Pura Taman Saraswati: The Heart of Ubud

You can’t miss the Saraswati Temple, famous for its lotus pond and dedicated to the Hindu goddess of learning.

The Saraswati Temple is a peaceful oasis in Ubud

On our first afternoon exploring Ubud, Wally and I decided to grab a bite at Cafe Lotus. Our table within the café’s open-air dining pavilion had a lovely view of the pond in front of the temple. There’s an undeniably magical quality to the multitudes of vibrant pink buds rising upon their stems above the murky waters, with the bricks of the temple beyond glowing orange.

Grab a bite at Cafe Lotus and admire the view

The temple is dedicated to Saraswati, who, according to Hindu mythology, is the divine consort of Brahma, the four-faced creator deity. Her name is a combination of two Sanskrit words, “sara,” a lake or pool, and “vati,” to possess. Loosely translated, her name means She Who Has an Abundance of Water. Originally, she took the form of the sacred Saraswati River in India. That river has since dried up, and over time, she transformed to become the patroness of knowledge, literature and the arts, the creative essence flowing within the human heart and soul.

This pathway bisects the lotus pond and leads to the temple

Who doesn’t love a lotus?

It is believed that Saraswati lives on the tip of the tongue and is present whenever words are spoken. She is the goddess of speech, and her blessings are invoked through the mantras written on sacred traditional palm leaf manuscripts, known as lontar. She is often depicted with four arms, seated upon a swan or lotus flower. In her hands she holds a lute, prayer beads and a lontar, representing the intellect, alertness and ego.

The temple is dedicated to the Hindu goddess Saraswati, patroness of learning and the arts

Pura Taman Saraswati

Prince Tjokorda Gede Agung Sukawati commissioned the temple, which was designed by the Balinese artist Gusti Nyoman Lempad. Construction began in 1951 and was completed the following year. Under patronage of the royal family, Lempad played an important role in the design and construction of palaces and temples throughout Ubud and its neighboring villages. When Lempad died in 1978, he was believed to have been 116 years old.

Wally and Duke in front of the temple and pond

There’s a Starbucks right in front of the temple. Grab a venti iced latte on the way out!

The temple is easy to find, sandwiched between Cafe Lotus and a Starbucks off the main thoroughfare of Ubud. To enter the grounds, cross a footbridge that bisects the scenic lotus ponds. The path is flanked by theatrical and grotesque sculptures of Hindu mythological figures, many of which are the original works of Lempad himself.

Grotesque statues like this one are characteristic of Gusti Nyoman Lempad’s style

Lempad carved many of the statues and was the architect of the temple

Wally and I were only able to explore the front platform of Pura Taman Saraswati, as the inner courtyard was closed to visitors. The temple exterior is a traditional assemblage of orange-red bricks embellished with gray volcanic stone ornamentation. A towering central gate known as a paduraksa stands at its center. A pair of intricately carved wooden doors functions as a symbolic boundary marker between the outer world and the temple’s sacred interior.

The central gate into the sacred interior of the temple was locked every time we visited

Gold detailing on the temple doors features heads of guardian spirits

On either side of the main gate at Pura Taman Saraswati are two tall frangipani trees whose gnarled branches and dark green leaves grow outwards and upwards like a pair of wings. When in bloom, these trees produce small, fragrant white flowers with yolk-yellow centers. The flowers are called jepun in Bali and are commonly used in the daily devotional offerings to the gods known as canang sari.

People leave offerings of flowers for Saraswati

As Saraswati is associated with the arts, it’s fitting that the courtyard serves as an open-air stage for nightly kecak performances, traditional stories depicting the constant struggle between good and evil, told through dance.

W is for Wally

Duke branches out at Pura Taman Saraswati

On a platform in front of the temple, a spiny-backed turtle flanked by two dragon-looking creatures emerge from below

On the couple of occasions we visited, we entered directly from Jalan Raya, the main street that runs through the center of Ubud. The water temple is apparently also accessible from Jalan Kajeng, which runs perpendicular to Jalan Raya. No matter how you arrive there, it’s a peaceful oasis amid the throngs of tourists and worthy of a quick visit. –Duke

The Saraswati Temple in Ubud

Pura Taman Saraswati
Jalan Kajeng
Ubud
Kabupaten Gianyar
Bali 80571
Indonesia

The Mysterious Cliff Shrines of Candi Gunung Kawi

Make the long trek down to the enigmatic “Valley of the Kings” in Tampaksiring on Bali.

When the king died, his wives were ceremoniously killed — and they were all honored with these memorial shrines

After paying the admission fee of 15,000 rupiah (just $1), Wally and I made our way down the hundreds of steep stone steps leading to the 11th century funerary complex of Gunung Kawi. Its name literally translates as Mountain of the Poets, taken from an ancient literary language used by poets and Brahmin high priests.

When we finally arrived at the the river valley below, after a long walk through the sweltering heat, we entered a lush, green oasis — the colors all the more vibrant against the contrast of the gray basalt cliffs.

“A mighty giant warrior named Kebo Iwa is said to have carved out the entire group of shrines in one night with his fingernails. ”

A typical split gate found at many Balinese temples

The 10 memorials were created for royal family members — and their concubines

The complex consists of 10 slender 23-foot-high memorials shaped like candi, ancient burial towers, which have been carved directly into the igneous rock face. Each temple façade is framed within an arched niche: Four stand on the west side and five on the east, separated by the sacred Pakerisan River.

An interesting Balinese folktale attributes the entire group to a mighty, mythical giant warrior named Kebo Iwa, who, according to legend, carved out the entire group in one night with his fingernails. He’s also credited with the creative of the monster mouth cave of Goa Gajah. In reality, these magnificent structures were sculpted from the top down by hand, most likely using only pickaxes, hammers and chisels.

The shrines were carved right into the cliffs

Candi Land

Although the monuments remain a mystery, it has been speculated that they were built to honor King Anak Wungsu, who ruled in Tampaksiring from 1049 to 1077. An inscription found above the central shrine on the east side mentions that the king, whose name isn’t given, made a temple here. The additional shrines were for his favorite wives, who would have ceremonially committed suicide after his death.

Another theory amongst historians is that the candi were commissioned by Anak Wungsu to honor his father, King Udayana, his mother, Queen Mahendradatta, and his brothers Airlangga and Marakata (along with himself), with the remaining four dedicated to his concubines.

The other side of the river can be seen through curtains of banyan roots

When so little is known for certain, anything is possible. In any event, the candi at Gunung Kawi resemble the free-standing shrines of East Java and were built as an abode for the souls of deceased royalty. Their residences have steps leading to false doors. To the right of the monuments are five cells carved into the rock, where the caretakers formerly stayed.

The caretakers didn’t get the best digs — they lived in these caves

Eye Candi

Wally and I followed the stone bridge across the Pakerisan River, which gurgles and flows through the center of the complex. The five main funerary monuments remained partly obscured by a copse of trees and gradually came into full view.

A river separates the two sides of Gunung Kawi

The Pakerisan River is considered sacred on Bali

The location felt like the setting for an Indiana Jones adventure. Whatever its origin, I found myself gazing up at the five rock-hewn memorial shrines before us, taken in by the mystical atmosphere of ancient legends and long-lost tales of forgotten Balinese kings.

Behind Duke is the waterfall that’s across the river at one end of the complex

Wally takes a break on all those damn stairs!

What was not so magnificent was the brutal climb back up to the parking lot. Suffice to say, that it would not be accessible to anyone who is mobility impaired.

Because this is a sacred site, be sure to bring a sarong. If you don’t have one, they’re available for rent at the ticket kiosk. –Duke

Candi Gunung Kawi
Banjar Penaka
Tampaksiring
Gianyar, Bali 80552
Indonesia

Goa Gajah: An Easy Ubud Day Trip

The so-called Elephant Cave has an iconic and demonic gaping cave mouth.

When staying in Ubud, make a quick stop to see the monster mouth at Goa Gajah

Balinese words can be so fun to pronounce. You’ve got the water palaces of Klungkung and Tirta Gangga. And just outside of Ubud is a small temple complex called Goa Gajah that dates from the 9th to 11th centuries.

Turns out Goa Gajah has been mistranslated to Elephant Cave, but you won’t find even the remotest hint of a pachyderm anywhere on the small temple complex — aside from a stone statue of the elephant-headed Hindu god Ganesh inside the cave. And, perhaps, the tusk-like fangs that adorn the demonic mouth that forms the cave entrance.

“Those bulging eyes and elongated mouth are a familiar sight in Indonesian temple architecture.”

Flights of stairs lead down to the Goa Gajah complex

The first thing you’ll come across are these ruins

Goa Gajah’s a good stopover to pair with other sites. Excavated in 1954, there are a few buildings in the complex, but it’s really all about the giant mouth cave. Wait for the tourists to clear out, snap the money shot — and you’ll be good to go.

Those bulging eyes and elongated mouth stretching into an entrance are a familiar sight in Indonesian temple architecture. As scary as they look, they’re depictions of Bhoma, a nature god who symbolically cleanses visitors as they enter the most sacred part of holy sites.

What mysteries await Duke and Wally inside the Elephant Cave?

Inside the cave, a narrow T-shaped passageway forks to the left and right, the walls blackened from incense smoke. You can make out small niches in the darkness, some with worn-away statues, including a trio of phallic linga wearing black, white and red skirts. The adorable palm-woven square offering baskets I love so much are placed at the base of the statues.

Inside the cave are three phallic linga in honor of the Hindu deity Shiva the Destroyer

The only elephant you’ll see at the Elephant Cave is this statue of Ganesha

Statues fill a niche. Compared to other holy sites on Bali, Goa Gajah is quite small

At the back of the complex are colorfully decorated shrines

It’s thought that Buddhist monks would meditate in the quiet confines of the cave.

The other notable site at Goa Gajah is the bathing pool, where water pours from the urns held by statues of busty Hindu divine spirits. The holy site was chosen because it’s the spot where two rivers converge.

Female Hindu spirits form the fountains

Wally bathes in the holy water

Get to Goa Gajah as early as possible to avoid the inevitable tourist buses that show up later in the day. It’s a fun place to visit, and you can be in and out in about half an hour. –Wally

Goa Gajah
Ubud, Bedulu
Blahbatuh
Kabupaten Gianyar
Bali, Indonesia

Gaya Ceramic: Italy Meets Bali

If you’re interested in handmade pottery, stop in this charming Ubud boutique.

An Italian couple took their native country’s dedication to quality and paired it with Balinese craftsmanship

It's true, Wally and I have a shared fascination with folklore, history and handicrafts which ultimately drives most of our travel destinations, and is why we decided to stay in Ubud, the cultural heart of Bali. The island has a special energy all its own, but if you want to enjoy it and have only a few days, you may find that seeing everything you would like to on your itinerary is logistically impossible. However, one of the places I refused to cut was the Gaya Ceramic showroom.

“Gaya Ceramic has formed a perfect marriage of Italian design and Balinese craftsmanship.”

Stop by Gaya Ceramic to pick up some gifts for family and friends — and treat yourself while you’re at it

The boutique is located on Jalan Raya, the main thoroughfare that passes through the center of Ubud, in the village of Sayan. If you’re hiring a taxi or driver, make sure to let them know that it’s not the smaller branch of the road, as our driver took us to the Ceramic Arts Center by mistake. While this educational division with classes, workshops and a residency program for artists from around the globe is certainly interesting, I wanted to see the goods for sale at the shop.

The duo behind the craft are husband and wife Marcello Massoni and Michela Foppiani. Both passionate creatives who caught the attention of Gaya Fusion's director, Stefano Grande. After meeting with Stefano, they made the decision to move from Italy to Bali and established Gaya Ceramic. It should come as no surprise then, that their aesthetic is the perfect union of Italian design and Balinese craftsmanship.

One of the first things we noticed when we arrived at the showroom were exotic, climbing vines with pale lavender blooms. The dense growth framed and partially concealed the façade, lending the exterior an air of curiosity, as if letting you know you’re about to enter somewhere enchanting.

Marcello Massoni, the CEO of Gaya Ceramic, still throws the original prototype for each new piece

The Gaya Ceramic shop is like walking through an art exhibit

Inside, a rich, jewel-tone malachite green tile covers the floors. The boutique contains an array of luxurious, refined hand-crafted objects. Gaya’s designs include sculptural porcelain and lava sand mortar and pestles, to more elaborate ceramic coral wall art, bowls, plates and one of my personal favorites, “tattoo” vases embellished with a deconstructed pattern of twining cobalt blue chinoiserie flowers, all handmade in Bali.

What’s most impressive, though, is the relationship Marcello and Michela have fostered within the village of Sayan, where the company is based. Villagers who have mastered the intensive hands-on apprenticeship program have gone on to become fully vested employees, ensuring that these skills live on for generations to come.

Gaya makes up to 9,000 pieces a month!

Intricately patterned Raku ware pottery pieces are grouped together

A couple of the delightful employees who work at Gaya

Every element, from the wireless radio — they even have a Spotify playlist — to the small circular clay tokens with their logo stamped into them that adorn their shopping bags, has been thoughtfully considered.

Visit their showroom and take your time to admire the beauty of each piece. And if your suitcase isn’t big enough, they ship.

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Q&A with Marcello Massoni, owner of Gaya Ceramic

How has your cultural background been incorporated into Gaya?
We always put a bit of Italian flavor into our ceramics. The innovation and attention to detail that Italians are well known for is embedded in all our creations.

How has the culture of Bali influenced you?
Balinese culture helped us to reach a high level of craftsmanship and inspires us every day with its architecture, nature and ceremonies.

Tell about us your process. How does a lump of clay become a beautiful object?

All of our pieces begin their life in the studio. I still throw the original piece from which a prototype is made. For our hospitality projects, we custom create ceramic collections based on a client’s functional and aesthetic needs. We use different clays, glazes and diverse firing techniques (gas, raku, wood firings). All of our processes are handmade.

On average, how many pieces are produced per month?

Between 7,000 to 9,000.

Now for a few fun non-business related questions. What are a couple of your and Michela’s favorite local restaurants?  

Locavore or the restaurant at Bambu Indah.

Where’s the best place to get a cup of coffee?  

My house.

Favorite place to visit on Bali?

Pura Gunung Kawi or Geger Beach in Nusa Dua.

Best place to get gelato (and we know you’re biased)?

Gaya Gelato :)

Gaya Ceramic
Jalan Raya Satan No. 105
Sayan, Ubud
Bali, Indonesia 80571

Beyond Prambanan: The Love Temples of Plaosan

Explore the twin temples of Candi Plaosan, built by a Hindu prince for his Buddhist bride in Central Java.

Plaosan is an often-overlooked addition to a day trip to Prambanan

Our Borobudur guide, Wishnu, was showing us a few pictures that other tourists and guides had shared with him, when he paused to play us footage taken from a drone, soaring above a couple of stunning temples.

“What’s that?” I asked, and then, “Can we visit it?”

Wishnu replied that locals call these the Love Temples, and of course we could visit them — we just needed to let our driver for the Prambanan trip know that we’d like to add it to our itinerary.

“The great love story began with an interfaith union between a Buddhist princess and a Hindu prince.”

The northern complex is the one worth exploring

In the Name of Love

The site is officially called Candi Plaosan, a complex of Buddhist temples located in Klaten, Yogyakarta, a short distance north of the Hindu temples of Prambanan. What makes it truly unique is that both complexes were built by the same Javanese king.

Plaosan is a testament to the love that brought a Hindu prince and Buddhist princess together

Wally climbs over the stones at Plaosan

Duke on the temple complex

Looking toward the female viharn (monastery) from the one for males

There are piles of rubble all over Plaosan, testifying that there’s still a lot of restoration work to be done

There were once many more of these smaller shrines

The great love story behind Plaosan began with an interfaith union between the two ruling dynasties of Central Java during the 9th century. Pramodhawardhani, a Buddhist princess and daughter of Samaratungga, the last known king of the Sailendra Dynasty, married Prince Rakai Pikatan, from the Hindu Sanjaya family. When Pikatan ascended to the throne, Pramodhawardhani became his queen and was given the name Sri Kuhulunan. Religious differences didn’t separate the couple, and together they played a significant role in building some of the finest Hindu and Buddhist temples of Central Java.

Plaosan is a 9th century complex built at the height of the Mataram Kingdom. Once part of a single site, Plaosan Lor, the northern main temples and the smaller Plaosan Kidul to the south are now separated by a public road.

Because Plaosan isn’t too well known, you could have the temple grounds virtually to yourself

A Temple for Men, A Temple for Women

One of the first things Wally and I noticed as we entered the temple grounds of Plaosan Lor were four imposing stone ogres. Known as dwarapala, the stocky and squat semi-kneeling guardians grip a short thick club in their right hand, while the other rests upon a bent left knee.

Creatures known as dwarapala guard the entrance to the temple

This giant will fight to protect Plaosan

Like Prambanan, the sanctuary follows a square grid system with groups of smaller ancillary shrines laid out in orderly rows. The buildings were constructed without mortar, their stones quarried and precisely cut. A small number have been reconstructed, standing amongst piles of gray andesite blocks yet to undergo restoration.

The temples are quite similar —but we’re pretty sure this is the one for men

And this is the temple for women (actually living quarters for female monks)

At the center of Plaosan Lor, the two nearly identical structures were viharas, meaning they were designed as Buddhist monasteries.

Above the arched gate portal leading to the temple is a Kala head whose gaping mouth symbolically swallows our mortal impediments and permits passage into the sacred inner courtyard.

Some entryways in the inner temple are shaped as the mouth of the deity Kala

Legend has it that Kala’s mouth crushes those impure of heart. Poor Duke!

Towering stalagmite-like spires crown the multistory vihara, rising like the jagged peaks of Mount Meru, the holy mountain abode of the gods, and a pair of mythical serpentine makara form the railings of the staircase leading to the monastery — a small Kewpie-doll like dwarf figure stands within the creature’s gaping jaws.

The monument sits on a high rectangular stone podium with an apron that extends several feet outward, forming a porch where visitors can circumambulate the structure. Its exterior walls feature false windows, an architectural element meant to maintain symmetry on the façade. These are embellished with distinctive Kala-makara ornamentation, but unlike the ones above the gateways, these depictions of include a lower jaw with a wide mischievous grin similar to the Cheshire Cat in Lewis Carroll’s Alice’s Adventures in Wonderland.

Kala is a giant who was born from Shiva’s sperm

Enshrined within the central hall are a pair of headless seated Bodhisattva statues, one that is more or less a torso, presumably plundered and decapitated by relic thieves. An empty pedestal between the pair possibility held an enthroned bronze Buddha.

There’s not a whole lot to see inside the temples — mostly seated statues of Bodhisattva, those who have reached enlightenment but remain behind to instruct others

Some of the statues inside the temples are now decapitated

Intricately detailed reliefs of various demigods and deities adorn the exterior walls. According to a theory presented by Nicholas Johannes Krom, head of the early 20th century Dutch Archeological Society, the two vihara were sponsored by influential patrons and built for male and female monastics — not as a tribute to love, as locals prefer to believe.

Bas-reliefs line the exterior of Plaosan

The south-facing vihara depicts male figures, while the north depicts female figures. The south temple was probably a monastery for Bhikkhu monks, while the north housed Bhikkhuni nuns.

You can see the construction style in action: squares of interlocking stone

Deities and demigods adorn the outer walls, which you can circumambulate on a platform

In the distance, behind the vihara, a celebration complete with multicolored garlands made of balloons was taking place. We passed through a side gate in the low wall separating the two temples and explored the second vihara.

Whether or not Plaosan was constructed as a symbol of Pikatan’s devotion to Sri Kuhulunan or as a display of political reconciliation to placate the Buddhist Sailendra Dynasty, it certainly makes for an interesting story. –Duke

Candi Plaosan

Jalan Candi Plaosan
Plaosan Lor
Bugisan
Kecamatan Prambanan
Kabupaten Klaten
Jawa Tengah 57454
Indonesia

Klungkung, the Hellish Comic-Paneled Water Palace of Bali

Head to Semarapura to see a monument to a mass suicide and illustrated ceilings that depict gruesome demons.

Monstrous statues, lily-covered pools of water and pavilions filled with comic book-like artwork come together at Klungkung

A mythic creature watches over the pavilion

The Hall of Justice depicts various torments — like having your nether regions scorched

I had always been intrigued by one of the photos Wally had taken when he first visited Bali 17 years ago. The image is a detail shot of a small naked one-eyed male creature with a high ponytail. 

I later discovered that he took this photo at the Klungkung Palace. This was my first time to Bali, but Wally’s second and I was truly excited to have found more than a few places he hadn’t been to. Klungkung wasn’t one of those places, but was so different from the other sites in our itinerary that we simply had to visit. Of course Wally didn't mind, which is one of the many reasons we make a great couple — we’re both drawn to the unusual and fantastic mythology of other cultures.

“The panels portray the various forms of hellish punishment awaiting those who are found guilty in the afterlife. ”

We arrived in Semarapura, the capital of the Klungkung Regency and purchased our tickets to enter across the busy thoroughfare from the pavilions.

If the Puputan monument looks like a giant phallus, that’s because it kinda is! This memorial is a linga-yoni, a representation of the Hindu god Shiva’s, er, divine energy

Overlooking the town’s main intersection is a towering memorial resembling an upside-down cannon barrel constructed of black volcanic stone. The monument is known as the Puputan Klungkung and commemorates the ceremonial mass ritual suicides known as puputan. The word comes from the Balinese puput, meaning “to finish” or “end.” And that’s exactly what occurred when the Dutch invaded Semarapura in 1908 and brought the entire island of Bali under colonial domination. Miniature dioramas inside the memorial depict scenes from historic local events, including the battles with the Dutch.

Two pavilions and a ceremonial gate are all that remain of a former palace in Semarapura

Klungkung Royal Palace

Across the street from the Puputan monument are what remains of the former royal palace complex of Puri Agung Semarapura. Built at the end of the 17th century, sadly many of its structures were destroyed during the Dutch conquest.

A brick path forms a bridge to access the Floating Pavilion

Wally and I entered the Klungkung grounds through a side gate where a group of three women, ready to pounce upon unsuspecting tourists, were attempting to sell a variety of clothing, from sarongs to short-sleeved men’s dress shirts. We politely told them we weren’t interested and walked to the restroom located on the opposite side of the complex. When we emerged, one of the women who had split from the group awaited us and followed us around, trying to sell us an extra-large men’s batik shirt. Honestly, it was a cool shirt and we would have bought it from her if she had the right size.

The Hall of Justice is literally covered with illustrated panels

Justice was once meted out from this table

The Kertha Gosa Hall of Justice: Fantastic Beasts and Where to Find Them

Among the few buildings that remain is the Kertha Gosa. Situated in the northeast corner of the compound, the raised pavilion served as the kingdom’s Hall of Justice. Inside sits a table and six elaborately carved wooden chairs. Painted in red and gold, the raja’s chair features the image of a lion, symbolizing his position as chief of court. A second has a cow image and was used by a Brahman priest who served as both lawyer and advisor to the raja. A third chair bearing a dragon, was for the secretary.

A lion, dragon and cow decorate the chairs in the Hall of Justice

Here, the raja met visiting dignitaries and presided over a court comprised of himself and three Brahman priests. Disputes that could not be reconciled at the village level were heard and mediated within the Kertha Gosa Pavilion.

Looking up, the vaulted ceiling is covered with highly detailed narrative stories painted on wood panels, many of which are popular tales from shadow puppet theater. Their traditional style of visual storytelling is known as Kamasan or Wayang painting and were produced by generations of artists from the nearby village of Kamasan, who served as artisans to the royal court.

The ceiling is covered with illustrations — it’s like a Balinese comic book about a trip to Hell

Highly detailed images of gods, humans and demons rendered in red, indigo, ochre and white are arranged to illustrate the coexistence of the natural and supernatural.

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The main subject of the paintings is Bima, a strong warrior from the Mahabharata, who journeys to the underworld to save the souls of his parents. Scenes portrayed in these panels are associated with the various forms of hellish punishment awaiting those who are found guilty in the afterlife.

Klungkung consists of two main structures, but golly, they’re fun to visit

The Floating Pavilion of Bale Kembang

After gawking at the ceiling and taking numerous photos, Wally and I continued on to the Floating Pavilion of Bale Kembang. Surrounded by guardian statues, the structure rises from the middle of a pond in the center of the complex. The pavilion was greatly expanded by the Dutch in the 1940s and was originally a smaller, lower structure which served as the base for the raja’s guards.

One of the guardians of Klungkung. Too bad they couldn’t have saved the local kingdom from colonization by the Dutch

Lichen covers many of the statues on Bali, lending an ancient otherworldly air to them

One of the narratives within the Bale Kembang depicts episodes from the story of the Buddhist king Sutasoma, who defeated his enemies through passive resistance. Also portrayed is the rags-to-riches folktale of the humble Pen and Men Brayut and their 18 children, who through their tireless labor, no pun-intended, achieve wealth. Bordering these panels is the palindon, an earthquake calendar foretelling the indirect effects of divine power should seismic activity occur during the corresponding month.

Overwhelmed by the variety of demon and exotic fauna before me, I barely noticed the male and female artists seated on the floor of the pavilion who were putting the finishing touches on single-scene Kamasan paintings. The man was doing the drawing and the woman filling in the color with a small brush. Stacks of these paintings and hand-painted fans, for sale as souvenirs were placed nearby.

Two artists create Kamasan style paintings, fans and Balinese calendars

In a bit of a daze by what we had just seen (or perhaps it was just hunger and the heat), Wally and I left the Floating Pavilion. One of the aforementioned women we had passed upon entering the complex approached us, delicately extracting several hand-painted eggs from a white plastic bag. Our resistance worn down, we purchased a few as gifts, agreeing to keep one for ourselves. We were glad we did, as we now have a souvenir of our experience at this magical place. –Duke

Klungkung Royal Palace
Jalan Diponegoro
Semarapura Kangin
Central Semarapura
Klungkung Sub-District
Klungkung Regency
Bali 80761
Indonesia

Pura Kehen: The Fire Temple of Bali

The parts of a Bali temple explained, from the bentar to padmasana to kulkul, in this most sacred of temples, which sports a truly giant banyan.

Pura Kehen is dedicated to the Hindu god of fire

On our fourth day in Bali, we arrived at Pura Kehen, an impressive state temple located in the village of Cempaga in the Bangli Regency. Although it’s the largest and most sacred of the region, the temple was blissfully beyond the tourist radar and appealed to our desire to experience the quieter side of Bali.

A glimpse of the village down the hill through the main entrance of Pura Kehen

Smaller shrines on the temple complex are resting places for ancestral spirits during temple ceremonies

You have to wear a sarong like Duke when visiting a temple on Bali

The ancient temple compound was erected during the 9th century and was known as Pura Hyang Api, dedicated to the supreme being Agni, the Hindu god of fire. When sages moved from one ashram to another, it was customary to carry fire along. A couple of centuries later, the temple was renamed Pura Hyang Kehen, derived from the Balinese word keren, which translates to “flame.”

“The bug-eyed, fang-baring disembodied head of Bhoma prevents malevolent spirits from entering the temple grounds. ”

The main staircase of Pura Kehen features frightening guardian statues from the Hindu epic, the Ramayana

Duke was enamored with Pura Kehen, though Wally would say it’s B-list

Built upon the slope of a hill, the temple is reached from the street by a steep 38-step staircase flanked by a pantheon of stone guardian statues from the Hindu epic the Ramayana. At the top, overlooking the grand gateway, is the bug-eyed, fang-baring disembodied head of Bhoma, whose purpose is to prevent malevolent spirits from entering the temple grounds. We were sure to follow proper etiquette and wore our sarongs, which our driver Made (Mah-deh) expertly tied for us several times throughout our trip.

We loved spotting Bhoma’s head at temples. He’s the offspring of the deity Vishnu as Vahana, a wild boar, and Dewi Pertiwi, the Earth goddess

Bhoma, with only his head left, guards temple entrances

Smaller candi bentar gates divide courtyards on the temple complex

Weather-worn statues, ornate detailing and lichen-covered stone are typical at Balinese temples

Just beyond the entrance, you’ll find an assortment of blue and white Dutch Delftware pottery, including plates and bowls, embedded in the exterior walls surrounding the second courtyard — a relic of the Dutch occupation of the island. I paused to admire one that depicted an idyllic farm scene, including a watermill, ducks and oak tree.

This wall, like the main gate, is designed to deter menacing ground-dwelling spirits from gaining entry. The enclosed courtyard beyond includes a pavilion for gamelan musicians and is used for traditional dance, feasts and puppet performances during festivals.

We entered the third and most sacred courtyard through an elaborate symmetrically split gate known as a candi bentar. The gate resembles a jagged triangle separated vertically and split in two. Its sides symbolize the balance between the positive and negative forces of the universe. There’s no decoration on the inner parts of the gate.

Candi bentars are dramatic features of many Balinese temples, and represent the split halves of Mount Meru

Candi bentars are, not surprisingly, also called split gates

There’s no ornamentation on the interior of these gates

The gateway is flanked by fearsome sword-bearing bedogol, the Balinese name for the guardian statues standing on either side of the entrance. Of course Wally was immediately drawn to these diabolical figures. I later learned that the pair are typically characters that complement each other, such as younger and older brothers.

The impressive principal shrine of Pura Kehen is located here. Known as a Meru tower, the elaborate 11-tiered pagoda symbolizes the mythical Mount Meru, the Hindu holy mountain where the gods dwell. The number of levels are always odd, three, five, seven, nine or 11, and reflect the importance of the patron deity. Eleven is associated with the highest order or supreme being. Mountain gods enter and inhabit the Meru through an opening in the top when visiting the Earth during temple ceremonies. Each tier is covered with thatched black hair-like fibers obtained from the trunks of arena palms. According to Indonesian folklore, the spirit known as Wewe Gombel nests in this type of palm, where she keeps children she has stolen away from neglectful parents.

The taller the Meru, the more significant the deity

Adjacent to the Meru tower in the northeastern corner of Pura Kehen is another sacred monument known as a padmasana, dedicated to the Hindu trinity of Brahma, Vishnu and Shiva. The uppermost feature is an empty stone throne, known as a lotus throne, which reminded me of a holy version of the plastic booster seats used to elevate small children at a restaurant table. This seat is reserved for the immeasurable and formless Widhi Wasa, the All-in-One God. The entire structure is covered with bas-relief and rests atop the stone shell of a cosmic world-carrying tortoise, Bedawang Nala, whose perpetual movement is thought to be the cause of the island’s frequent earthquakes. A pair of snakes coiled around the turtle’s body represent our earthly needs: safety, food, shelter and clothing.

This intricately carved padmasana shrine, or lotus throne, is dedicated to the Hindu trinity of Brahma, Vishnu and Shiva

The door detail on the entrance gate shows the god Vishnu, riding his eagle mount Garuda and battling a pair of rakshasa demons

A curious feature of the pura is its unusual drum tower. The kulkul, a slit, hollowed log that resonates like a drum when struck, is suspended high upon a platform amongst the intertwined branches of the largest ancient banyan tree we’ve ever seen.

Wally climbs in the roots of the largest banyan tree he’s ever seen

This no-longer-working fountain might bear the icon of Dewi Sri, the Balinese rice goddess

A shrine surrounded by bidadari, celestial female spirits, emerging from clusters of lotus flowers

One of the most beautiful temples of our visit, it’s well worth venturing out to. We arrived about an hour before Pura Kehen closed, and we were alone, aside from two other foreign couples wandering through — and an elderly local woman whose insistent calls tried, unsuccessfully, to draw us over to see what she was selling. –Duke

“The spirit Wewe Gombel nests in arena palms, where she keeps children she has stolen away from neglectful parents.”

Pura Kehen
Cempaga
Bangli Sub-District
Bangli Regency
Bali 80613
Indonesia

Witnessing a Hindu Festival at Pura Samuan Tiga

We stumbled upon a full moon festival of Siat Sampian at a local temple near Goa Gajah, Bali — glimpsing a fascinating ritual but missing the big fight.

Pura Samuan Tiga, during the precursors to the Siat Sampian festival

Our driver seemed to be trying to dissuade us from visiting Pura Samuan Tiga.

“It will be very, very crowded,” he told us, “because of the festival for the full moon. Not a good time to go.”

But hearing there was a festival only made us want to visit all the more.

Temples popular on the tourist trail are always worth seeing, but we recommend finding at least one local temple on every trip. It’s a fascinating glimpse into another religion — especially when it’s the ever-enigmatic Hinduism, the major world religion I understand the least.

A man and his children pause under the elaborate temple offerings

Fences close off areas of worship at Samuan Tiga

Duke, a total Ravenclaw when it comes to research, will spend hours poring over websites and books when building out our itineraries for a trip. He found Samuan Tiga and suggested a stopover en route to the nearby giant mouth cave of Goa Gajah. Located in the village of Bedulu in the Gianyar regency, the temple is about a 20-minute drive from Ubud, where we based ourselves.

Pura Samuan Tiga might not be one of the most visited temples on the island — but it gives you a great feel for what these sprawling Hindu temple complexes are like. Especially if you’re lucky enough to happen upon it during a festival.

Bhoma guards the temple from malevolent spirits

The statuary in the temple was originally carved from volcanic rock

One of the outer courtyards at Samuan Tiga, which was much less crowded than those within

The vast, bustling temple complex evokes the feel of a village market

Built between 988 and 1011,  the temple sports typical Balinese religious architectural design, with its soaring orange brick gates, weathered teak open-air pavilions, volcanic stone carvings of bulging-eyed monsters and thatched triangular rooftops. While most temples on Bali (pura in the local tongue) have three courtyards, Samuan Tiga is much larger, with seven.

There’s some debate around the reason for the temple’s name, which translates to “the meeting of the three.” Local lore holds that three warring Hindu sects came together to resolve their issues. The royal priest decreed that each kingdom would have three main temples, which represented not only the Hindu trilogy of Brahma, Vishnu and Shiva but the mountain, village and sea as well.

One area of the temple was filled with offering baskets

Like a National Geographic Article Come to Life

We had stumbled upon one of the oldest Hindu rituals on Bali: Siat Sampian (War of the Offerings), which takes place every 10th full moon. While we saw many crowds praying in the various courtyards, apparently we missed the battle that would take place later, when hundreds of pilgrims playfully “attack” each other, throwing arrangements called sampian, which consist of woven palm fronds pointing out like the rays of the sun.

That’s the trouble with knowledge sharing, even in this age of the internet. It was tough even discovering the name of the temple — and we didn’t learn about the details of the festival until we were back home. I wish our driver or another local had known more about Siat Sampian, and we could have tried to time our visit with the frenzied fake fight. Sigh.

There was still much to see, though. Women carried stacked woven baskets atop their heads, all dressed in long-sleeved lace tops, most of them white, paired with brightly colored sashes around their waists and ankle-length floral sarongs. Children, also in vibrant sarongs, munched on snacks.

Women carry their loads in woven containers atop their heads

Some of the men have adopted this means of carrying offerings

Children probably spend hours at the temple during the festival and snack throughout the day

Samuan Tiga sports seven courtyards — more than your typical Balinese temple — and they were all quite crowded

In certain parts of the temple, facing raised platforms, people crowded into tight spaces, sitting down to pray — a vast sea of worshippers, most of whom wore white shirts, the men also in white headbands with a sort of bow in front. Everyone sat quietly, arms extended in front of their faces, their hands pressed together. This is the purification process before the comedic war to come.

The crowds got downright claustrophobic in quite a few areas

People worshipped in different courtyards

This area was right off of the Barong pavilion

Offering baskets were everywhere, small square trays woven from palm fronds and filled with rice, flowers and fruit.

An elaborate floral offering

Beautiful offerings for the gods

Fruit is a popular offering

Worshippers create small offering dishes filled with flowers and food

An entire pavilion was filled with masks of Barong, who, despite his sharp fangs and wide eyes, is actually the personification of good.

Barong masks receive offerings 

As frightening as he looks, Barong is actually reprepsentative of all that is good

Masks of Barong lined an entire pavilion at Samuan Tiga

In one corner of the temple complex, we stopped to listen to an entirely female gamelan troupe. I had always heard of the percussion-heavy, xylophone-like instruments being played by men and wondered if this was a new phenomenon.

An all-female gamelan band

As they played their jarring and discordant yet strangely hypnotic tunes, a man in costume approached for a dance. Covered in layers of colorful fabric with shimmering gold designs, barefoot, boasting long nails like claws, he descended the stairs. As he got closer, what caught my eye most was his frightening visage: a wide, wrinkled brown mask with a sweeping black mustache. Its features seemed pinched from the nose, lending an overall appearance of a rodent, not softened by the floral headband framing his face. If anything, it looked like foliage that had caught as he burrowed in the dirt. He made slow, sweeping movements, only his hands twitching rapidly, like the fluttering wings of a raven.

We think the character might be Topeng Bujuh, a comic figure in Balinese performances.

A creepy costumed character danced to the gamelan music

As we wandered through the courtyards, most people were extremely happy to see us. They grinned, said hello, greeting us with a sembah (a gesture of respect, similar to the Thai wai, where you place your palms together in front of your chest and bow). I took the opportunity to snap quick photos of the worshippers and almost every time, they smiled back at me, unoffended, much to my relief. It seemed they were happy to share their experience, that they were glad a couple of Western tourists had felt their sacred festival worthy of a visit. –Wally

Pura Samuan Tiga is one of the largest Hindu temples in central Bali

Pura Samuan Tiga
Jalan Pura Samuan Tiga
Bedulu
Blahbatuh
Kabupaten Gianyar
Bali 80581
Indonesia

Alila Ubud: A Luxury Resort Nestled in a Jungle Valley

Can we just talk about the amazing infinity pool at this Bali hotel? And the amazing food? And the monkeys scurrying about?

This was the breathtaking view we awoke to every morning

By the time I began looking for places for Wally and me to stay in Ubud, Bali, I was faced with an overwhelming amount of choices. I wanted to be close to the town’s cultural center, temples, shops and restaurants, but far enough away that it would feel like a retreat from the inevitable throngs of tourists. One look at an image of the epic infinity pool overlooking a landscape of tropical jungle greenery on the Alila Ubud website and I was hooked.

“The infinity pool consists of a slim rectangle of water whose edges disappear into the terraced jungle hillside. ”

The resort is comprised of groups of villas scattered throughout the compound

When we landed at the Ngurah Rai International Airport, it was well after midnight and buzzing with new arrivals. Apparently we weren’t the only flight to reach the isle of Bali so late at night — or early, depending on how you look at it. After collecting our luggage, we met our chauffeur outside the terminal and asked if the airport was typically this crowded. He replied with a smile, “Yes, always.”

The pool really is the star of the show at the Alila

Alila Ubud

Our base for our Bali trip was the Alila Ubud, which is just over an hour’s drive from the airport. Located high up in the mountain village of Payangan, our real adventure began once our driver turned onto a private meandering road that led to the resort. It was well after 2 a.m. when we checked in, following a nearly 24-hour journey from Chicago. The concierge warmly greeted us at the reception pavilion, offering us cold towels and jamu, a traditional Indonesian healing tonic.

The open-air lobby at Alila, where helpful staff are always on hand

The concierge escorted us to our room and instructed us to secure the patio doors leading to the balcony to prevent a wild monkey infiltration. “Does it have a name?” Wally asked. To which the concierge replied, “No, there are many.”

This group of monkeys gathered on the wall outside our room

Alila, formerly the Chedi, was conceived by the acclaimed firm Kerry Hill Architects. The sprawling, tranquil complex is surrounded by rice terraces and is roughly 15 minutes from Ubud, the enclave that exploded exponentially after Elizabeth Gilbert’s bestselling memoir and subsequent movie, Eat, Pray Love.

There’s lush tropical foliage in every direction you look

The hotel’s layout was inspired by traditional Balinese hillside villages and has been adapted to the site’s topography. Paths meander past the property’s rooms and private treehouse-like guest villas. Stepped walkways evoke the surrounding terraced rice paddies. Paying respect to traditional Balinese architecture, local materials have been thoughtfully incorporated into its design, including hand-cut volcanic stone, alang alang grass thatch and coconut wood. Stones from the Ayung River were used in the steps and exterior walls. As a result, the Alila’s earthy palette harmoniously blends with the landscape surrounding the resort.

The neutral tones of the buildings at Alila blend in well with the natural environment

The elongated open-air dining pavilion, Plantation, is located beneath a grass canopy supported by soaring palm pillars and is open for breakfast, lunch and dinner. The executive chef behind the signature restaurants creations is Erwan Wijaya, whose menu features regional Balinese and international cuisine using locally sourced seasonal ingredients. Service was friendly and impeccable. We had the pleasure of being attended to on more than one occasion by the lovely Marianthi.

The Plantation restaurant pavilion

A typical breakfast at Alila: fresh baked goods, a trio of smoothies, coffee and nasi goreng (pink sunglasses Wally’s)

Exotic fresh fruit, including snakefruit, starfruit, pomelo and pineapple

Wally likes pink drinks best

Breakfast options changed daily and we were always excited to try the trio of shareable juices and smoothies, tropical fruit plate, assorted pastries and varieties of nasi goreng. Plus, the coffee was excellent and brewed to order. We tried to exclude Western fare, but one morning we did cave. I tried the bostock brioche French toast with almond cream and Wally the eggs Benedict, which were equally delicious.

Our room at Alila. Wally particularly loved the mosquito netting

A Room With a View

We stayed in an understated superior room, which was cozy, with its vaulted thatched ceiling and limestone floors. Our king-size bed was shrouded in netting, which Wally loved to close in the evening, picturing himself, no doubt, as a Victorian-era naturalist traveling through the tropics. Also sharing our room was a gecko who chose to evaluate us from afar, perched high upon the wall. One night, we were awoken by a couple of monkeys fitfully skittering across our rooftop.

Curious George pays a visit to our balcony

Our room included small touches with a big impact, including refillable glass bottles of water that were replenished daily and eco-friendly reusable bamboo straws.

After sightseeing and wandering Ubud, the private balcony attached to our room was the perfect perch to unwind and enjoy a quiet moment to read. We were happy that our room was centrally located, near the pool and restaurant. The complex, which seems to stretch for miles, required a few guests to be transported in golf carts to reach their rooms.

We hired a driver and ventured out daily, but if you decided to stay on the resort grounds, the Alila offers bikes for exploring the outlying area, an art gallery that features regional arts and crafts, a small boutique and a spa.

Every morning before breakfast, Wally and Duke had a swim in the pool as the sun rose

Duke leans on a wall near the resort’s spa

To fill in time between meals and relaxing, the Alila offers complimentary afternoon coffee and tea with an assortment of bite-size desserts. They even offer nightly entertainment, including movies by the pool.

The stairs are lit at night

The Cabana Lounge opens to the infinity pool

The bar in the lounge — also where they set up tea, coffee and nibblies in the late afternoon

The hotel’s shuttle service has fixed arrival and departure times, but we found it fairly easy to hire a cab for about $6 to return us to the resort. The staff was personable and always wished us a good morning. When we would return after a day’s exploration, they welcomed us back, addressing us as Mr. Duke and Mr. Wally.

A group of chaises longues at the edge of the valley

To Infinity and Beyond

The infinity pool consists of a slim rectangle of water whose edges disappear into the terraced jungle hillside. Our room’s proximity to the pool made it easy to have a quick swim every morning before breakfast, steam rising from the water as the sun rose.

Morning yoga classes overlooking the pool were held at the Cabana Lounge, where guests can take in views of the forest while holding a warrior pose.

The infinity pool seems to flow out into the valley beyond

A minor criticism is the internet system, which required entering a complicated code for every use. This is particularly irritating on a smartphone, when you are logged out every time the phone goes idle. On top of that, the signal was weak at every time but the middle of the night. Our jet lag-induced insomnia was the only time we were able to use wifi.

The Alila is surrounded by gorgeous, green rice terraces

Paths wind throughout the complex and its environs

Maybe it’s because Wally is a Taurus, but Duke is obsessed with the Nandi bull

Looking out at the mist-covered tropical greenery as we left on our final morning, Wally and I reflected upon our stay, knowing we had been somewhere special, a place we wouldn’t soon forget. –Duke

Our rooms were conveniently located near the restaurant and pool

Alila Ubud
Desa
Melinggih Kelod
Payangan, Gianyar
Bali 80572
Indonesia

The Picture-Perfect Tegallalang Rice Terrace of Bali

Your photos of these gorgeous rice terraces will make your friends green with envy.

If you’re in the Ubud area, make a stop at the Tegallalang Rice Terrance

Chances are if you’ve ever done an Instagram or Pinterest search and entered the keyword “Bali,” you’ve seen more than a few images of the terraced rice paddies of Tegallalang and tourists posing beneath the multicolored Love Bali sign.

This highly photogenic and popular tourist destination is located about 30 minutes north of Ubud.

“We gazed out, awestruck by the sea of emerald green terraces whose sinuous lines follow the contours of the hillside.”

Get there as early as possible to avoid the crowds and the heat of the day

Wally and I hired a driver and left from our hotel early enough in the morning to (hopefully) avoid the throngs of tourists. When we arrived at the large parking lot, we were not entirely surprised that it was already beginning to fill up. I was confused at first if we were in the right place, as there are large printed banners for Ceking Rice Field. I later learned that this is the name of the village where Tegallalang is situated.

Duke enjoying the beautiful setting

Wally’s excited for the adventure to begin!

Even though you can’t see them, there are paths to follow through the rice paddies

It’s amazing to think that this rice is gathered by hand

Rice Rice Baby

Rice is a staple food for the Balinese, reflected in the endless regional variations of nasi goreng, and a small amount often appears in traditional woven palm leaf offerings. Cultivation adheres to a well-organized cycle initiated by ritual observance at water temples — the nearby Gunung Kawi Sebatu temple is dedicated to Dewi Sri, the goddess of rice and fertility.

Bali’s tropical climate allows for rice to be grown year round, and the terraces of Tegallalang were lush and green on our visit in late April. It’s humbling to learn that the harvesting process is done completely by hand. The sheaves are thrashed in bunches to release the grains, which are then washed and laid out in the sun to dry.

The undulating green hills are iconic of Bali

It Takes a Village

As consumers, when we think of rice, we may only see it as a pre-packaged commodity to be purchased off the shelves of a grocery store. We don’t imagine how it came to be there — namely, the result of a sophisticated agrarian community dating back to the 8th century, whose shared labor, known as subak, encourages farmers to work together to preserve the traditional egalitarian irrigation system passed on from generation to generation. This practice follows the Balinese philosophy Tri Hita Karana, in which humans, spirits and nature are intertwined in a harmonious, mutually beneficial relationship.

Wally and I paid a donation fee of 10,000 rupiah each (about $1) to enter. Standing at the top of hill, we gazed out, awestruck by the sea of emerald green terraces whose sinuous lines follow the contours of the hillside.

Wally saw a small cave and crawled through it until he came out this end

There were a few other tourists captured in our photographs, but it didn’t bother us and added scale and color to our images. We hiked down mud steps to the valley floor and walked up the other side, meandering the narrow footpaths that cut through the paddies.

To prevent birds from eating the grain laden stalks, farmers have employed an ingenious technique using bamboo poles and strings. One version creates horizontal movement when the string is tugged and another activates a set of empty aluminum cans that loudly rattle.

A lotus pond we stumbled upon

You’ll marvel at the sheer scale of what you’re seeing

50 Shades of Green

We spent a little over an hour wandering through the terraces and footpaths. Make sure to bring comfortable footwear, suitable for moderate trekking, bug repellent, sunscreen and bottled water, as the landscape is fairly exposed and open.

At one point, we were at the far end of the valley and couldn’t find our way out. Instead of following a group of equally baffled tourists, we backtracked past the swings, where you can swoop out over the terraces for that perfect Instagram photo or video. I refused to do this, as it seemed like something only basic bitches would do. Wally argued that it’s a requisite shot for all the influencers, so I told him he could take one if he wanted.

These stepped terraces are a marvel of ancient engineering

There’s no clear way to go, and we had to backtrack to find our way out

Atop one hill, a hen and her chicks toddled around

We went back down the valley and took a different fork in the road, eventually ending up on the other side by the road we had originally come from, passing hikers going in the opposite direction.

There are small shops selling I ♥ Bali tote bags, clothing, cold drinks, coffee luwak (which is basically green coffee beans that have been partially digested and defecated by a mongoose) and other assorted souvenir fare along the way. We picked up a couple of Bintang Radler, but we’re still kicking ourselves that we didn’t purchase one of the ubiquitous penis-shaped bottle openers we saw here and in Ubud. They’re available in various sizes, have a set of balls and come in light or dark wood.

Tegallalang has much to offer, though some travelers visit Jatiluwih instead

Why We Chose Tegallalang

Prior to adding the rice terrace to our itinerary, I had weighed the pros and cons of Tegallalang and Jatiluwih. Jatiluwih, although recognized as an UNESCO World Heritage Site, was over an hour from Ubud and a bit problematic when plotting out an efficient route using Google Maps that included the other places we wanted to visit.

Wally’s never met a hammock he didn’t try out

I understood that Tegallalang would very likely be more touristy and read reviews where some people had negative experiences and had felt like they were perpetually being asked for donations as they wandered through the paddies. This was not something we encountered, but after learning more about the cooperative subak system, it does make sense, as these are working fields and there’s a lot of creativity and hard work that goes into maintaining the terraces. My advice is to carry a few small bills with you in case a farmer requests payment if you want to take photos and try your best to stay on the designated pathways.

Even though our time in Bali was all too brief, I’m grateful we were able to check Tegallalang off our list. And in case you’re curious, Wally didn’t end up doing the swing by the Love Bali sign — he took one look at the dropoff and his vertigo prevented this from happening. –Duke

Tegallalang Rice Terrace
Jalan Raya Tegallalang
Tegallalang
Kabupaten Gianyar
Bali 8056
Indonesia