INDIA

India's "Game of Thrones" Ruins: Daulatabad Fort and Bibi ka Maqbara, the "Baby Taj Mahal"

The ruins of Daulatabad, India

The ruins of Daulatabad, India

A creepy day trip from Aurangabad you can pair with the Ellora Caves.

It’s easy to imagine this city as cursed — and as something that sprang from the demented but brilliant mind of George R.R. Martin, the man behind Game of Thrones.

In 1327, Mohammed bin Tughlaq (sultan from 1325 to 1351) marched the entire population of Delhi to the more central Deogiri, making it the new capital and renaming it Daulatabad, the City of Fortune.

He darted through, sure he’d end up with bats clawing at his hair and face.

The people of Delhi protested, but nobody was allowed to stay — not even a cat or dog. According to Ibn Batuta, a medieval Berber Muslim traveler and scholar, “A search was made and a blind man and a cripple man were found. The cripple man was put to death while the blind man was tied with the tail of horse and was dragged to Daulatabad where only his one leg reached.”

The journey covered about 775 miles, and many people died along the way in the brutal heat.

Daulatabad should perhaps have been named the City of Misfortune, for it was abandoned after two years due to lack of water.

After exploring the Ellora Caves, our driver took us on to the fort. He dropped us off in a crowded dirt parking lot that sat outside the medieval fortified walls of the Daulatabad Fort.

We entered the outer defenses through a pair of huge wooden doors covered with iron spikes into a walled courtyard, where several cannons sat within.

The Moon Tower at Daulatabad, the second tallest tower in India

The Moon Tower at Daulatabad, the second tallest tower in India



The Moon Tower

The Chand Minar, or Moon Tower, was built in 1435 as a symbol of victory by Sultan Alauddin to mark the conquest of the fort and is the second tallest tower in India after Delhi's Qutb Minar. However, it is also likely that it served as a minaret from which the Muslim call to prayer was made. 

We continued uphill, passing a scattering of langur monkeys and through another gate, which led to the inner area of the citadel. 

The Chinese Palace, or Chini Mahal, at Daulatabad in India

The Chinese Palace, or Chini Mahal, at Daulatabad in India



The Chinese Palace

Chini Mahal, or the Chinese Place, is so named because of the blue and white Chinese-style tiling that is still visible on parts of the building.

It was here that the last king of Golconda, Abdul Hasan Tana Shah was imprisoned in 1687 by the Mughal emperor Aurangzeb for 13 years until his death. 

The ornately decorated Mendha canon sits atop an elevated stone pedestal. There’s an intricately carved ram’s head at one end. Its rotation is wisely limited to 180 degrees — so opponents couldn't turn it to fire back towards the fort!

The freaky bat cave at Daulatabad, India

The freaky bat cave at Daulatabad, India


Moat and Bat Cave

We crossed the rock-cut moat, which was rumored to have once been filled with crocodiles, and passed into the Andheri, a pitch-black rock-cut subterranean tunnel.

Be sure you bring a flashlight, as you’ll be groping in the dark down a tunnel otherwise.

We entered through the top of the cave and saw daylight at the bottom. But first we had to pass through a somewhat large chamber.

I whispered to Wally, “I think there are bats in here.”

You could just make out darker forms swooping across the top of the cave.

I made a dash for it, but Wally was still trying to get his nerve up. Finally, he, too, darted through, sure he’d end up with bats clawing at his hair and face.

Luckily, we emerged unscathed. And sure enough, when we reached the outside and turned to look back, we saw the entire chamber was filled with roosting bats.

We decided to return to our driver and not continue the trek to the summit, where the former palace was located.

The Bibi ka Maqbara, or the Lady's Tomb — it's the poor man's Taj Mahal

The Bibi ka Maqbara, or the Lady's Tomb — it's the poor man's Taj Mahal



The Baby Taj Mahal

Our next and final stop on the day’s adventure, before returning to our hotel in Aurangabad, was the Bibi ka Maqbara, the Lady’s Tomb.

With the Deccan Mountains as its backdrop, the funerary palace was erected by Prince Azam Shah, the eldest son of Emperor Aurangzeb to honor his mother, Rubia-ul-Daurani.

The original plans were intended to rival the Taj Mahal, but Aurangzeb would not fully fund it. It’s believed that he blocked the transport of marble from various parts of the Mughal Empire that were intended for the tomb. Therefore, the structure is not completely made of marble — only the onion dome is. Instead, sandstone was covered in finely polished limestone plaster and used to complete the mausoleum, giving the tomb a faded and theatrical charm. 

Perhaps because its name starts with "Bibi," people affectionately call this the Baby Taj Mahal, and we were glad to see it — especially since we (horror upon horrors!) decided to skip the real deal.

Ellora Caves: A Guide to the Amazing Rock-Cut Temples

Two women sit on the steps of the massive Hindu temple at Ellora Caves in India

Two women sit on the steps of the massive Hindu temple at Ellora Caves in India

Stunning examples of Indian architecture, Ellora features Buddhist, Hindu and Jain sanctuaries carved out of the side of the hills.

 

There must be something super-sacred about this spot. Practitioners of three different religions built halls of worship in the Ellora Caves: Jains, Hindus and Buddhists.

Something I found remarkable about Ellora is that the varying structures operating side-by-side illustrated the tolerance of religious belief.

It’s one of the coolest ancient temples we’ve ever been in. This extraordinary multi-storied temple was carved out of a single rock from the top down.

Now a UNESCO World Heritage Site, the 34 sanctuaries were constructed from 600 to 1000 CE. It’s likely that the Buddhist caves were the earliest, consisting mostly of viharas or monasteries, including living quarters — though there’s some debate as to whether the Hindu complex preceded this.

The Ellora Caves are located much closer to Aurangabad and less remote than Ajanta. As we neared the entrance to the complex, we were excited to catch a glimpse of langur monkeys, traditionally identified with the Hindu god Hanuman.

RELATED: What to Know Before You Go

A testament to the engineering and skill of ancient India, these extraordinary caves are a combination of temples and monasteries hewn from the basalt cliffs. It's mind-boggling that such works of exquisite beauty were built with nothing more than rudimentary tools such as hammers and mason’s chisels.

 

The Jain Complex

A Buddhist monk in front of the entrance to a shrine at Cave 32

A Buddhist monk in front of the entrance to a shrine at Cave 32

We began at the Jain caves, which drew their inspiration from the older caves and were the last of the temples to be built. While smaller in scale to the ones we were to encounter after, they were still intricately carved and impressive. The Indra Sabha, or Cave 32, features two stories of elaborately carved sculptures and a gorgeous balcony.

The figure in the central shrine is a jina, the Jain equivalent of an enlightened being. This one features Mahavir, the last of the Jain saviors.

Cave 32, the most spectacular of the Jain complex at Ellora

Cave 32, the most spectacular of the Jain complex at Ellora

This statue in Cave 32 depicts either Ambika, the Jain mother goddess, or Siddhayika, a yakshini, or fairy-like creature. She's seated upon a lion beneath a tree heavy with fruit

This statue in Cave 32 depicts either Ambika, the Jain mother goddess, or Siddhayika, a yakshini, or fairy-like creature. She's seated upon a lion beneath a tree heavy with fruit

Thai monks were gathered around a man wearing a white kurta with henna-colored hair — which signifies that he has undergone the hajj, having made the required pilgrimage to Mecca.

A jina, or enlightened being, at the back of Cave 32 at Ellora

A jina, or enlightened being, at the back of Cave 32 at Ellora

Duke on the what's called the verandah, on the upper story of Cave 32 at Ellora

Duke on the what's called the verandah, on the upper story of Cave 32 at Ellora

Monks in bright saffron robes can be seen throughout the Ellora complex, including the stunning second story of Cave 32

Monks in bright saffron robes can be seen throughout the Ellora complex, including the stunning second story of Cave 32

Outside Cave 32, we heard a shrill, high-pitched sound and scanned the escarpment for the source. I mistook it for a bird and was surprised to discover that the sound was coming from a chipmunk several feet above us.

Nearby Cave 31 contains representations of jains or tirthankaras, liberated souls who have succeeded in ending the cycle of rebirth and teach others the path to enlightenment.

 

An Amazing Hindu Temple

Kailasa, the large Hindu temple in the Ellora Caves complex

Kailasa, the large Hindu temple in the Ellora Caves complex

The second groups of caves are Hindu. The largest, Cave 16, is known as Kailasa or Kailashnath (Silver Mountain). Designed to recall Mount Kailash, the abode of Lord Shiva, it’s one of the coolest ancient temples we’ve ever been in. This extraordinary multi-storied temple was carved out of a single rock from the top down.

It originally had a thick coat of white plaster to make it appear like a snow-covered (silver) mountain. 

The construction of this temple entailed the removal of an estimated 250,000 tons of rock over the course of a century. The complex covers an area twice the size of the Parthenon in Athens.

The main hall on the first floor has well-decorated balconies. A central door leads to the shrine at the back containing the great lingam. The small chamber was quite crowded with worshippers pressed around the phallic symbol, touching it reverently and leaving offerings of flowers and money.

Inside the Hindu temple, visitors bustled around, but it was almost eerily quiet

Inside the Hindu temple, visitors bustled around, but it was almost eerily quiet

A carving of Shiva, the Hindu god of destruction, killing his demon son Andhaka for trying to abduct Parvati, the goddess of love and fertility, in the Kailasa temple at Ellora

A carving of Shiva, the Hindu god of destruction, killing his demon son Andhaka for trying to abduct Parvati, the goddess of love and fertility, in the Kailasa temple at Ellora

We were there on a Saturday, which is a school day for Indian children. Because the cave complex is a popular field trip, it was abuzz with uniformed girls and boys. The girls were quieter and more composed, as opposed to the boys who howled and tore through the complex.

Everywhere we went, Indians wanted to take pictures of or with us. Eventually, Wally started giving them our camera so we could capture the moment as well

Everywhere we went, Indians wanted to take pictures of or with us. Eventually, Wally started giving them our camera so we could capture the moment as well

We were stopped by schoolboys who asked where we were from and if they could take a picture with us. They would thank us, giggling and running away after.

 

The Brahmanical Group

In the center of this carving in Cave 14, Varaha, the boar-headed avatar of Vishnu, rescues the Earth goddess by holding back the engulfing ocean

In the center of this carving in Cave 14, Varaha, the boar-headed avatar of Vishnu, rescues the Earth goddess by holding back the engulfing ocean

Cave 21, part of the Hindu temples at Ellora in India

Cave 21, part of the Hindu temples at Ellora in India

Cave 21 has an attractive façade featuring figures of the river goddesses Ganga and Yamuna. Close by is Cave 22, in front of which is Nandi, the bull that Shiva rode around on, perched atop its usual raised platform.

The two river goddesses Ganga and Yamuna are highlights of Cave 21 at Ellora

The two river goddesses Ganga and Yamuna are highlights of Cave 21 at Ellora

Cave 22: Duke was kind of obsessed with the Nandi bull, the mount of the god Shiva

Cave 22: Duke was kind of obsessed with the Nandi bull, the mount of the god Shiva

This lion guards Cave 29 — though Wally thinks it looks more like a walrus

This lion guards Cave 29 — though Wally thinks it looks more like a walrus

Cave 29, known as the Dhumar Lena, contains a hall supported by 26 massive pillars in the form of a cross. Two large lions with small elephants under their paws guard the steps that lead to the hall from three sides. 

The verandah near the entrance is dominated by a huge Shiva with eight arms. It is a powerful depiction of the god in his terrible form. Another colossal Shiva in the portico dances in destructive fury. A beautiful Yamuna river goddess waits outside.

We really enjoyed exploring Cave 29 — it was quite large, dark and moody. Temple guards known as dwarpalas lined the walls. At the back, a flame flickered, illuminating floral offerings, while off to the side, the temple opened up to daylight, and Wally and I played along the narrow side of the structure.

 

The Buddhist Caves

We had climbed a set of stairs and exited onto the upper story of Cave 9 when Wally noticed a group of Thai monks feeding a group of langur monkeys. They were surprisingly docile, long-tailed and black-faced (the monkeys, not the monks). I quickly swapped lenses and took some zoomed-in photographs of them. While I'm kind of obsessed with monkeys, they’re just so unpredictable and wild, I know to cautiously keep my distance. 

The most famous of the Buddhist sanctuaries is Cave 10, known at the Vishwakarma, named after the presiding deity of craftsmen and architects. This horseshoe-shaped prayer hall features a soaring vaulted ceiling of rock-cut ribs created to imitate the roof structure of wooden temples. The central stupa has a Buddha figure emerging from it.

Cave 10, one of the Buddhist caves, is known for its rib-like roof

Cave 10, one of the Buddhist caves, is known for its rib-like roof

A worshipper lies prostrate in front of the carving of the Buddha in Cave 10

A worshipper lies prostrate in front of the carving of the Buddha in Cave 10

We were fortunate enough to experience a monk chanting in Cave 10. The acoustics of the stone structure amplified the ritual chant until it filled the interior.

Take a virtual tour of Ellora: This site features hundreds of photos from every cave in the complex.

All in all, we spent a very enjoyable day exploring this diverse complex: the Jain temples, with their elaborate flourishes, the serene and simple Buddhist caves, and the popular, impressive Hindu sanctuaries filled with carvings of strange deities. Because of its diversity, we recommend Ellora over Ajanta if you only have one day in the area. –Duke

 

Ajanta Caves Walk-Through

WHICH CAVES ARE THE COOLEST? WE HIT THE HIGHLIGHTS AT THIS ANCIENT BUDDHIST COMPLEX OUTSIDE OF AURANGABAD FAMOUS FOR ITS PAINTINGS AND STATUES.

 

Don’t get us wrong. The Buddhist caves carved into the mountainside at Ajanta are cool. It’s just that after a while, you experience a sort of repetitious sensory overload (“Oh, this one has a Buddha at the back…just like the others…”).

So, in case you don’t have the time or inclination to explore all 30, we’ve listed our must-sees.

An elaborate Buddha, whose umbrella-like crown almost touches the vaulted ceiling, emerges from the mouths of sea monsters.

 

RELATED: Ajanta Caves: 8 Tips Before You Go

 

Cave 1

Kick things off with this cave, famous for its elaborately painted vihara, or monastery. The mural depicts two bodhisattvas: Avalokitesvara, the personification of compassion, and Vajrapani, the spiritual energy of the enlightened mind. These flank the doorway to the antechamber.

The Buddha, awash in green light and centered in the large shrine at the rear, sits cross-legged in the dharmachakrapravartana mudra teaching position and was sponsored by Emperor Harisena. In this mudra, the thumb and index finger of both hands touch at their tips to form a circle. This circle represents the Wheel of Dharma, or in metaphysical terms, the union of method and wisdom.

 

Cave 2

The coolest part of this cave is its ceiling, dominated by a large mandala decorated with birds, flowers, fruit and abstract designs. 

 

Cave 4

This is the largest vihara in the complex, but it was a bit too ambitious — part of the ceiling is said to have collapsed and it wasn’t ever completed. Look up to see the undulating ceiling, which features a cool wavy pattern created by lava flows.

The exterior is gorgeous. We learned that all of these caves were carved top-down. The entranceway features sculptures of lunging lions, maidens clutching trees and dwarves adorned with garlands.

To the right is a bas-relief of a bodhisattva as Reliever of Eight Great Perils. Curious what those are? They were common dangers for pilgrims of the past: bandits, snakes, elephants, lions, disease, floods, forest fires and false imprisonment in foreign lands.


Cave 7

Enter through an impressive double portico richly carved with elephants, lions, lotuses and small stupas.

An oblong vihara monastery from the late 5th century, the garbha griha (inner sanctuary) contains a Buddha statue in a preaching pose, as well as a seated Buddha sheltered by the Naga Muchalinda, a snake-like being who protected him from the elements after his enlightenment. 

Cave 9

This chaitya, or prayer hall, from the 1st century BCE is built on a rectangular plan. The interior is divided into three aisles by 21 unadorned octagonal columns.

A large stupa stands on a high cylindrical base at the center of the apse. Because figurative sculptures of the Buddha were not produced during this period, stupas were built to enshrine sacred relics that were most often worshipped and became synonymous with chaityas.

The inside of this cave is two stories high, with a barrel vault ceiling on which rafters and purlins are carved like a wooden building. Although those curious devices are structurally unnecessary, they’re an aesthetic method to mimic the interior spaces of temples.


Cave 10

A Theravada prayer hall, it’s thought to be the oldest cave temple at Ajanta, dating to the 2nd century BCE.


Cave 17

According to one of the inscriptions found in the hall, this cave was designed to “cause the attainment of well-being by good people as long as the sun dispels darkness by its rays!”

Its large central hall is supported by 20 octagonal pillars and bounded by 17 dormitory cells, where the monks slept.

A panel above the doorway depicts the seven Manushi Buddhas (fully illuminated beings in human form).

Cave 19

The detailed exterior carvings to the right of the façade are incredible. A pair of yakshas (nature spirits) are sculpted on either side of the entrance.

The arched roof of the interior hall is carved in imitation of wooden ribs, mimicking the interior spaces of structural temples.

An elaborate standing figure of Buddha, whose umbrella-like crown almost touches the vaulted ceiling, emerges from the mouths of sea monsters.

Cave 26

A reclining Buddha, representing his moment of death prior to attaining nirvana, is a popular feature here. (Wally calls this the “Sleepy-time Buddha.”)

The cave’s stupa has a sculpted figure of Buddha in pralamba padasana mudra, with both feet on the ground and legs apart, as if seated on a throne.

We saw a Sikh man practicing circumambulation (literally, “walking in circles”), a devotional practice where you walk around a sacred object like this stupa, chanting a mantra.


LUNCH WITH HANUMAN

After a morning of exploring the Ajanta Caves, we stopped at a dhaba roadside restaurant for some chana masala

After a morning of exploring the Ajanta Caves, we stopped at a dhaba roadside restaurant for some chana masala

On the way back to Aurangabad, we stopped at a dhaba, or roadside restaurant, for lunch and enjoyed a delicious meal of chana masala seasoned with cinnamon, chile paneer (homemade cheese) and chapatti (flatbread).

A monument to the monkey god Hanuman stood across the road. Hanuman is regarded as a the perfect symbol of selflessness and loyalty.

Worshipping him helps counter any bad karma you’ve racked up by acting selfishly. Hindus believe he bestows fortitude and the strength to overcome the trials of life. –Duke

Look up to see the undulating ceiling, which features a cool wavy pattern created by lava flows.

 

 

Ajanta Caves: 8 Tips Before You Go

The Ajanta Caves outside of Aurangabad, India

The Ajanta Caves outside of Aurangabad, India

Stay in Aurangabad and be prepared to explore this ancient Buddhist monastery carved out of the mountainside.



Tip 1: Head off the beaten path.

If you like going all Indiana Jones on your vacation, as Wally and I do, consider adding the Ajanta and Ellora Caves to your India itinerary. These spots aren’t too well known among Western tourists — you’ll mostly see Indians and Buddhist monks from Southeast Asia.

By midday, the ground was intensely hot, making our barefoot trek across the rocks like walking over coals.

 

Tip 2: Decide if you have time to hit both Ajanta and Ellora.

We had two days in Aurangabad, so we were able to visit both sets of caves. The concierge pretty much insisted that we visit Ajanta first, and we couldn’t figure out why. After we had explored both, we wondered if this was because Ajanta, which are entirely Buddhist, might be a bit of a letdown after the diversity of the Ellora site.

 

Tip 3: Stay in Aurangabad.

Ajanta is nearly two hours away from Aurangabad, a big city with an airport that works as a good base for both the Ajanta and Ellora Caves.

 

Tip 4: Make sure you understand where you’ll meet your driver.

We arranged transport to the Ajanta Caves through our hotel, Lemon Tree.

The driver who had picked us up the evening before told us he would be there promptly at 8 a.m. so that we could beat the throngs.
What we did not know was that he actually meant a driver from the hotel — not necessarily him, and that said driver would not come into the hotel lobby to announce he had arrived. We’re not sure that this is the norm, but he waited outside until we went out to him.  

Thankfully, a concierge working that morning realized this and directed us to the vehicle after we had sat in the lobby for 45 minutes.


Tip 5: Beware the touts.

After reaching the parking lot outside the caves, we passed through an open-air market with aggressive touts, a couple of which approached us and asked our names and where we were from. They offered each of us a small quartz crystal, pressing them into the palms of our hands and saying, “No money — you visit my shop after.” 

Believe us — they’ll remember you. We did visit their shops, hardball haggled (going into other tents to compare prices) and scored some good deals.


Tip 6: Take your shoes with you.

We boarded a tour bus and soon caught our first glimpse of the horseshoe-shaped bend in the Waghora River gorge where the caves are located. 

As it was required for us to remove our sandals prior to entering the caves, we decided to leave them at Cave 1 rather than putting them on and taking them off every single time.

We failed to realize that there were 29 caves in all, and by midday the ground was intensely hot, making parts of our barefoot trek across the rocks like walking over coals.

The best thing to do is bring a pair of shoes you can easily slip on and off before entering each cave.

Tip 7: Learn a bit about how these caves and paintings were made.

After you enter the dimly lit cave interiors, your eyes begin to adjust, revealing frescoes depicting the magical Jataka stories about the previous incarnations of Buddha, in both human and animal form.

The oldest caves date back to the 2nd century BCE, with a more elaborately painted addition from the 6th century BCE.

Interiors of many of the cave surfaces are covered with a plaster mixture consisting of clay, lime, hay and dung.

Paintings were made while the plaster was wet. Oxide red and yellow were created from ochre, black from soot, white from the clay mineral kaolin, lime and green from another local mineral. You’ll occasionally see blue, which came from pulverized semiprecious lapis lazuli.


Tip 8: Get your head around the fact that these caves were once a Buddhist monastery.

The caves are comprised of two types. The chaitya (prayer halls) were excavated around 200 BCE and were among the first used purely for congregational worship. The viharas (monasteries) contain chapels as well as small cubical dormitory cells where monks once slept.

The site was abandoned in 477 after the sudden death of Ajanta's most important sponsor, Emperor Harisena.

It must have been incredible when English hunter John Smith accidentally rediscovered the largest of the caves, later named Cave 10, in 1819 in the middle of chasing a tiger. –Duke

The Worst Chauffeur in India

We wouldn't have been surprised to find our car up in a tree, like this one you pass on the way to the Mews at Udai Bilas Palace

We wouldn't have been surprised to find our car up in a tree, like this one you pass on the way to the Mews at Udai Bilas Palace

When we tried to leave Dungarpur, our driver was nowhere to be found. What ensued has become a story we can laugh about…now.

 

We had heard that you should expect the unexpected in India — especially when it comes to travel plans. We hadn’t experienced anything too egregious, our two-hour wait for a driver to Dungarpur aside.

Well, that was nothing compared to what happened when we tried to leave Dungarpur.

George recognized the word “police.”
“I don’t like the sound of that,” he said.

The day started off pleasantly enough. After breakfast, we explored a temple complex not far from our heritage hotel, Udai Bilas Palace, where a brahmin greeted and welcomed us. The complex has several lingams (a phallic representation of the Hindu god Shiva) and a shrine to Krishna.

A lingam, which is really just a stylized penis meant to represent the god Shiva

A lingam, which is really just a stylized penis meant to represent the god Shiva

“This Car Is Going Nowhere”

When we checked out at noon, we learned that our driver was unable to meet us, but that it he would be no more than an hour.

In the interim, we went and sat beside the pool and ordered some snacks to nibble on before our return trip to Baroda.

At one point, a supervisor stopped by our table and asked if we would be amenable to him contacting our driver to see what the situation was.

As the man was speaking on his mobile phone, George recognized the word “police.”

“I don’t like the sound of that,” George said.

The supervisor hung up the phone and told us that our driver had had an accident but was OK. Except that he was currently being held at the police station.

It became clear that we wouldn’t be leaving any time soon.

This prompted George to contact the company we had hired the driver through, TaxiForSure. They had a completely different account of the unfolding events: It was an accident. The car just had to be fixed, but we can leave soon. Maybe today. Tomorrow at the latest. Two days tops.

I was worried about getting back to Baroda in time for our flight the next morning. Wally, on the other hand, was enjoying himself, lounging in the sun and telling me repeatedly that there are worse ways to spend a day.

The supervisor left for the local police station with a promise to update us on the situation. When he returned, he showed us pictures of the badly damaged sedan. The driver’s side was crushed in, both windows smashed.

“This car is going nowhere,” he said.

 

We Get the Real Story

Turns out our driver was in jail, waiting for the commissioner, who would or would not show up within the next several hours. We learned that our driver, probably excited to be on his own with a vehicle, had left the complex and gone for a joyride. We’re not sure he was drinking — but it wouldn’t surprise us if he was eager to get some booze in his system, living as he does in Gujarat, a dry state (something to do with Gandhi being from there, George explained).

The car had gone off the road into a ditch and flipped over. Fortunately he was fine, but unfortunately for us, we no longer had transport back to Vadodara.

Thankfully, the hotel made arrangements for a new driver. Our driver took the state highway and we were back in Baroda within a few hours.

The ride was cheaper (and much more pleasant) than our trip to Dungarpur, and our driver was courteous, so we tipped him extravagantly. It wasn’t that much money to us — equal to a taxi ride across Chicago, say — but the man acted like he had just won the lottery. He thanked us profusely and offered us all bidis, tiny cigarettes hand-rolled in leaves. –Duke

The Crumbling But Majestic Dungarpur Palace

The reception hall in the Juna Mahal

The reception hall in the Juna Mahal

One of Rajasthan’s lesser-known sites, the Juna Mahal is filled with brightly painted rooms — and a naughty collection of scenes from the Kama Sutra.

 

I first learned about the former royal residence from the book India: In Word and Image by photographer Eric Meola. He described the Juna Mahal as one of his favorite under-the-radar places, a faded old palace (indeed, that’s what its name translates to), located in the quiet town of Dungapur.

No longer occupied, visits are arranged upon request, which our hotel coordinated for us in advance.

Hidden inside a cupboard on an upper floor were scenes from the Kama Sutra.
The colorful town of Dungarpur

The colorful town of Dungarpur

Perched on the brow of a hill with a panoramic view of the colorful village of Dungapur sprawled out below, the seven-story palace exterior resembles a narrow, dilapidated fortress. The façade is embellished with friezes carved from bluish-gray pareva stone.

A single staircase connects all seven floors of the Juna Mahal, or Old Palace

A single staircase connects all seven floors of the Juna Mahal, or Old Palace

Once we entered the palace, an elderly man with leathery skin and a smiling face, most likely the Juna Mahal’s guardian, ushered us from room to room.

Our silent guide led us from room to room

Our silent guide led us from room to room

Late afternoon light streamed through the windows, lingering upon the colorful murals, frescoes and an interior apartment that contains a glass and mirror inlay.

Hidden inside a cupboard on an upper floor were scenes from the Kama Sutra, India’s revered treatise on sexuality.

A cabinet on one of the top floors of the Juna Mahal depicts naughty scenes from the Kama Sutra

A cabinet on one of the top floors of the Juna Mahal depicts naughty scenes from the Kama Sutra

The rooftop is covered with a mosaic of broken pottery pieces and offers a magnificent view of the landscape.

Wally in the Juna Mahal

Wally in the Juna Mahal

This extraordinary structure is the embodiment of both splendor and decline. It was in use until the mid-20th century and is one of the oldest continuously inhabited buildings in the country.

The brightly painted but fading walls of the Juna Mahal in Dungarpur, India

The brightly painted but fading walls of the Juna Mahal in Dungarpur, India

It is currently on the watch list of the World Monuments Fund, a New York City-based nonprofit organization whose goal is to preserve architectural and cultural heritage sites around the globe.

A room at the top of the Juna Mahal

A room at the top of the Juna Mahal

The vividly painted and decorated rooms are fun to explore — and the luxe accommodations nearby make this a great stop on a tour of Rajasthan. –Duke

The Unpleasant Experience of Hiring a Driver in India

Darkness turned to daylight as we awaited our driver. At least we had stray dogs to keep us company

Darkness turned to daylight as we awaited our driver. At least we had stray dogs to keep us company

Our road trip from Baroda to Dungarpur taught us not to expect your driver to speak English, show up on time or care about your sanity.

We weren't having any luck finding a driver who spoke English. (Prakash informed us that people who spoke English got the good jobs, and apparently “chauffeur” doesn’t fit into that category.)

An online search revealed a company called TaxiForSure. It seemed professional. It was also pretty much our only option. So we arranged transport to Dungapur. We requested a pick-up of 5 a.m. According to Google Maps, it’s a pretty straightforward four-hour drive from Baroda.

A sullen, if handsome, 20-something driver showed up, playing what seemed to be techno versions of Bollywood music blared at full volume.

At 5 the next morning, our friend and host George got a confirmation text from TaxiForSure, which provided the driver’s name, license plate number and estimated arrival time.

A few minutes later, he received a call from someone at TaxiForSure, who regretted to inform us that our original driver would not be coming — his car broke down.

I’d like to point out that no matter how much you try to plan, things can change unexpectedly (and inevitably, it seems), for India moves in its own unpredictable way.

We were waiting outside in front of George’s apartment building (he calls it his “tenement”). George saves his kitchen scraps to leave outside for the cows. As he was tossing a bag onto the heap, a neighbor who was up early yelled at him, telling him not to just throw it there — that there’s an actual place to leave food scraps down the street near the ashram. The neighbor was just doing his part to attempt to reduce the ridiculous amount of garbage strewn about. Indeed, everywhere you go, you see cans, paper and plastic bags picked at and chewed on by rats, jackdaw birds, stray dogs and cows.

 

How “OK, OK” Can Mean Anything But

We waited. George called back after a half-hour had passed, and then again every 15 minutes. The conversations went something like this:

“The driver is in the area.”

“The driver is very close.”

“The driver is 3 to 5 minutes away.”

“The driver is 2 to 3 minutes away.”

George hung up in a huff. “Indians will always tell you, ‘OK, OK,’” he said. “But that doesn’t mean anything. It can mean he’s hours away, or he could be here in 5 minutes. I’ve learned they tell you what you want to hear — even if it’s not the truth.”

Two hours in total had passed before George received another text from TaxiForSure.

Your taxi has arrived.

It was now 7 a.m.

Beep! Beep! A sullen, if handsome, 20-something driver named Pankach, who only spoke Gujarati showed up, playing what seemed to be techno versions of Bollywood music blared at full volume, which we endured the entire trip.

Before we left Baroda, he pulled the car over, and a man approached and gave him a bag full of clothes. Then our road trip was in full swing.

 

Road Trippin'

Once we were outside the city limits, the scenery changed, and we began to pass rural homes, which were transformed into hand-painted advertisements for the sturdy but humble materials cement and brick.

Many of the signs touted Ambuja Cement. The company's logo is a comically proportioned man with a tiny head and a ginormous right bicep embracing a pair of buildings.

Elaborate conical Hindu temples dotted the landscape, confections in bubblegum pink, white, mint and lemon yellow. Cloth flags atop spires fluttered in the breeze.

We weren't sure we were ever going to make it. But we were finally en route to Dungapur, otherwise known as the City of Hills, located at the southernmost Aravalli mountains of Rajasthan.

We almost got used to the Bollywood Molly dance party in the car. Almost. –Duke

RELATED: 3 Tips for Hiring a Driver in India

No matter how much you try to plan, things can change unexpectedly (and inevitably, it seems), for India moves in its own unpredictable way.

Places to Visit in Vadodara: Ganesha Temple and Sayaji Baug

Visitors leave their shoes outside the Dhundiraj Ganpati Mandir temple in Baroda, India

Visitors leave their shoes outside the Dhundiraj Ganpati Mandir temple in Baroda, India

The zoo is a popular attraction, while the Dhundiraj Ganpati Mandir Temple could be Baroda’s best-kept secret.

 

At the edge of Sursagar Lake, we asked an auto rickshaw driver if he could take us to the Dhundiraj Ganpati Temple, which is located deep within the city’s old quarter.

He responded with, “OK, OK,” which George warned us is what Indians say no matter what you ask. In this case, I’d like to point out that “OK’’ didn’t mean that the driver knew exactly where the temple was. We quickly realized this, as he proceeded to get lost and stopped frequently, asking for directions, bumming a cigarette off a couple of nonplussed college students.

Patrons looked upon the mouse deity with reverence, genuflecting and kissing its feet.

As we made our way into the winding streets of the old quarter, we passed innumerable buildings, some crumbling, while others have collapsed into rubble.

George commented, “They don't even know how to get around their own city — but how could they?" And he’s right. Baroda’s labyrinthine lanes are as if a child imagined it, with every usable square foot of space occupied.

When we finally arrived, it turned out the Mandir was closed. Our driver got out and knocked on a doorway not far from the temple entrance to ask what time it opens. That’s not something that would have occurred to us Westerners. We would have just looked for a sign, and not finding one, would have left disappointed.

 

Check out the snouts on these gharial crocodiles at the zoo in Baroda

Check out the snouts on these gharial crocodiles at the zoo in Baroda

Zootopia

We had hours to kill before the temple opened, so we headed off to the zoo.

En route, we passed the Baroda Museum and Gallery. The structure was designed to resemble the Victoria & Albert Museum of London. Built in 1894, it contains a collection of art, sculpture, ethnography and ethnology.

The zoo is part of a large park called Sayaji Baug. We strolled past a small mound with a sun motif that turned out to be a clock made of flowers.

We also crossed over train tracks. The train was a gift to the children of Baroda from the Gaekwad dynasty and has since been replaced with a larger version that also accommodates adults.

Our favorite part of the zoo was the gharial crocodiles. The name originates from the Hindu word ghara, which is a clay pot with a long neck, much like their narrow snout shape. The male crocodile has a bulbous growth at the end of its snout.

 

Time for a Temple Run

Later that day, we returned to Dundiraj Ganpati Mandir, which was built 169 years ago. One of the city’s oldest, most cherished temples dedicated to the elephant-headed god Ganesha, it’s the only one made completely out of wood.

An intricately carved and painted door at the wooden Dhundiraj Ganpati Mandir Temple in Vadodara, India

An intricately carved and painted door at the wooden Dhundiraj Ganpati Mandir Temple in Vadodara, India

The temple exterior is a pale green and quite dilapidated. But as you pass through the entrance doors and into a small courtyard, the temple itself appears in a lovely shade of blue.

Worshippers kiss the feet of Kroncha, a mouse deity, at a temple in Vadodara, India

Worshippers kiss the feet of Kroncha, a mouse deity, at a temple in Vadodara, India

The first thing we saw was Kroncha, the mouse. Instead of being in his usual spot at the feet of Ganesha, he was located atop a pedestal. Patrons looked upon the deity with reverence, genuflecting and kissing its feet. Perhaps one of the reasons he's a popular Hindu deity is that he is known as the destroyer of all obstacles. And here we thought elephants were scared of mice.

Worshippers inside a temple to Ganesha, the elephant-headed Hindu deity

Worshippers inside a temple to Ganesha, the elephant-headed Hindu deity

The marble idol of Lord Ganesha is placed with idols of his wives Riddhi and Siddhi within the inner temple.

The Buddha's footprints at the Dhundiraj Ganpati Mandir Temple in Baroda, India

The Buddha's footprints at the Dhundiraj Ganpati Mandir Temple in Baroda, India

Off to the side of the temple, in a courtyard in the back, don’t miss the Buddha’s stone footprints, which were covered with scattered petals or puja, a ritual offering of flowers as a symbol of love and devotion.

The temple's not easy to get to — but it's worth the effort. –Duke

 

A Guide to Indian Street Food: Vadodara Edition

Wally, George, Manvi and Duke stuffing themselves silly on all-you-can-eat thali

Wally, George, Manvi and Duke stuffing themselves silly on all-you-can-eat thali

We have thali with the prettiest transsexual in Gujarat and sample paan, gulab jamun, pani puri and jelabi.

 

George took us to the offices of two NGOs, Lakshya Trust and Project Pehchān. The staff had just sat down to lunch to share some tiffin that had been delivered. They were so sweet, offering some to us. 

But we had other plans. We invited two hijra to join us for lunch, but Angeli had just had a sex change operation (she had her testicles removed; the penis would be a later surgery) and was on a strict diet of food she had to prepare at home to prevent infection. So the gorgeous Manvi joined us. 

I’ve never been very good at spitting. The reddish-brown fluid left my mouth in sloppy, staccato bursts.

 

thali

We walked down the street to experience the Gujarati version of thali, which George called "Indian tapas." 

We were seated at a table, where four round stainless steel trays were placed in front of us, each holding four small ramekins.

We had barely been there for 30 seconds before the servers, each bearing one item, began to fill our ramekins with food — which they will do continuously until you ask them to stop. We stuffed ourselves silly.

The meal included: 

  • Roti
  • Moong dal
  • Curries
  • Chana masala
  • Sabzi

It was all washed down with chaas, a buttermilk drink.

 

gulab jamun

For dessert we tried gulab jamun, which are balls of deep-fried ricotta-like cheese soaked in a sugary syrup and flavored with green cardamom and rose water.

 

paan

After lunch, George took us to a stall where we tried a traditional digestive known as paan.

It was quite the production and fun to watch. The paan vendor spread a seemingly absurd amount of ingredients onto a moist betel leaf, including:

  • Rosewater jam
  • Mint
  • Camphor
  • Tobacco
  • Rajsi gulab (cardamom seed pieces coated with silver — yes, actual silver!)

He folded these into compact triangular pouches that you pop into your mouth, gently chew and suck the insides out. The sensation was odd — like chewing a waxy tree leaf with an astringent, menthol wood-mulch filling.

The act produces an ample amount of saliva, which you're meant to expectorate. I’ve never been very good at spitting. The reddish-brown fluid left my mouth in sloppy, staccato bursts.

 

pani puri, or golgappas

The sidewalk that surrounds Sursugar Lake in the middle of Baroda is truncated. It would suddenly disappear, forcing us to walk amidst the chaotic traffic of auto rickshaws, cars and mopeds.

A 120-foot-tall statue of Lord Shiva stands at the center of the lake.

As we started our circumambulation, we saw a small billboard atop the Art Deco façade of the Pratap Cinema that displayed the peculiarly titled action movie Baby.

When we had almost gone all the way around the lake, we stopped at a street vendor selling a popular street sweet called pani puri, or golgappas.

This is one of George's favorite snacks and he treated us to the tiny, spherical fried puffs, which are briefly submerged in flavored coconut water, popped in the mouth and eaten whole.

 

jalebi

To complete our Gujarati culinary tour, George also took us to a sweet shop where we purchased jalebi, a traditional Indian sweet similar to a funnel cake. It's made with whole-wheat flour and is soaked in sugar syrup. Saffron in color, they're compact, coil-shaped, glossy and sweet. –Duke

 

Laxmi Vilas Palace, Vadodara

Laxmi Vilas Palace in Vadodara, India, as seen from the back gardens

Laxmi Vilas Palace in Vadodara, India, as seen from the back gardens

One of the must-see places to visit in Vadodara, India.

 

When we awoke early the following morning, the nearby ashram was playing devotional music, which George says is the same every day. Somehow there is something soothing in these sounds, paired with the way the light filtered through the window, a pink lemonade sun rising beside a lone radio tower.

Our first stop of the day was the Laxmi Vilas Palace. Home to the Gaekwad dynasty, the surname supposedly roughly translates to “cow door.” Or maybe “protector of cows.”

Mant committed suicide for fear that he had got his calculations wrong and that the place would fall down.

We stopped at the reception desk to pick up audio guides and met Avanish Pawal. He asked where we were from, as a relative of his is working in Milwaukee as an interior designer. He informed us that a few of the rooms were closed to the public because there was a photography shoot in progress.

We began our tour by viewing the palace from the garden, with its European-style statues, including a beautifully carved peacock urn.

Commissioned by Maharaja Sayajirao Gaekwad III, the palace’s original design was by architect Major Charles Mant, but was finished by Robert Fellowes Chisholm in 1890 after Mant committed suicide for fear that he had got his calculations wrong and that the place would fall down.

Duke and Wally in front of Laxmi Vilas Palace, a highlight of Vadodara, India

Duke and Wally in front of Laxmi Vilas Palace, a highlight of Vadodara, India

The palace was erected in Indo-Saracenic style — a fusing of traditional Indian design elements, Mughal Empire Saracenic style and Gothic Revival, which were favored by both Mant and Chisholm.

Local tradition holds that it was the most expensive private building constructed anywhere in the world during the 19th century.

At the time of construction, its interiors were considered quite modern, resembling a European estate with such amenities as elevators.

Part of the ground floor is open to the public. However, photography of the interior is prohibited.

One of the highlights for me was the armory, which displayed an impressive collection of swords, maces and claw-like weapons designed to fit over the knuckles called bagh naka, which means “tiger’s claw” in Hindi.

We didn’t get to see Durbar Hall, as it was closed for an elaborate photography shoot. But we did get to enjoy the Italianate courtyard with its marble statuary and water fountains just outside of it.

Gorgeous interior courtyard at Laxmi Vilas Palace in Vadodara, India

Gorgeous interior courtyard at Laxmi Vilas Palace in Vadodara, India

If there’s one attraction to see in Vadodara (commonly known as Baroda), this is it. –Duke