gender

Muxe Culture: Celebrating Mexico’s Fabulous Third Gender

What are muxes? An ancient Zapotec tradition blurs gender lines — but not without facing discrimination and violence.

A group of muxes, Mexico's third gender, in traditional dresses

Part of the Zapotec culture, muxes are assigned male at birth but take on roles traditionally associated with women.

Fierce and fabulous individuals are shaking up gender norms and celebrating their identities in the face of discrimination and marginalization. Meet the muxes (moo-shays) of Mexico.

But first things first: What exactly are muxes? In the Zapotec culture of southern Mexico, muxes are a third gender that includes individuals who identify as a mix of male and female — or something completely different. The term “muxe” comes from the Spanish word for woman, “mujer.” Assigned male at birth, they choose to take on gender roles traditionally affiliated with women.

Muxe identity is about celebrating difference and diversity, and rejecting the idea that there are only two ways to be in the world.
— Xochi Martinez in Eye
Muxe wearing pink floral crown, no shirt and pink and white skirt on patio in Mexico

Many muxes adopt traditional female attire (fab floral dresses), while others more dramatically blur gender lines.

The Many Flavors of Muxe Identity

Much like Hatshepset, the genderbending woman who became a pharaoh in Ancient Egypt, muxe identity is complex and varied, with different expressions and categories depending on the individual and the community. Some muxes adopt traditionally feminine clothing and roles, while others maintain a more masculine appearance but challenge binary gender norms in other ways. 

“Muxe identity is about celebrating difference and diversity, and rejecting the idea that there are only two ways to be in the world,” says Xochi Martinez in Eye magazine. “We are muxes, and that is something to be proud of.”

Within the muxe tradition, you’ll find categories like muxe gunaa (effeminate muxes) and muxe nguiiu (masculine muxes). It’s all about finding a unique expression of gender identity that feels authentic and true.

Muxe in floral dress and flower headpiece on pedestrian street under flags in Oaxaca

When Wally passed a muxe posing on the street in Oaxaca, he had to get in on the action.

This view of gender as nonbinary has gained popularity lately — certainly in the U.S. But we’re late to the party: This indigenous group in Mexico has been practicing it for centuries. The largest concentration of muxes is found in the town of Juchitán de Zaragoza, which is located on the Isthmus of Tehuantepec in the state of Oaxaca, a narrow stretch of land that separates the Gulf of Mexico and the Pacific Ocean. 

A local legend explains the origin of muxes. The story goes that Saint Nicholas Ferrer, the patron saint of Juchitán, was, for some reason, carrying a sack full of muxes and was set to distribute them evenly across the country. But when he arrived in Juchitán, the sack tore, and all the muxes spilled out onto the street. The townspeople viewed this as a good sign and welcomed the muxes with open arms, promising to provide them with a safe haven and a place to call home.


A group of Indian hijras

Beyond Gender Norms: The Bold and Colorful Fashion of Muxe Culture

Muxes are known for their fashion sense. Their style is a vibrant mix of traditional Zapotec dress and modern flair, often incorporating bright colors, sequins and bold patterns. Muxes challenge gender norms and express themselves through fashion, rejecting the idea that clothing is inherently tied to a specific gender. Some muxes dress in women’s clothing, while others mix and match traditional men’s and women’s clothing to create their own distinct look.

“We love to adorn ourselves with beautiful clothing and accessories,” muxe activist Nereo García told Vice. “We like to play with our outfits and wear what we want, regardless of what people think. It’s all about expressing our true selves and feeling confident and beautiful in our own skin.”

The muxe fashion scene is a celebration of individuality and self-expression, a rejection of rigid gender roles and expectations.

Shirtless muxe wearing long dark skirt and frilly white headdress

Lukas Avendaño, an artist and anthropologist, explores notions of sexual, gender and ethnic identity through muxeidad (muxe culture).

The Societal Role of Muxes: A Force for Change

But it’s about much more than clothes. “Muxe culture is not just about wearing dresses or putting on makeup,” Istmo de Tehuantepec told Vogue. “It is about assuming a role in society that is both different and important, and that role comes with responsibilities and obligations to the community.”

Muxes have historically been the healers and spiritual leaders of their communities, with a deep understanding of the natural world and a talent for curanderismo (traditional healing practices). They also bring a fresh perspective to the arts, with many muxes being talented musicians, dancers and performers. And let’s not forget the amazing food: Muxes are also known for their culinary skills, with many running successful restaurants or cooking up a storm in their homes.

But beyond their specific talents, muxes bring something invaluable to society: diversity. By refusing to conform to binary gender norms, muxes challenge our preconceived ideas about what it means to be a man or a woman, and create a more inclusive and accepting world for all of us. Plus, they look damn good doing it.

Two muxes, Mexico's third gender, in traditional floral dresses and headpieces in Oaxaca

Two muxes in Oaxaca

Discrimination and Violence: The Challenges of Being Muxe

And muxes do all this while facing discrimination, violence and marginalization in a society that’s still largely patriarchal and heteronormative.

I’ve been told that Mexico is a machismo society, where rigid gender roles are the norm, and anything that challenges the status quo tends to be met with hostility. This is certainly true for muxes. While they have a long and rich history in Oaxacan society, they also face some of the most brutal forms of violence and discrimination in Mexico.

For muxes, every day is a battle to exist in a society that doesn’t understand or accept them. They face verbal abuse, physical violence and sexual assault simply for being who they are. The violence against muxes is often brutal and public, with little to no recourse for justice. Many muxes are marginalized and ostracized from their communities, leading to a sense of isolation and vulnerability.

Despite the fact that muxes have been a part of Oaxacan society for centuries, many Mexicans still view them as deviant or abnormal. They can be seen as a threat to traditional gender roles and heteronormative culture, leading to a culture of fear and intolerance.

Muxes are frequently denied access to basic human rights such as healthcare, education and employment, and are subject to widespread discrimination in housing and public accommodations.

And Mexican law does little to protect muxes from discrimination and violence, and the authorities are often unwilling or unable to intervene when attacks occur. This leaves muxes without any real legal recourse, and their attackers free to continue their reigns of terror.

The Sex Lives of Muxes

Like any other group of people, muxes have diverse experiences and individual preferences when it comes to sex and sexuality. Some muxes may be gay, straight or bisexual, and their sexual activities may involve men, women or other muxes.

Some muxes are exclusively interested in straight men; others have girlfriends. “They have sex, fall in love, have relationships, get married and, if they are lucky, have children,” Diana Taylor, a professor of performance studies at NYU, says in The Guardian. Taylor’s research highlights the fact that muxes are not defined by their gender identity alone, and that their experiences and desires are just as complex and multifaceted as those of anyone else.

It’s worth noting that muxes may face particular challenges when it comes to sexual health, as they can experience discrimination and marginalization from healthcare providers. 

“Muxe sex is still heavily stigmatized and associated with disease,” Taylor says, “which means that muxes may have difficulty finding condoms and lubricants, or may avoid going to the doctor altogether.”  

A third gender muxe holding pink fan and wearing floral dress on the cover of Vogue Mexico

Talk about visibility! A muxe appeared on the cover of Vogue Mexico!

Supporting Muxe Rights and Visibility

The violence and discrimination muxes face underscores the importance of working towards greater acceptance and understanding of this fascinating indigenous group and their experiences. 

So what can we do to support muxes and their amazing contributions to Mexican society? It starts with education and awareness, spreading the word about muxes and the challenges they face. We can also advocate for their rights and stand up against discrimination and violence. By embracing the diversity of gender identity and expression, we can create a more inclusive and compassionate world for all.

Let’s raise a glass (or a sign of support) to the muxes of Oaxaca and all the fierce and fabulous individuals who challenge gender norms and celebrate diversity every day. –Wally

Pharaoh Hatshepsut

14 ways this powerful Ancient Egyptian woman used genderbending to become a female pharaoh, as revealed in Kara Cooney’s “The Woman Who Would Be King.”

Ancient Egypt wasn’t a bad place or time to be a woman. They had a surprising amount of rights and freedom — even to become pharaoh, like Hatshepsut.

Ancient Egypt wasn’t a bad place or time to be a woman. They had a surprising amount of rights and freedom — even to become pharaoh, like Hatshepsut.

Everyone knows all about Cleopatra, the clever seductress of two powerful Roman men who ruled over Ancient Egypt.

But without her forebear Hatshepsut, there might never have been a Cleopatra. Surely Cleopatra looked upon the woman who rose to the upper echelon of power as a true inspiration.

What made Hatshepsut’s success all the more remarkable was how unprecedented it was. Sadly, for the most part, feminism hasn’t progressed beyond the traditional patriarchy over the past few millennia. Case in point, the United States has yet to elect a woman as president.

In the ancient world, having a woman at the top of the political pyramid was practically unheard of. Patriarchal systems ruled the day, and royal wives, sisters, and daughters served as members of the king’s harem or as important priestesses in his temples, not as political leaders. Throughout the Mediterranean and northwest Asia, female leadership was perceived with suspicion, if not outright aversion.

–Kara Cooney, “The Woman Who Would Be King: Hatshepsut’s Rise to Power in Ancient Egypt”


LEARN 9 FASCINATING FACTS about Hatshepsut’s early life here.


In terms of the ancient world, Hatshepset truly was a remarkable woman. As our guide Mamduh mused, “They should make a movie about her — maybe many movies.”

Thank Sobek for Jean-François Champollion! He was the first to find references to our remarkable pharaoh in the modern era.

Thank Sobek for Jean-François Champollion! He was the first to find references to our remarkable pharaoh in the modern era.

“History records only one female ruler who successfully negotiated a systematic rise to power — without assassinations or coups — during a time of peace, who formally labeled herself with the highest position known in government, and who ruled for a significant stretch of time: Hatshepsut,” writes Kara Cooney in The Woman Who Would Be King.

During her prosperous reign, gold, cedar, ebony and other goods flowed through Egypt, and the temples, shrines and obelisks raised in her name were so impressive that later pharaohs endeavored to be buried nearby, creating the Valley of the Kings.

Incidentally, we have French archaeologist Jean-François Champollion to thank for rediscovering the first hints of Hatshepset’s existence in 1928 — apparently, deciphering the Rosetta Stone wasn’t enough of a claim to fame. 

Even Hatshepsut must have felt that her cross-dressing image was a bit too shocking for the time.

So how exactly did Hatshepsut move beyond being a queen regent to divine ruler? I do wonder how she viewed herself — could she be the first trans leader in history?


The loss of a nose makes this statue of Egypt’s first female king, Sobeknefru, a bit too creepy.

The loss of a nose makes this statue of Egypt’s first female king, Sobeknefru, a bit too creepy.

1. There was actually a female king of Egypt before Hatshepsut.

Just like Cleopatra, Hatshepsut had a role model from the past. Sobeknefru, daughter of Pharaoh Amenemhat III of the Twelfth Dynasty, ruled Egypt around 1800 BCE — about three centuries before Hatshepsut was born.

2. There wasn’t even a proper word for queen — so Sobeknefru blended masculine and feminine iconography.

The queens of Ancient Egypt were known as hemt neswt, or wife of the king — “a title with no implications of rule or power in its own right, only a description of a woman’s connection to the king as husband,” Cooney writes. To truly be seen as the ultimate ruler of the country, Sobeknefru had to take on the masculine title of “king.”

“Clothing was more problematic,” Cooney continues, “and Sobeknefru depicted herself wearing not only the masculine headdress of kingship but also the male royal kilt over the dress garments of a royal wife.”


sobek.jpg

THE FIRST FEMALE KING OF EGYPT, Sobeknefru, was named for the crocodile god, Sobek.

Learn more about his worship from our post on the temple of Kom Ombo.


3. A title shift on Hatshepsut’s monuments at Karnak might be the first clue of her massive ambitions.

A few years before she even became king, Hatshepsut dropped the title of God’s Wife, opting instead for the title of King’s Eldest Daughter. While the role of high priestess was one of the most powerful in Ancient Egypt, the adoption of this new title set the stage for a legitimate claim to the throne. 

“Some Egyptologists see this rejiggering of her personal relationships as the crux of her power grab, a shift that moved her from a queen’s role to an heir’s, as the rightful offspring of Thutmose I and one who could make a heritable claim to the throne despite her female gender,” Cooney writes.

4. Like Sobeknefru before her, Hatshepsut reinvented her image as a nonbinary gender. 

Another section at Karnak, the most massive temple complex of the day, in the royal city of Thebes, present-day Luxor, depicts Hatshepsut in men’s garments along with women’s.

The block “shows Hatshepsut wearing the gown of a queen on her body but the crown of a king upon her head,” Cooney writes. “The atef crown — a fabulous and extravagant amalgamation of ram’s horns and tall double plumes — was depicted atop her short masculine wig, probably to the shock of the craftsmen in charge of cutting the decoration. It was a confusing image for the Egyptian viewer to digest: a female king performing royal duties, offering jars of wine directly to the god, and all before any official coronation.”

5. She also took on a throne name, a privilege reserved for kings — again, before she was even crowned.

In the text on the same monument at Karnak, Hatshepsut called herself the One of the Sedge and of the Bee, which is translated as King of Upper and Lower Egypt.

What’s more, she introduced a throne name, Maatkare, The Soul of Re Is Truth. This act was “inconceivable,” according to Cooney. “Hatshepsut was transforming her role into a strange hybrid of rule ordained before it had officially happened,” she writes.

Part of her throne name is the goddess of truth and justice, “implying that at the heart of the sun god’s power was a feminine entity, Ma’at, the source that was believed to keep the cosmos straight and true,” Cooney writes, continuing, “Hatshepsut’s throne name communicated to her people that her kingship was undoubtedly feminine, and that feminine justice was necessary to maintain life with proper order, judgment, and continuance.”

6. About nine years into Thutmose III’s reign, Hatshepsut was crowned pharaoh — meaning there were two kings simultaneously on the throne.

When Hatshepsut was about 24 years old, in 1478 BCE, “the impossible happened,” as Cooney states. Thutmose III might have been a child, but he was still officially the king. Yet Hatshepsut, that wonderful feminist icon, decided to stop being the queen regent and that she would share the throne with her young nephew.

In this carving from her funerary temple, Hatshepsut is shown as a male, wearing the false beard and crown of the pharaoh.

In this carving from her funerary temple, Hatshepsut is shown as a male, wearing the false beard and crown of the pharaoh.

7. Hatshepsut’s coronation was an elaborate affair that was, apparently, attended by the gods themselves.

The coronation took place in the temple complex of Karnak over the course of several days. If we’re to believe Hatshepsut, her dead-but-deified father, Thutmose I, was the first to place the crown upon her head. The cow-headed goddess Hathor was also present, shouting a greeting and giving her a big hug. And the chief god, Amen-Re (also spelled Amun-Ra), “personally placed the double crown upon Hatshepsut’s head and invested her with the crook and flail of kingship, saying that he created her specifically to rule over his holy lands, to rebuild his temples and to perform ritual activity for him,” Cooney writes.

What better way for Hatshepsut to be seen as a legitimate monarch than by having received the blessings of the gods? She really wanted to hammer home the supposed events of her coronation day — she had images of the gods crowning her chiseled into the major house of worship of the time, Karnak, as well as her funerary temple at Deir el-Bahari.


deirelbahari.JPG

SEE THE WONDROUS ARCHITECTURE of Hatshepsut’s funerary temple — and learn more about this surprisingly modern-looking structure.


8. Upon being crowned, Hatshepsut changed her birth name — yet another instance of gender ambiguity.

Hatshepsut added Khenemetenamen to the front of her name, “which, although unpronounceable for most of us,” Cooney writes, “essentially meant ‘Hatshepsut, United with Amen,’ communicating that her spirit had mingled with the very mind of the god Amen through a divine communion.” 

Interestingly, she kept a feminine ending as part of the construction of that mouthful of a name. “There was no subterfuge about her femininity in her new royal names, but her womanly core was now linked with a masculine god through her kingship,” Cooney adds.

9. Hatshepsut’s royal names didn’t hide the fact that she was a woman. She was out to change the very perception of a king.

Egyptian kings liked to prove how macho they were, choosing names like Ka-ankht, Strong Bull. Hatshepsut’s Horus name was Useret-kau, Powerful of Ka Spirits, tying herself not to physical (and sexual) prowess, but to the mysterious might of the spirits of the dead. 

Like her new birth name, Hatshepsut used the feminine -t ending. “She and her priests knew her limitations as a woman and seemed interested in flexibility rather than deceit,” Cooney explains. “She became king in name and title, but she knew that she could not transform into a king’s masculine body. She couldn’t impregnate a harem of women with any divine seed. There was no need for her royal names to point out those deficiencies or to lie about her true nature. Instead, she and her priests focused on how her femininity could coalesce with and complement masculine powers.”

Only kings wore these long false beards — though only Amun knows why!

Only kings wore these long false beards — though only Amun knows why!

10. Hatshepsut immediately upgraded her existing iconography once she became pharaoh.

All of the images of her as queen under Thutmose III were altered to show her as the senior king of a co-regency. “No longer would she be depicted as subordinate to Thutmose III,” Cooney writes. “Every sacred space in Egypt was changed, especially in the cultic centers of power, where an image translated into reality and to write or depict something was to make it come into existence.”

11. The color of Hatshepsut’s skin in her statuary demonstrated her progression from female to male. 

Females in Ancient Egyptian art were shown with yellow skin, while males were red ochre. It’s thought that women were inside more often (weaving in the harem, one supposes) and didn’t get as tanned as the manly men out on military expeditions and the like. While Hatshepsut’s early statues stuck with the traditional yellow skin tone, later depictions, such as the ones showing her as Osiris, the god of rebirth at her funerary temple, are of an orange hue — a strangely androgynous colorization that must have baffled people at the time. By the end of her reign, Hatshepsut had adopted the red skin associated with males.

Statue after statue of Hatshepsut in a mummy pose like the god Osiris lines her funeral temple. The color has long since faded, but these carvings once had orange skin — in-between the yellow used for women and the red used for men.

Statue after statue of Hatshepsut in a mummy pose like the god Osiris lines her funeral temple. The color has long since faded, but these carvings once had orange skin — in-between the yellow used for women and the red used for men.

12. In addition to skin color, Hatshepsut’s statues started taking on more and more male characteristics.

Early on, Hatshepsut’s genderbending positioned her as truly androgynous. On a lifesize statue from her funerary temple, she has a woman’s facial features, graceful shoulders and small, pert breasts — but she’s shirtless and wearing a king’s kilt. Even Hatshepsut must have felt that this cross-dressing image was a bit too shocking for the time. It was placed in the innermost chambers of her temple, away from the public, where only the most elite would ever see it. This drastic hybrid sexuality was never replicated.

Eventually, Hatshepsut’s statues had broader shoulders, and her breasts became the firm pecs of an idealized young man.

Because Hatshepsut presented herself as a male, Egyptologists can’t tell whether this is a statue of her or of her co-king, Thutmose III.

Because Hatshepsut presented herself as a male, Egyptologists can’t tell whether this is a statue of her or of her co-king, Thutmose III.

13. Hieroglyphic text went back and forth between referring to Hatshepsut as a female and as a male.

Sometimes she was “she;” sometimes she was “he.” On occasion, she was the Son of Ra, the sun god; more often she was referred to as the Daughter of Ra. Once in a while, she was called the “good god,” but most of the time — even accompanying a masculinized image of her — she was the “good goddess.”

14. Like many a pharaoh, Hatshepsut told a story of her divine birth.

The combo god Amun-Ra is said to have visited her mother in her bedchamber. “She awoke because of the fragrance of the god,” the text reads. I’m sure a bit more happened than this, but Hatshepsut chose to depict the moment as her mom and Amun-Ra sitting across from each other, hands touching, gazing sweetly into each other’s eyes.

This avant-garde woman rose to the highest political rank in a society over 3,000 years ago. So it shouldn’t surprise us to learn that after her death, her successor tried his very best to wipe all references to his aunt being king from the face of the planet. –Wally

Secrets of the Hijra: India’s Little-Known Transsexuals

Prostitution, curses and dangerous sex change operations are a way of life for this marginalized community.

A group of hijras, India’s legally recognized third sex, in Bangladesh

With Caitlyn Jenner and bathroom debates making front-page news, trans people are now part of the American consciousness. And yet most of the world doesn’t know about the hijra, India’s transsexuals, who are officially recognized as a third sex in a country where homosexuality is illegal.

For many gay Indian men, they have two choices. They can ignore their homosexuality and live in repression, get married to a woman and try to raise a family. Or they could undergo a castration to live their life as a transsexual woman in the hijra community.

A very tight cord is wrapped around your penis and balls so you cannot pass urine. You become bloated, like you’re pregnant. You’re in a lot of pain.

In India, the latter is often the most appealing option.

“The way it works in this culture is it’s more socially acceptable to dress up in a sari and pretend you’re a woman than it is to be a man who likes other men,” said my friend George, who lived in Vadodara, India for the past couple of years before he fell off his roof and died late last year.

There’s not a lot of information out there about hijras. Their customs are shrouded in mystery. Here are some surprising facts about this little-known subset of Indian society. Granted, this isn’t the most flattering portrait of a trans group, and there are exceptions to every generalization — but it’s a tough life for hijras and their reality doesn’t paint the prettiest of pictures.

Many think it’s easier to live life as a trans woman than as a gay man in India

Hijras have the ability to bless — or curse.

If you’re about to be married or have recently given birth to a son, watch out. The hijras in your neighborhood will appear outside your home one day, singing, dancing and doing their signature clap, touching the base of the palms together in a dramatic flourish.

When money doesn’t come quickly enough, hijras lift their dresses to flash their often-mutilated genitalia.This is seen as the ultimate proof of their hijrahood.

Some refer to these actions as begging or bestowing a blessing — but just as many Indians think of it as a curse or, at the very least, a major societal embarrassment, wanting the hijras to leave as quickly as possible.

In this manner, a group of hijras can collect alms that total 2,000 rupees a day, according to George — and that’s a substantial sum. The hijras split the earnings among their group — but it still ends up much more than the typical Indian’s 180-rupee-a-day salary (the equivalent of $2).

“One of the hijra houses we went to had business cards,” said George, who hosted a British student writing her dissertation on this trans community, sitting in on many of her research interviews. “They go to the hospital and bribe the nurses to give them the addresses of homes where there has been a boy born recently.”

The hijra are most commonly found begging on trains, though, George said.



Once revered, hijras are now feared.

“Their communities across Southeast Asia date back more than 4,000 years, and they appear in ancient texts as bearers of luck and fertility,” according to the U.K.’s Daily Mail. There are mentions of hijra in the sexual position guide the Kama Sutra as well as the Hindu epic Mahabharata.

And while Muslims tend to be traditionalists in terms of gender roles as well, they also have a longstanding tradition of holding eunuchs in the highest regard. In ancient times, Mughal rulers had eunuchs guard their most prized and holy objects as well as serve as advisors. Eunuchs were seen as pure, uncorrupted; they had sexual temptation removed from the equation.

Today, though, hijras face discrimination and outright abuse.

“If you were to ask a middle-class or upper-class boy what they think about hijras, they’ll tell you they’re scared of them,” George told us. “Because they remember being that little boy and being exposed. It’s kind of an evil Santa Claus. You see this clown-looking thing in a sari flashing your parents. And they won’t go away until you give them money.”

When George invited hijras to a party he hosted, many of the guests promptly left, asking how he could associate with such “filthy, diseased, lower-class” scum.

 

The sex-change surgeries are barbaric.

Most castrations (known as “nirvan,” which is awfully close to “nirvana”) aren’t performed in hospitals. It’s part of a 40-day ritual of self-emasculation, according to the Daily Mail.

The surgery is, essentially, a rebirth. It happens in the morning, with the rising of the sun.

A very tight cord is wrapped around your penis and balls so you cannot pass urine. You become bloated, like you’re pregnant. You’re in a lot of pain.

The village midwife then comes in with a knife. “She takes a swipe up and a swipe down. No anesthesia,” George said, though there are stories of hijras being dosed with opium first.

As the blood and urine come gushing out, “it’s supposed to be your male essence is leaving your body,” George told us.

The hijra is supposedly presented with her castrated parts, which she buries next to a tree as a sacrifice.

“After the castration, you cannot work for almost one and a half months,” a hijra named Abhina Aher told NPR. “It was not an easy task — it was a journey of pain.”

You can get the operation done in a hospital — if you can bribe a doctor willing to take the risk — though it doesn’t sound much more safe.

“It happens in a dingy room, a 10-by-10 probably,” Aher said, describing her procedure. “Immediately after the castration, two hours, the hijra is asked to leave that place, because it is illegal. The operations are normally done by quacks, and a lot of hijras die because of that.”

 

Hijra prostitutes sell their services for the equivalent of about 50 cents (not that that’s what these two are!)

Many hijras get involved in sex work. Sometimes during traffic jams.

Prostitution “is a given” for hijras, according to George.

Hijra sex workers sell themselves for 300 rupees, which translates to about 50 cents, he told us.

They often take advantage of situations that present themselves. “If you’re in a traffic jam anywhere in India, look out the window and you’ll see all the trucks are stopped and can’t go anywhere,” George said. “The hijras come running onto the freeway. They go inside those cabins — five minutes later they’re leaving and going into another truck. They’re going from cabin to cabin to cabin to get 30 rupees, 30 rupees, 30 rupees. They know these are horny truckers who have been on the road for months without their wives, and a real woman prostitute can cost 200 to 500 rupees. And here’s a hijra for 30 rupees. Which one are you gonna take?” he asked.

 

Becoming a hijra is seen as one of the only options for young, desperate gays.

Hijras live in communal houses, where a mother figure, or guru, runs the show, taking care of her chelas, or daughters.

“First, hijras make a pledge to hand over all earnings to the guru, who in exchange supports them inside what is effectively an alternative home, as most hijras are runaways or evicted by their families,” NPR reports.

For many in this ostracized population, these homes are a haven. But they can also be the only option for young gay boys kicked out of their homes.

“Hijras pick them up off the street and say, ‘Come and live with us,’” George explained. “And they start off by feeding you — recruiting you, basically. Then they start dressing you in a sari and selling you to clients.”

 

The hijra have turf wars — and bizarre ways of insulting each other.

“I can sum up the hijra in three words,” George told us. “Gangs wearing saris.”

Each house has its own territory. And if you intrude on their turf, there are gang wars. Guns aren’t the weapon of choice, though. They’ll flash their genitals, pull hair, and beat each other with sticks or their sandals, which is the ultimate insult since the feet are considered the dirtiest part of the body.

George heard tales of hijras being hanged or doused with gasoline and lit afire.

And those who pretend to be hijras as a means to earn money will be badly beaten by genuine hijras if found out.

 

The patron goddess of hijras, Bahuchara Mata, rides around on a giant rooster and cursed a bandit with impotence

Hijras worship a goddess who cut off her breasts and rides around on a rooster.

Bahuchara Mata was traveling with her sisters in a caravan, when they were raided by a bandit named Bapiya. Part of a warrior caste that promoted suicide over death at the hands of an enemy, Bahuchara decided instead to cut off her breasts. As the source of a mother’s life-sustaining milk, breasts represent womanhood in India.

She then cursed the bandit with impotence — a horrific punishment in a culture that puts so much importance in carrying on the family name. The only way Bapiya could overcome this hex was to pay homage to Bahuchara Mata by dressing and behaving like a woman.

Bahuchara has become the patron goddess of hijras and is depicted as riding atop a rooster, a symbol of innocence.

Keep in mind that not all transgendered people in India are part of the hijra community, and that not all hijras fall under these general attributes. But those that do resort to prostitution, intimidation and crassness do so because they have no other options in a paradoxical society that recognizes their legal status but discriminates against them. –Wally