yellow” was about a vibrator.

Donovan later admitted in an interview in NME that the idea for the song came from an ad for a yellow vibrator that he saw in the back pages of a magazine. You can catch the reference in the lyrics “Electrical banana is gonna be a sudden craze.” 

Could this have been the sex toy that inspired the lyrics “electrical banana”?

Could this have been the sex toy that inspired the lyrics “electrical banana”?

As for the phrase “mellow yellow,” it first appeared a half-century earlier in James Joyce’s Ulysses in a description of the protagonist’s unfaithful wife Molly Bloom’s buttocks. 

Not surprisingly, the name Saffron gained popularity after the release of Donovan’s song. Quite rightly.

Cleopatra had undeniable sex appeal and claimed two Roman leaders as her lovers. Was it because of her saffron and mare’s milk baths?

Cleopatra had undeniable sex appeal and claimed two Roman leaders as her lovers. Was it because of her saffron and mare’s milk baths?

4. Cleopatra and Alexander the Great used saffron as a health and beauty hack.

Cleopatra, the legendary seducer of not one but two powerful men of Ancient Rome, bathed in saffron-infused mare’s milk as an all-natural bronzer and aphrodisiac to enhance her allure. The lactic acid contained in milk is believed to gently exfoliate dead skin cells, while saffron gave her skin a healthy glow and acted as a perfume. In fact, saffron baths were a luxurious trend amongst the elite of Rome. And the Macedonian ruler Alexander the Great enjoyed soaking in saffron-colored water, convinced it would heal his battle wounds. 

An illuminated manuscript that depicts women shopping at a spice merchant’s stall

An illuminated manuscript that depicts women shopping at a spice merchant’s stall

5. People in the Middle Ages were willing to die for saffron.

The marketplaces of Medieval Europe were filled with the exotic spices and spoils of returning crusaders. Saffron was so popular in 14th century Europe that the theft of a single ship en route to Basel, Switzerland, carrying 800 pounds of the spice led to the 14-week Saffron War that lasted until the shipment was returned. 

Perhaps these two were caught selling counterfeit saffron — and were burned at the stake!

Perhaps these two were caught selling counterfeit saffron — and were burned at the stake!

Its purity was of such importance that the Safranschou code was enacted to deter fraud. Because of saffron’s high price tag, cheap substitutes were often passed off as authentic saffron. Merchants caught selling adulterated forms of the spice faced the possibility of imprisonment, public burning or being buried alive. 

Be careful getting too transfixed by dancing nymphs — you might end up being turned into a flower!

Be careful getting too transfixed by dancing nymphs — you might end up being turned into a flower!

6. Saffron features prominently in a couple of Greek myths. 

In the most common version of the story, a handsome Arcadian youth named Krokos was passing through the Athenian woods, when he spied the nymph Smilax dancing with her friends. He was bewitched and began to visit the forest regularly to seek her out. For a time, Smilax allowed him to find her but couldn’t decide if she should let herself be courted by a mortal. The gods were not amused, though, and lost patience with the couple. They struck Krokos with their wrath, transforming him into a small purple flower that bears his name, the crocus. Its bright red stigmas glow with his fiery, unrequited love. Smilax was simultaneously turned into a thorny briar vine. Why such a choice? Because the vine would strangle the flower, the would-be lovers were prevented from ever meeting again.

The bisexual Greek god Hermes had a male lover who was killed by a discus — so he turned him into a crocus.

The bisexual Greek god Hermes had a male lover who was killed by a discus — so he turned him into a crocus.

In an alternate version of the tale, the Greek trickster god Hermes was smitten with a young Spartan named Krokos, or Crocus. One day, while playing a game of discus, Hermes accidentally struck the young man on the head, killing him instantly. Distraught by what had happened, Hermes turned his lover into a purple flower, which became known as the crocus. And the three drops of blood upon his head became the red stigmata used for the spice saffron.  

The coat of arms for the town of Saffron Walden in England — note the three crocus flowers at the center

The coat of arms for the town of Saffron Walden in England — note the three crocus flowers at the center

7. Saffron found its way to Britain from the Crusades.

Britain’s often damp and chilly weather seems far from the perfect climate for producing saffron, which thrives in arid terrain. However, it was grown commercially in the fields of Norfolk and Suffolk from the 15th to 18th centuries. It was most likely brought to England from the Holy Land during the Crusades, either by the Knights of St. John or, as popular lore goes, by a pilgrim who risked his life by concealing a saffron corm in the hollow of his walking staff. 

The spice was cultivated in large quantities in the village of Chipping Walden and brought prosperity to the small town — so much so that it changed its name to Saffron Walden. The lasting impact can be seen on the town’s official coat of arms: three crocus flowers surrounded by two castle towers and its walls, a heraldic pun — as in, “Saffron Walled-in.” 

A lot of saffron in Spain finds its way into paella.

A lot of saffron in Spain finds its way into paella.

8. Each country has its own standard for grading and classifying saffron, based upon aroma, color and flavor.

Not all saffron is created equal. There are different strengths or grades determined by how much of the yellow stamen is still attached to the stigma. In Spain, for example, there are four varieties: coupe, la mancha, río and sierra. Coupe is pure red stigmas only and has the highest amount of crocin, the property responsible for the distinct aroma of saffron. For Iranian traders, the highest grade is sargol, which means “top of the flower” in Farsi and consists of the strongest grade with only the tips of the dried red stigmas. –Duke




The Monsters of “Supernatural,” Season 2, Episodes 13-15

Are angels real? Meet Archangel Michael, Archangel Raphael and Beelzebub as well as tricksters like Loki, Anansi, Hermes and Reynard the Fox.

Angels, like Raphael, aren’t typically depicted in artwork as badass and intimidating like the Bible describes them

S2E13: “Houses of the Holy”

Monster: Avenging angel

Where it’s from: Israel and other parts of the Middle East

Description: There’s no such thing as angels, Dean argues. But Sam points out that there’s more folklore about angels than anything else they hunt.

“You know what?” Dean responds. “There’s a ton of lore on unicorns, too. In fact, I hear that they ride on silver moonbeams and they shoot rainbows outta their ass!”

“You mean there’s no such things as unicorns?” Sam jokes. These two should take their comedy act on the road.

“There’s some legends you file under bullcrap,” Dean says.

Despite this contention, 72 percent of Americans said they believe in angels, in a 2016 Gallup poll. I don’t know why that high number surprises me: After all, most Americans think a woman who never had sex gave birth to a man who came back from the dead.

The angels known as seraphim actually have six wings

We have a conception of angels as humanlike creatures with large feathered wings sprouting out of their backs. But there are different orders of angels described in the Old Testament, with seraphim, “the Burning Ones,” at the top of the hierarchy. They’re often depicted as red-skinned and wielding flaming swords. Seraphim have six wings: two for flight, two to cover their faces (for even though they fly above the throne of Heaven, they can’t handle looking upon God’s face) and two to cover their feet (so they don’t step on holy ground — though some scholars think this might actually translate to “genitals”), according to whyangels?com.

This illuminated manuscript depicts a six-winged seraphim above the crucifixion of Christ

In another Bible verse, Daniel 10:5-6, the prophet describes an angel in this manner:

I looked up and there before me was a man dressed in linen, with a belt of fine gold from Uphaz around his waist. His body was like topaz, his face like lightning, his eyes like flaming torches, his arms and legs like the gleam of burnished bronze, and his voice like the sound of a multitude.

This doesn’t look like the cute little cherubs we’re used to!

And we know cherubim, or cherubs, as Cupid-esque chubby toddlers with wings. Turns out they’re actually powerful guardians that also carry flaming swords.

Angels are neither male nor female, though they always appear with men’s bodies and never women’s, according to What Christians Want to Know.

Dean’s not buying Sam’s claim that they’re hunting an angel. “You didn't see any fluffy white wing feathers?” the smartass asks.

Many angels, Raphael included, are God’s means of justice and punishment

What it does: When someone’s visited by the angel in Supernatural, the surroundings shake, and the person is filled with religious ecstasy. They’re then driven to kill because it’s “God’s will.”

That’s actually somewhat in keeping with biblical lore: Angels are God’s agents for “bringing punishment and displaying His holy wrath,” according to What Christians Want to Know.

Take that, Satan! The Archangel Michael defeats the Devil

How to defeat it: In the church, Sam points to a painting of Saint Michael, the slayer of demons. He’s almost always depicted in artwork as stepping on a cringing Devil.

In this episode, Father Gregory died a violent death, and the other priest didn’t get a chance to administer last rites.

Father Gregory’s grave is covered in wormwood, which we learn is a sign of a spirit not at rest. Wormwood is a bitter herb that’s a key ingredient in absinthe, which has been banned because it supposedly causes hallucinations. In witchcraft, it’s used to increase psychic powers and perform exorcisms.

If you want to communicate with spirits, a séance is the way to go

Sam performs a séance ritual based on early Christian rites that involves white candles and a large black candle. It’s in Latin, of course.

In the end, Dean just might be right: This isn’t an angel at all. It turns out to be a vengeful spirit that thinks it’s an angel.

Father Reynolds finally performs last rites and puts the spirit to rest. “I call upon the Archangel Raphael, Master of the Air, to make open the way,” the priest chants. “Let the fire of the Holy Spirit now descend, that this being might be awakened to the world beyond.”

Raphael’s name translates to “God Heals,” from the story in the apocryphal Book of Enoch (the apocrypha are the stories that for some reason didn’t jibe with those who chose what would go into the official Bible.) In Enoch, Raphael heals the Earth after it was defiled by the fallen angels, according to Catholic Online.

So maybe there really aren’t such things as angels. It’s still OK for me to believe in unicorns, though, right?

 

I’ve warned you that demons are usually horrifyingly disgusting

S2E14: “Born Under a Bad Sign”

Monster: Sam?! (Possessed by a demon)

Where it’s from: All over the world

Description: Demons are powerful perversions of nature. We’ve covered them before here and here.

Beelzebub, Lord of the Flies, spreads disease and rules Hell

One of the most famous demons in the Judeo-Christian tradition is Beelzebub. He’s usually depicted as a monstrous giant fly, which goes along with his title, Lord of the Flies. Because flies are nasty creatures that hang out on shit and corpses, it shouldn’t come as a shock that Beelzebub spreads disease.

He’s also associated with tempting people with the deadly sin of pride.

In the Gospel of Nicodemus, another apocryphal text, Jesus gave Beelzebub dominion over Hell because the demon freed Adam and other unbaptized saints, allowing them to go up to Heaven. Satan was not pleased.

What it does: Demons like to possess people, manipulating them like puppets. And while the Yellow-Eyed Demon doesn’t seem like much fun, some demons are better to be possessed by than others.

Even ol’ Beelzebub has been known to possess people now and them. Back in 1611, in Aix-en-Provence, France, a Father Louis Gaufridi was accused of making a pact with the Devil, in which a group of Ursuline nuns were possessed by Beelzebub.

The priest was burned at the stake. His executioners used bushes instead of logs because they burn slower and hotter. During the execution, onlookers said they saw flies rising from Father Gaufridi’s body.

How to defeat it: Holy water will burn that mofo. If you can slip it into a beer, all the better!

Watch out for a binding link scar. (The one Sam’s got looks a whole lot like a Q.) To break it, destroy the connection. You could try branding over it with a hot poker — just know it’s gonna hurt!

What’s the secret to fighting off a demonic possession? The answer is surprisingly simple: “If I told them to swing a black cat by its tail over their head at midnight, they would do that,” said Father Vincent Lampert, the designated exorcist for the Archdiocese of Indianapolis, Indiana. “People think they have to do something extraordinary, but it is actually the very ordinary things that build up graces and offer protection. If a Catholic is praying, going to Mass and receiving the sacraments, then the Devil is already on the run,” he told the National Catholic Register.

Loki, the tricker god of Norse mythology as played by Tom Hiddleston, is one of the best villains in the Marvel universe

S2E15: “Tall Tales”

Monster: Trickster

Where it’s from: All over the world

Hermes, the Greek god of travel and thieves, is also a trickster

Description: Religions and folktales all around the globe include a trickster deity. The Norse had Loki, while the Greeks worshiped Hermes. In West Africa, there was the spider Anansi. European folklore includes tales of the mischievous Reynard the Fox. And Native Americans tell stories of the Raven and Coyote.

The African trickster Anansi is the star of a well-known children’s book

“Almost all non-literate mythology has a trickster-hero of some kind,” the famous mythologist Joseph Campbell said in An Open Life. “And there’s a very special property in the trickster: He always breaks in, just as the unconscious does, to trip up the rational situation. He’s both a fool and someone who’s beyond the system. And the trickster represents all those possibilities of life that your mind hasn’t decided it wants to deal with. The mind structures a lifestyle, and the fool or trickster represents another whole range of possibilities. He doesn’t respect the values that you’ve set up for yourself, and smashes them.”

Sounds like they’re essentially rebels, eager to disrupt the social order. No wonder I’ve always had a soft spot for Hermes.

Reynard the Fox is surely up to no good, preaching to these birds

What it does: In this episode, urban legends are coming true. A girl’s ghost seduces a lecherous professor, then sends him out the window and down four stories to his death. A sexed-up ET abducts a hazing-crazed frat boy, who’s anally probed again and again. (“Some alien made you his bitch,” Dean says. But it got worse, the boy adds: It made him slow dance to “Lady in Red.”) A shiny watch down a drain lures a researcher who tests on animals to end up mauled to death by a crocodile in the sewers.

Thing is, it only happens to dicks who you could argue deserve punishment. The trickster is getting his ideas from Weekly World News. These deities thrive on chaos and mischief. And it played the boys like fiddles, fellow hunter Bobby tells them.

Loki, like many tricksters, is able to shapeshift

Tricksters are shapeshifters, sometimes taking human form. They can conjure anything out of thin air.

In a climactic final battle, lingerie-wearing vixens on a round bed with red silk sheets toss Dean around while Barry White’s “Can’t Get Enough of Your Love, Babe” plays. Meanwhile, Sam and Bobby get attacked by chainsaw-wielding psychopaths like something out of a horror flick.

There goes Reynard the Fox, showing off again

How to defeat it: Try tricking the trickster. Sam and Dean fake a fight and then end up staking the trickster. The reality it has constructed fades away.

But this is only temporary. After all, tricksters, being gods, are immortal. –Wally